Street Art Goes to the Beach via Two Rockaway Exhibits
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If you dug Fort Tilden as much as we did, you’ll be psyched to hear that a couple of its creators are involved in a new film opening locally at Cinema Village today. Co-produced, co-written, and starring Tilden‘s executive producer Ariana Bernstein and edited by its writer-director Sarah-Violet Bliss, Delusions of Guinevere lacks some of the earlier film’s satirical edge, but it has a similarly dark take on the New York dating scene and the staring-at-their-reflection-in-the-iPhone-screen narcissism of kids these days.
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Outrage over the weekend shutdown of Rockaway’s city beaches made the cover of the Daily News (excuse to put a bikinied hardbody on the front page, much?), but fans of Patti Smith and James Franco found more welcoming sands over at Fort Tilden during the kickoff of the “Rockaway!” art festival.
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Fort Tilden, screening tomorrow at Northside Festival, depicts a pair of naive, privileged, and self-obsessed friends journeying to the Rockaways. It’s a sunny, snarky quest to some very funny places.
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It’s hard to get accepted by the South by Southwest film festival — especially if you’re not from New York. This year’s festival features eight films, chosen from 1,324 submissions, and more than half of them have roots here: The Heart Machine, directed by Village Voice film critic Zachary Wigon; Wild Canaries, Lawrence Levine’s Brooklyn-based film; The Mend, set in Harlem and directed by John Magary, who attended Columbia University’s graduate film program; Brooklyn resident Leah Meyerhoff’s I Believe in Unicorns; and the world premier of Fort Tilden, about two girls’ “needlessly complicated” bike ride from Williamsburg to Rockaway’s Fort Tilden beach, co-directed by two NYU MFA film candidates.
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