About Daniel Maurer

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Rockaway’s Wave of Activity: Fresh Sand, Concerts at Rippers, New Food at Riis

The Rocakaway concessions were already gearing up this past weekend, with Caracas and the 97th Street fam (Low Tide Bar, La Cevicheria, Edible Island, and High 97, etc.) all open on the boardwalk. In addition, the folks at displaced DIY venue Shea Stadium just announced that they’re programming a summer concert series, featuring Bethlehem Steel and other bands and DJs, at everyone’s favorite burger stand, Rippers. Now, the Riis Park Beach Bazaar, over on the Fort Tilden side of the peninsula, has announced its lineup of vendors and programming. More →

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How a ‘White Guy From Long Island’ Became a Gonzo Action-Movie Star in Uganda

Before Bad Black screened at Alamo Drafthouse Brooklyn last night, there was a promo clip showing commandos dropping out of a fake, obviously green-screened helicopter and machine-gunning Katz’s Delicatessen into a ridiculously large fireball. The clip’s Lower East Side setting was bizarre given that it was a promo for the movies of gonzo director Isaac Nabwana, who has shot over 40 films in his village outside of Kampala, Uganda. Last night the film’s producer and star, Alan Hofmanis, revealed the fun story behind the Katz’s fireball. More →

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Rooftop Films Unveils Its Summer Series Lineup

(Photo: Courtesy of Josh Davy, via Rooftop Films)

Now that SummerStage, Celebrate Brooklyn!, and Industry City’s Summer Series have announced their lineups, your summer plans are all but set. Today the missing piece of the puzzle falls into place, as Rooftop Films Summer Series has announced its slate of features. More →

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100 Celebrities Name-Dropped in Moby’s New Memoir

By now you’ve heard about Moby rubbing his dick on Donald Trump. But Trump is far from the only celebrity name-checked in the musician’s new memoir, Then It Fell Apart. The follow-up to Porcelain— in which Moby documented his younger years as a sober, Christian vegan– recounts the rise and fall of Moby’s superstardom, starting with the unexpected worldwide success of Play in 1999 and ending with his realization, nearly a decade later, that maybe pounding an estimated 100 drinks per week (all while regularly doing cocaine, ecstasy, and all the rest) wasn’t such a hot idea. After all, when you’re falling asleep on threesomes and you don’t know whose feces you woke up covered in, it’s probably time to reexamine things. More →

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Mary Herron On Cults, The ’60s, and Her New Manson Movie, ‘Charlie Says’

Mary Herron (Photo: Daniel Maurer)

Between Wild Wild Country, “The Stolen Kids of Sarah Lawrence” (now becoming a film), and the start of the Nxivm trial, cults are most definitely part of the zeitgeist these days. Mary Herron—director of one of the many Charles Manson movies coming out— shared some theories about them last night after a preview screening of Charlie Says, which hits theaters Friday following runs at the Tribeca and Montclair film festivals. More →

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‘Framing John DeLorean’ Is a Wild Ride With the Elon Musk of the ’80s

“It’s a DeLorean!”

With those three simple words in Back to the Future, the DMC-12 solidified itself in the mind of every ’80s kid as the coolest car ever made. With its iconic gull-wing doors and geometric stainless-steel exterior, the DeLorean is right up there with the Concorde as one of the most visually stunning vehicle fails of all-time, and its infamous creator finally has a documentary that’s as ambitious as the car itself. More →

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Werner Herzog On ‘Meeting Gorbachev’ Critics: ‘The Stupids Do Not Die Out’

Werner Herzog (right)

When Werner Herzog took a seat in front of the audience at Cinema Village East on Friday, following the Tribeca Film Festival screening of his new documentary, Meeting Gorbachev, he said he was still in a rage over a question he had recently received. Someone had asked him how he let Mikhail Gorbachev get away with the “lie” of saying “we tried,” regarding Gorbachev’s self-described attempt to turn the Soviet Union into a democracy (albeit a socialist one). More →

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A Hidden Movie Theater and Underground Cruising Spot Has Left the East Village

Abel Ferrara’s The Projectionist, which premiered at the Tribeca Film Festival on Sunday, is a scrappy love letter to New York’s independent cinemas, as seen through the eyes of Nicolas Nicolaou, the owner of some of the city’s oldest and most beloved theaters: Cinema Village near Union Square, Cinemart in Forest Hills, and the Alpine Cinemas in Bay Ridge. But the documentary somehow fails to mention what might be Nicolaou’s most intriguing theater, the Bijou, an underground cruising spot that was one of the East Village’s best-kept secrets until it closed a week ago. More →