Here’s some good news for New York’s numerous indie film fans – the Art of Brooklyn Film Festival is only a week away.
Running June 3 to 12, the festival (acronym, for extra credit: AoBFF17) describes itself as “the ONLY international, independent festival in the world devoted to Brooklyn’s vibrant film and media scene,” and considers films with any connection to the borough.
Detail from the first “I Am Eye” flyer (Via Microscope Gallery/ “I Am Eye”)
Probably the best known film to come out of the I Am Eye scene opens with a view from the cameraman’s car as John Heyn and Jeff Krulik pull into a a sweaty asphalt parking lot full of Wayne’s World clones. “I’m ready to rock!” the spandex-clad kids with big hair exclaim un-ironically, throwing up devil horns and alternating between sloshing around beer bottles and back-bent air guitar. The next 15 minutes or so of Heavy Metal Parking Lot(1986) is nothing short of sheer brilliance and even though the film– which has won praise as “the original viral video” and “the Citizen Kane of wasted teenage metalness”– is approaching its 30th anniversary, it feels supremely right-now. In a lot of ways, this “sleeper” bootleg hit anticipated the kind of cheeky, ironic tone that today we see everywhere in art-making.
Likewise, I Am Eye, the DC-based “independent film forum” that ran from 1982 to 1991 out of a DIY venue called dc space, was a hotbed for underground filmmakers whose influence is still felt today, even if what they screened back then is seriously hard to find now. But for the first time in 25 years, the founders are gathering up their old reels and holding a screening/reunion at Microscope Gallery in Bushwick that opens this weekend. More →
When the last remaining location of Kim’s Video & Music announced it was closing for good, most agreed it was just another nail in the coffin, the latest reminder of what the Times called “a downtown culture now largely lost.” More →
The William S. Burroughs centenary continued last night with what might’ve been its marquee event — a marathon reading at St. Mark’s Poetry Project. And the reading’s finest moment? When Genesis Breyer P-Orridge — an old friend of Burroughs — read the talking asshole routine that Steve Buscemi did earlier this week. More →
Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library. Today, they look back on the N.Y.C. debut of the Dead Kennedys.
Jello Biafra (Credit: Emily Armstrong)
For die-hard NYC punks, the West Coast seemed a little daunting. It was so bright! But in the fall of 1979, we went to Los Angeles to be on a panel at an early MTV music video conference. We stayed at the Tropicana Hotel, which was the preferred accommodation for traveling rockers. Jim Morrison and Tom Waits had lived there – on this trip, it was Nina Hagen and The Slits hanging at the pool. More →