Unkissed Bride Saturday April 22, 10 pm at Spectacle: $5
OK, before you LMFAO at the premise of this Jack Harris film, put yourself in the shoes of either Ted or Margi, the young couple who find out on their honeymoon (of course) that there’s a roadblock standing in the way of (early) marital bliss. Like, that blows. Especially for such a young couple, because for the most part isn’t it true that marriage–am I pronouncing that right? may-raj…? mar-ridge..?–these days either ends in de jure divorce (courthouses, lawyers, and custody battles, etc.) or de facto divorce (separate beds, six-month yoga retreats, and the like).
You know what’s cool about ancient Greek mythology? It looks good on almost anyone. Even 21st-century French people, as you’ll see in Christophe Honoré’s new film Metamorphoses. It’s actually based on a really old poem–but you already knew that by the film’s title right? Metamorphoses (the original) dates to about 8 AD when this Roman dude named Ovid fused bits from more than 250 existing Greek mythos together to create a pretty wacky piece of non-linear literature that defies the standard didactic, A-to-B tellings that were popular back then. Thankfully, Ovid’s story is every bit as riveting as the OG mythos, which are always chock-full gore, guts, adultery, betrayal and, of course, horny gods mingling with orgy-prone mortals.
K: A Film About Prostitution Thursday March 14, 10 pm and Wednesday March 29, 7:30 pm at Spectacle: $5
“K” is just one film screening as part of Spectacle’s month of March series, Tricks of the Trade: True/False Portraits of Sex Work, which features four separate, cross-cultural, semi-fictional, but mostly very real portrayals of sex work. Shot in Budapest in 1989 by director György Dobra, the doc captures the world’s oldest profession– prostituáltakról in Hungarian (try saying that one ten times fast)– at a time of turmoil, when Communist Party-controlled governments and institutions across the Eastern Bloc were collapsing. Hungarians found themselves in an especially bizarre position because things in their country at least… were fairly calm during the transition to democracy.
The Lure Friday February 10 through Thursday February 16 at IFC Center: $14
This beautifully shot, futuro nightlife fantasy flick is sort of like a glammed-up, femme-fatale version of Splash, only the mermaids here are hardly damsels in distress. These sister mermaids are flesh-eating fish people with vampy tendencies. They have the same power to entrance and, well, lure that sirens are supposed to have, but that somehow American imaginings have left out (Puritans, ughhh). I guess it took some Catholic guilt and Polish imagination to get this darkened-disco retelling of The Little Mermaid off the ground. IFC writes, “One sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred.”
Scrubbers Friday February 3 (10 pm), Thursday Feb 13, (7:30 pm) Monday Feb 20 (10 p), and Sunday Feb 26 (5 pm) at Spectacle: $5
“Punk” is maybe one of the most confused, contradictory, and misunderstood terms, like, ever. For some people it’s a lifestyle, a fashion statement, or a style of music, for others its Liberty Spikes and an ever-present leather jacket with pins and patches and even more spikes. In its simplest form it’s an immediately recognizable baditude, and boy do these ladies at an all-girls borstal (the British school system for juvenile delinquents) know a thing or two about punk.
Purple Rain: Terror Beyond Belief Friday January 27, 7:30 pm at Spectacle: $5 always
Ok, so I might be outing myself as a giant lame by admitting this but, until I came across this mind-blowing feature presentation, I had no idea that “détournement” is actually, like, its own thing. Basically, that’s just a fancy word for (re)appropriated movies that have been drastically altered and yet retain some of the original characteristics of their source films which tend to be instantly recognizable classics. The result is a chunky, weird-tasting at first, but then loveably gritty combination of parody/homage, familiar/totally alien, nostalgic/apocalyptic– or post-modern upchuck that could trick your grandma and scare the kids. In other words, it’s very punk.
S is for Stanley Friday January 20 through Thursday February 2 at IFC Center: individual screenings, $14
To celebrate the premiere of the S is for Stanley, a documentary that takes a rather unique approach to the life and work of Stanley Kubrick, IFC Center is throwing a two-week retrospective for the director, and it’s starting this Friday. Which is actually perfect timing, really, because if there’s one day this year that you’re desperately going to want to hide from the world, Inauguration Day is probably it.
Doomed Love Friday January 6, 7:30 pm at Spectacle: $5
It’s been an awful long time since I’ve seen a movie at Spectacle… who am I kidding? I was pretty much lost for the two or so weeks when I was forced to go without this $5 standby, cini-mini home for everyone from underground-art house weirdos and to -sploitation freaks. I forgive you Spectacle workers, I guess you too needed to watch Law & Order with your family and drunkenly cry yourself to sleep in your childhood bedroom where Frank the teddy bear has been replaced by a mostly-empty bottle of desperately cheap whiskey.
Neruda Now through Thursday January 5 at IFC Center: $14
For all you literary nerds out there, here’s your once-in-a-great-while chance to see a film about a poet– which, strangely, is something the movie bizz must be really feeling right now because whatddya know, Jarmusch’s new one, Paterson, also puts a poet front and center. What makes Neruda an even rarer opportunity is that Pablo Neruda, the Nobel Prize-winning Chilean poet in question, is hardly some rugged, hard-boiled Anglo-centric beardo. Rather, Neruda is best know for his simple, yet heart-crushing love poems (especially the ones contained in Twenty Love Poems and a Song of Despair.)
Videofilia (And Other Viral Syndromes) Friday December 2 through Thursday December 8 at Spectacle, $5
As we’re constantly reminded these days, technological progress is hurdling faster and faster toward the speed of light. These days, we don’t even have to get off our asses and schlep it to the dollar store for toilet paper– we can simply press a button and the butt paper shows up like magic, encased in an obscenely large cardboard box. Then again, there are times when you’re riding the subway and you’re overwhelmed by an apocalyptic dread, having realized that every singlehuman on board is playing Candy Crush. These things serve to remind us that End Times are nigh, and these phone zombies will be the beginning of a very dark, totally uncool end.