Beloved Bushwick DIY venue/housing cooperative/artist colony Silent Barn has been in a bit of a financial bind of late. The popular concert venue, which also functions as an art collective of sorts, has struggled to navigate a coldly indifferent capitalist world, and Silent Barn — technically a for-profit LLC but operating more or less as a non-profit and in the process of transitioning to one — has put out an urgent call for donations as well as paid members.
Hank Wood & the Hammer Heads, La Misma, Mommy, Conspiracy, Shimmer, Fur Helmet
Friday May 5, 8 pm at Saint Vitus: $15
This lineup reads like a who’s-doo of Toxic State records. Arriving straight from the “institutional abyss” is Mommy. Then you have the Portuguese spittlin’ piss punks of La Misma, and scene stalwarts like Fur Helmet and Conspiracy. I mean, Saint Vitus has been called “one of the best-booked bars in New York”– even so, you’re rarely gonna find so many excellent punk/hardcore bands in one place outside of a funeral or, like, a festival (shudder).
Friday February 3 (10 pm), Thursday Feb 13, (7:30 pm) Monday Feb 20 (10 p), and Sunday Feb 26 (5 pm) at Spectacle: $5
“Punk” is maybe one of the most confused, contradictory, and misunderstood terms, like, ever. For some people it’s a lifestyle, a fashion statement, or a style of music, for others its Liberty Spikes and an ever-present leather jacket with pins and patches and even more spikes. In its simplest form it’s an immediately recognizable baditude, and boy do these ladies at an all-girls borstal (the British school system for juvenile delinquents) know a thing or two about punk.
As if you were’t titillated enough by “Livin’ Wavy”, the Sexy Neighbors single we dropped back in December, the Bushwick-centric band is back for more with another boom-worthy single off their new EP, LIHC (out January 31 on Kings Highway Records). “Flickering,” which we’re premiering here, offers something of a departure from the “post-grunge” stylings running through the former and hints toward a new direction, thanks in part to a fresh lineup.
Punk’s not dead– it’s just super expensive. One of the very few CBGB awnings EVER made was sold at an auction this past weekend, and the prediction that it would cost a dumb amount of money was spot on. How much is a dumb amount of money, you ask? Approximately $30,000.
Fat White Family
Tuesday September 6, 11:59 pm at Saint Vitus: $10
If you left town this weekend, chances are your brain’s feelin’ a little fried right about now. Depending on where you went, your gait might might be a little sluggish on top of that. Understandably so, there’s always that reverse culture shock when you come back to the Big City after spending time abroad where strangers are always trying to cramp your speedy style by attempting to engage you in something called a “chat,” and where time in general seems to pass at the speed of rock formation. The quickest way to jumpstart your recovery is to get to an IRL event that throttles you back to life and reminds you why you live in this rat-infested city in the first place.
It’s been a rough summer for the Brooklyn venue scene. Palisades has left a hole in our heart so big that we couldn’t help but dream up some (nightmarish) replacement tenants for the Broadway-Myrtle space. Lucky for the owners of The Acheron– the unofficial home for Brooklyn-made punk and metal that closed last month in a flurry of sweaty thrashing and loud-as-hell sets– they don’t have to see their former digs overtaken by some slick newcomer.
Siege, Ultramantis Black, Lunglust
Saturday August 13, 7 pm to 11 pm at Sunnyvale: $15
The Acheron’s closing got you down? (RIP BBs.) Well, here’s your chance to thrash the pain away with a seriously brutal hardcore show happening this weekend at Sunnyvale (that new-ish kid on the block). As a fire-safe venue with lounge chairs, art installations, a killer backline and, like, legit permits n’ stuff, this may not be the punkest setting, but the place has good bones and great vibes. Oh, and Sunnyvale used to be a super nasty underground punk club too, so there’s that.
Sam’s BIG Day
At The Annoyance, 367 Bedford Ave, Williamsburg. 9:30pm. $5. More info here.
You’ve seen him in serial “gay teen drama” Lake Homo High, as the co-host of Live On Broadgay, and maybe even being named one of Brooklyn Mag’s 50 Funniest People, but this time Sam Taggart is all on his own. Yes, it’s a show just for him, packed full and big with sketches, characters, videos, standup, and some surprises, too. However, no solo show is complete without special guests, and you better believe he’s got those too, in the form of Mary Houlihan, Sisters Weekend, and maybe even more. It’s a big day, after all. I can only hope they’re able to fit such a big day in one theater!
Lost Abjects: Theory of Garbage
At G.G. NiX, 1339 Dekalb Ave, Bushwick. 7pm. More info here.
Kalan Sherrard, the mind behind “Beat Up Trump” among other creations who we spoke with a few months ago, will be presenting this evening at vintage shop G.G. NiX. It’s part multimedia installation, part performance, part lecture, part workshop. Billed as “An Installation and Physical Manifesto Against Recycling,” it’ll feature a spread of works created by Sherrard, including his miniature art galleries (so small you have to look through a magnifying glass to view them), a “post-structural striptease,” and sculptures crafted from gum and fingernails. There will also be a game of Giant Nihilist Tetris, but don’t worry, it is optional.
Brett Davis and Nick Naney’s Disney’s Aladdin
At Over the Eight, 594 Union Ave, Williamsburg. 8pm. More info here.
Everyone loves Aladdin. But what about a live version of Aladdin adapted by two comedians? If that piques your interest, Brett Davis (of The Special Without Brett Davis) and Nick Naney (who has also appeared on that show) have got just the thing for you. The cast features Bardia Salimi as the titular hero, Mitra Jouhari of Three Busy Debras as Jasmine, Brett Davis as Jafar, Nick Naney as the Genie, and even Steph Cook as the rug. This may be the only time you’ll see a human carpet outside of a fetish party, folks, so get to it.
Baby Fat Act 1: A Screeching Weasel Rock Opera
At La MaMa’s Ellen Stewart Theater, 66 E 4th Street, East Village. 7pm and 10pm. Tickets are $15. Also on July 21 and 22 and 8pm. More info here.
Some people like opera, but it’s safe to say it isn’t for everyone. For those who aren’t particularly drawn to long dresses and vibrato, this might do the trick. La MaMa has partnered with Columbia Stages to bring you this world premiere that’s based on Verdi’s opera Rigoletto but written by Ben Weasel, the frontman of punk band Screeching Weasel. The original opera centers around a hunchbacked court jester who’s daughter falls in love with the very Duke he mercilessly mocks, but in this show there is a rock club called The Reptile House with their house band named Serpentello and the dubious and nefarious presence of what may be an inescapable vortex. So like, basically the same thing.
The Trump Card
At Joe’s Pub, 425 Lafayette Street, East Village. 6:30pm. Tickets are $35. Also on August 28. More info here.
Solo performer and monologist Mike Daisey (also behind popular and controversial work The Agony and The Ecstasy of Steve Jobs) presents this new solo work about the one and only D. J. T., breaking down the inner workings of this bizarre and rich man while also weaving a tale of oligarchy’s rise in America along the way. The result is sure to be intriguing, compelling, and ultimately will, I’m assuming, leave you depressed about the state of the world and its possible future. The show’s currently sold out, but a waitlist will be available when the box office opens.
Before the Acheron opened on a quiet block in heavily-industrial East Williamsburg back in 2010, the building was little more than a “black box” housing a barebones ska venue, as owner Bill Dozer remembers it. Within two weeks of signing the lease and taking over the place, it was transformed into a punk and metal show space, a speakeasy-style DIY operation with cheap cans of beer, the occasional “plastic handle of liquor,” and a remarkable sound system with a bar next door. “We were able to get off the ground with basically nothing— just a bunch of sweat and, like, four people working there,” Dozer recalled.
Over the years, the Acheron has grown into the de facto homebase of Brooklyn punk, which has made something of a comeback itself as the venue expanded and went legit, welcoming in local acts and touring bands from across the country to play everything from straightedge punk to psych metal. But as of July 9, the East Williamsburg venue is putting all that to rest when they close their doors for good.