Yesterday, we told you about some new additions to Williamsburg, like a shiny Chase Bank and a Sephora, joining the ranks of a nearby Apple Store and Whole Foods. As much as the neighborhood seemed to be turning into a replica of chain-laden Manhattan, some offbeat gems were still surviving, like Quimby’s, Desert Island Comics, the volunteer-run Spectacle Theater, and independent video store/bar/screening room Videology Bar & Cinema, which has catered to culture nerds and film buffs for close to 15 years. However, Videology just announced it will be closing their doors later this month, on October 27, making the streets of Bedford Avenue just a little more sterile. More →
If you were thinking of going Halloween shopping at the Salvation Army store on the corner of Bedford and North 7th, sorry, it was demolished in 2013 and its prime plot at 180 Bedford was sold to Thor Equities for $36.1 million in 2015. Since then, speculation has run rampant about what would replace the thrift shop (an Apple Store? a grief center for the neighborhood’s remaining hipsters?), and now we have the answer. Surprise! It’s a very, very swank Chase branch.
The evolution of pizza goes as follows: it was made, it was popularized, it was sloppified, it was morphed into thin and thick slices, and, now, it’s being made into art.
Subscription boxes have been all the rage for years now, offering anything from cocktail ingredients to stuff to supposedly empower you when you’re single, delivered to your door on a recurring basis. Even beloved salami slingers Katz’s will bring pastrami to your doorstep every month. Now, some subscription companies have decided to branch out by opening physical storefronts in addition to their delivery services. Two coffee companies that offer subscriptions for whole or ground beans, Eleva and 787 Coffee, are both opening cafes this week, in Williamsburg and the East Village respectively.
Now through September 16 at JACK, 8 pm (some shows at 3 pm and 7 pm): $18-25
You can probably divide people into three categories regarding competitive athletics they engaged with growing up: more mainstream sports-doers who partook in football, basketball, and the like; people who vehemently did no sports at all; and those drawn to more niche offerings, like martial arts or fencing. The latter grouping is the star of Gracie Gardner’s play Athena, which is being revived for a brief run following a sharply successful debut at Clinton Hill space JACK in February. Presented by The Hearth, which “tells the stories of women,” the play surrounds two teenage girl fencers training for the Junior Olympics. Though such a task undoubtedly requires the duo to spend quite a lot of time around each other, “friends” they do not seem to be. While this situation seems stressful to go through personally, it surely will be interesting to spectate upon. More →
The Brooklyn Wildlife Summer Festival returns this Friday for a triumphant sixth year. The festival, which according to Brooklyn Wildlife founder Christopher Carr, is the “largest independent art and music festival in Brooklyn” with no corporate sponsors, features a lineup of more than 150 performers over the course of 10 days. It touts not only summer music jam sessions, but also “fine art shows, multi media presentations and tech meet ups” per their Eventbrite page.
In lieu of receiving corporate, non-profit or government funding, Carr, a full-time photographer who runs the Gamba Forest art studio with his partner (which is also hosting the festival’s Saturday lineup), funds the entire festival out of pocket–with the exception of a $10 application fee that he charges first-time performers seeking to play in the festival. The out-of-the-box music fest seeks to be the “new CMJ, the new WMC, the new SXSW” according to their Facebook event page. But doesn’t that sort of big tent, mainstream vibe run counter to the festival’s purpose as a gathering of indie artists? According to Carr, whom Bedford + Bowery spoke with by phone, not necessarily. In the early days of SXSW, Carr recalls smaller or mid-sized venues that brought people together in appreciation of solid indie music. He approaches his music festival in a similar way.
“I’m going for that middle ground where it’s large enough that it’s worth the time of the venues and individuals that put in the effort, but not so large that it cannibalizes itself,” says Carr. “I also enjoy Afropunk…but there’s an irony about a festival [that] punk kids can’t afford. We want to find that nice little area where we get some coverage, but we don’t need to cater to the media.” Carr also notes that this year’s festival stands out from previous years in two ways: “magnitude” and “decentralized performances” AKA events hosted in private residences with the help of the website artery.is. With so many events and performers, it can be hard to know where to start, but Carr suggests paying particular attention to metal band No Clouds, esoteric rapper Akai Solo (performing on the festival’s opening night at Trans-Pecos), and reggae/hip-hop artist D-Andra.
You can scope out the links to the performers’ music on the festival’s website and find more information about the various events on Facebook. Tickets ($50) are available here. The 10-day summer fest runs from Friday, August, 31 through Sunday, September 9.
Red Emma and the Mad Monk
Now through September 1 at The Tank, 8 pm: $20-30
Nowadays, when one thinks about theater (particularly any form of commercial theater, Broadway or otherwise), radical politics aren’t necessarily the first thing that comes to mind. Or the second or third for that matter. That’s why it’s so refreshing to see this serve as the cornerstone of Red Emma and the Mad Monk, a new play with music by Alexis Roblan presented as part of The Tank’s Ladyfest. It centers around a 12 year-old girl who has a mystic Russian imaginary friend and enjoys fighting online with “deplorables,” an unsettling pastime for someone so young, but it probably happens more than we’d like to think. In the midst of this, she learns about the influential anarchist activist Emma Goldman, and starts to consider the world a bit differently. More →
Spiked Seltzer is just one of the brands that have been using the L train shutdown as a marketing hook (you may have also noticed Stuy Town’s attempt to lure Williamsburgers over the bridge via its model-apartment truck). But the Connecticut-based alcopop brand gets extra points for just straight-up giving stuff away. And not just keychains or t-shirts– we’re talking [Price is Right voice] A NEW BICYCLE!
August Summer Residency Showcase
Opening Wednesday, August 29 at Con Artist Collective, 7 pm to 11 pm. On view through August 31.
It’s the end of the summer, which means people are scrambling to get the last of their leisure time in before it feels less justifiable to do so. This often means less events and other artistic goings-on. After all, it’s hard to have an art show when you don’t want to leave the beach. But the restless vigor of Con Artist Collective continues—on any given day (including in the midst of the end-of-summer lull) you can probably find them up to something, whether that be the party-filled unveiling of a new art exhibition or something else entirely. Starting Wednesday night, the Lower East Side art space’s summer studio residents will be showing their latest creations. More →
It was a boiling-hot day in Brooklyn when I strolled by a dull gray electrical box and glimpsed vivid shades of red, purple and blue. The square black sticker pasted onto the box contained a blue angelic figure with red wings kneeling in prayer beneath a bizarre hodgepodge of images depicting the decrepit state of America today: pills—possibly a nod to the opioid epidemic—logos for Fox News and Vice, Facebook and Twitter social media icons, an iPhone, an AK-47, an Amazon box, and an array of dollar bills upon dollar bills. Scrawled in tiny white font beneath the image were the words Dom Dirtee.