Tonight, witness this fine-tuned evening of powerhouse performance, live music, and installations from an array of artists working in movement, visual, and sound mediums. Curated by multidisciplinary gal Ariele Max (who will also be performing), the evening is comprised of hyper-sexual “inverted gospel” musician/performer Cole, choreographer and installation artist steeped in dystopian imagery Kathleen Dycaico, research and ritual-based artist Autumn Ahn, and musician/choreographer/etc Richard Kennedy.
It’ll cost you $10 to get in, but the price includes a full day of exploring Superchief Gallery, plus wine and the mysterious notion of “edible art.” Why touch the art when you can eat it? More →
Projective Life Tuesday November 22, 7:30 pm at Light Industry: $8 at the door
Light Industry is billing next week’s screening event as a reading (“broadly defined”), which sounds interesting but also begs the question: lol what?
As you may or may not know, Light Industry is more or less a cinema and film discussion forum, but with Projective Life they’re opening up the floor to some good old-fashion poetry and prose, setting the stage for an interesting dialogue between the oral/literary and their usual video and projection modes and getting rid of the “sad exigencies of plot” altogether: “Under these conditions, a film can act as a reading and reading may become a kind of film.”
Okay, so I can’t say with total confidence that MoMA PS1 threw the best Halloween party on Saturday, but as a lover of geodesic domes I can’t imagine who could’ve topped the gigantic one in the Long Island City art museum’s courtyard (seriously, check out its installation).
The web’s best animators set out to prove that everything is scarier when it’s looped for all eternity at this contest from the folks at GIPHY and Brooklyn’s Animation Block Party. The coolest entries are being screened and measured up by celebrity judges at the Brooklyn Bazaar’s new four-story space — here’s hoping for lots of animated homages to the dancing pumpkin man. Plus, on Saturday BK Bazaar is doing their “Brooklyn Fright Bazaar,” with musical tributes to The Cramps and The Bee Gees, games, karaoke (guess they found a manager), a Halloween drinking game contest (yikes), food and more.
Andrew Gori and Ambre Kelly, Sightseers Opening Tuesday, October 18 at Equity Gallery, 6 pm to 8 pm. On view through October 29.
Arielle de Saint Phalle curates a show of work by Andrew Gori and Ambre Kelly, founders of the SPRING/BREAK Art Show among other projects, curatorial and otherwise. For the first time, the two artists will be showing a series of collaborative photographs they’ve taken over the course of five years. The photos are described as a chronicle of “the self-portraiture practice of travelers and tourists,” which is essentially a fancy way to say you’re taking pix of people taking selfies in various locations. Not that there’s anything wrong with that. As selfies have become more and more ubiquitous throughout the world, a documentation of how people take them, especially in international travel hubs and beyond, sounds certainly intriguing. Sure, it’s definitely a little weird and voyeuristic to be showing them in a fine art space, but I suppose it’s just a more permanent form of people-watching. In stark constrast to the high-tech smartphone, which is prime vehicle for selfies, all of the photos on display were taken with 20th Century prosumer film cameras. So no, that’s not just a vintage Instagram filter.
Portrait of myself as my father Continues through September 17 at BAM Fisher, 7:30 pm: $25.
Choreographer Nora Chipaumire, born in Zimbabwe and based in Brooklyn, takes the medium of traditional African dance and dresses it up in the masculine garb of a boxing ring in this piece that explores and explodes traditional notions of black masculinity through the spirit of her estranged father. He will appear in multiple forms, symbolically summoned as a “specter” through two dancers, Kaolack (also known as Senegalese dancer Pape Ibrahima Ndiaye) and the Jamaican-born Shamar Watt. The three performers will step into the ring, don their gloves, and fight it out. Or dance it out. Or maybe there’s less of a difference than we think.
Meriem Bennani’s “FLY” at PS1 (Photo: Nicole Disser)
It was an unusually quiet day on a recent visit to PS1– so deserted that, weirdly, I felt like I could get better acquainted with the 19th-century elementary school portion of the building than ever before. Call me cray, but the artwork at MoMA’s edgier little sister began to feel straight-up rebellious against the throwback schoolish confines which, in turn, started to feel even more institutional. Now that I was alone, and making actual contact with doors and hallways instead of awkwardly rubbing all over my fellow museum-goers, I realized everything was just slightly undersized. And that obligatory museum hush was starting to feel so intense that I felt compelled to swallow my gum and adjust my bad posture (everyone knows a well-trained ear can actually hear you resting on your laurels).
Last week, we caught a glimpse of Katharine Grosse’s installation at Fort Tilden– part of PS1’s “Rockaway!” series– while it was in progress. The German artist had spent the past days spray-painting the skeleton of a building on the former army base with colors that call to mind either the sunset or David Bowie’s Aladdin Sane makeup. The piece, which had been roped off and guarded by security as if Nike missiles had returned to Tilden, opened to the public Sunday with an outdoor reception that was really more of an Insta pose-fest. More →
School’s out for summer, but don’t plan on leaving the playground just yet. At MoMA’s PS1 in Long Island City, sunny daze means things are just getting started. The annual sweaty summer experimental music series (it’s been going strong for 19 years now!) is on its way back to PS1’s courtyard, arriving Saturday June 11 with a sick lineup to keep your weekends filled with the sweet sounds of electronic music, punctuated by threads of rap, indie and more.
Pop-up art show at MoMA PS1 (Photos courtesy of Apostrophe NYC)
Three years after the police shut down their Bushwick gallery and party pad, brothers Sei and Ki Smith keep finding gonzo ways to show art. Last Saturday, the founders of Apostrophe NYC launched a guerrilla attack on MoMA PS1 in Queens. Sneaking in paintings with hinged dowels that they had hidden in their bags, they infiltrated the museum’s courtyard and quickly pushed the works into 12 one-inch holes in the wall, adding informational cards that mimicked the museum’s Proxy font.