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Week in Film: a Very Lynchian Retrospective, Full-Frontal Greek Mythology, and More


Metamorphoses
Saturday March 25 (10 pm),  Sunday March 26 (7:30 pm), Tuesday March 28 (10 pm) Thursday March 30 (10 pm) at Spectacle: $5, advance tickets available 

You know what’s cool about ancient Greek mythology? It looks good on almost anyone. Even 21st-century French people, as you’ll see in Christophe Honoré’s new film Metamorphoses. It’s actually based on a really old poem–but you already knew that by the film’s title right? Metamorphoses (the original) dates to about 8 AD when this Roman dude named Ovid fused bits from more than 250 existing Greek mythos together to create a pretty wacky piece of non-linear literature that defies the standard didactic, A-to-B tellings that were popular back then. Thankfully, Ovid’s story is every bit as riveting as the OG mythos, which are always chock-full gore, guts, adultery, betrayal and, of course, horny gods mingling with orgy-prone mortals.

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Week in Film: Cinema Kink a-Go-Go, a Chloë Sevigny Retrospective, and More


Cinekink NYC
Thursday March 16 through Sunday March 19 at Anthology Film Archives: $11 individual screenings, $45 to $85 for all-access pass (get your tickets here

Fet culture and cinema? I mean, duh, guys, they’re a match made in heaven– er, whichever circle of hell doms and bronies go to. (Dunno about you guys, but that’s where I’m hoping to end up, Lucifer willing). That’s why Cinekink NYC– which clears up any confusion by calling itself “the kinky film festival”– is popping off this week for its 14th year.

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Week in Film: OG Badass Babe Mildred Pierce; Purple Reign in Blood, and More


Purple Rain: Terror Beyond Belief
Friday January 27, 7:30 pm at Spectacle: $5 always

Ok, so I might be outing myself as a giant lame by admitting this but, until I came across this mind-blowing feature presentation, I had no idea that “détournement” is actually, like, its own thing. Basically, that’s just a fancy word for (re)appropriated movies that have been drastically altered and yet retain some of the original characteristics of their source films which tend to be instantly recognizable classics. The result is a chunky, weird-tasting at first, but then loveably gritty combination of parody/homage, familiar/totally alien, nostalgic/apocalyptic– or post-modern upchuck that could trick your grandma and scare the kids. In other words, it’s very punk.

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Anthology Film Archives Adding New Library and Café, With Help from Sparkly Art Auction

Jonas Mekas and Andy Warhol (Courtesy Stephen Shore / Anthology Film Archives)

Jonas Mekas, co-founder of Anthology Film Archives with Andy Warhol (Courtesy Stephen Shore / Anthology Film Archives)

Yesterday, Anthology Film Archives announced that, for the first time in their 46-year history, big changes are coming to the institution in the form of an expansion to their East Village operations that will include a library and café.

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Sip on Herpes Slurpees With Cast of ‘Drunky’ at Alphaville on Saturday

(Flyer via "Adventures of Drunky"/ Augenblick Studios)

(Flyer via “Adventures of Drunky”/ Augenblick Studios)

Let’s be real, it’s been a sticky week. And since the frozen negroni machine has been broken at the Narrows for going on forever, you’re probably thinking, what’s the point of even leaving my fire-escape kiddie pool this weekend? There never is one, truth be told. But there’s something going down this weekend at Alphaville that could turn out to be the next best thing to soakin’ in a plastic tub filled with the champagne of public water and dribbles of your own pee.

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Relive the Indie Film Forum That Brought Us Heavy Metal Parking Lot and Penis Puppets

Detail from the first "I Am Eye" flyer (Via Microscope Gallery/ "I Am Eye")

Detail from the first “I Am Eye” flyer (Via Microscope Gallery/ “I Am Eye”)

Probably the best known film to come out of the I Am Eye scene opens with a view from the cameraman’s car as John Heyn and Jeff Krulik pull into a a sweaty asphalt parking lot full of Wayne’s World clones. “I’m ready to rock!” the spandex-clad kids with big hair exclaim un-ironically, throwing up devil horns and alternating between sloshing around beer bottles and back-bent air guitar. The next 15 minutes or so of Heavy Metal Parking Lot (1986) is nothing short of sheer brilliance and even though the film– which has won praise as “the original viral video” and “the Citizen Kane of wasted teenage metalness”– is approaching its 30th anniversary, it feels supremely right-now. In a lot of ways, this “sleeper” bootleg hit anticipated the kind of cheeky, ironic tone that today we see everywhere in art-making.

Likewise, I Am Eye, the DC-based “independent film forum” that ran from 1982 to 1991 out of a DIY venue called dc space, was a hotbed for underground filmmakers whose influence is still felt today, even if what they screened back then is seriously hard to find now. But for the first time in 25 years, the founders are gathering up their old reels and holding a screening/reunion at Microscope Gallery in Bushwick that opens this weekend.

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11 Years of ‘Audacious’ Selfies Show the Growth of K8 Hardy

Film still from K8 Hardy's "Outfitumentary" (Courtesy of K8 Hardy)

Film still from K8 Hardy’s “Outfitumentary” (Courtesy of K8 Hardy)

Selfies have become so ubiquitous that if your Instagram feed can’t claim at least one, it’s safe to assume you’re the hideous victim of a Korean rubber face mask gone horribly wrong, or you’re so vain that turning a lens on yourself for an arms-length shot is totally out of the question. In art, that lens has been swapped out for an electron microscope, aimed squarely at the self, but penetrating far beyond the puckering duck face.

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Week in Film: Get Super Real with Death Docs and Master Manipulations

film still from Des Morts (Spectacle Theater)

film still from The Act of Seeing with One’s Own Eyes (Light Industry)

Sup guys? Stuff got a little out of hand last week with all those space films and so this time around we’re bringing you back down to earth. Though as always we’re keeping it weird. This week we’ve got surreal takes on film strips that have been sliced, diced, and “inappropriated.” Also in our lineup (which doesn’t include this week’s standout Tribeca Film Festival screenings; click here for those) is an account of the cray stuff that can happen when IRL begins to reflect art. So welcome back to hell, we’re glad you could join us once again.

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Week In Film: Strange Noir Saga, Underage Nymphos, and Seeing John Malkovitch

The sun will come out tomorrow y’all, but that doesn’t mean our black-as-black hearts have grown any less cynical. We’ll never be wary of shutting ourselves inside and “catching” what I’ve heard people call “flicks,” as opposed to having face-to-face human interactions. Those are never as good as movies anyway, and the only thing you can “catch” from people are diseases. Am I right or am I right? That’s why we’re gracing you yet again with at least a handful of excuses to avoid that horrible social anxiety otherwise known as talking to people, particularly like a date or something. Imagine the horror! Hell is other people and movies are really the only thing that, once in a while, might trick us into thinking that’s a bunch of bull.

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