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Wear Your Sunglasses After Dark to Tonight’s Star-Studded Tribute to The Cramps

Several Halloweens ago, the folks at Nightclubbing gave us what was most definitely a treat: vintage footage of The Cramps doing “The Way I Walk” at Irving Plaza. Today, Emily Armstrong and Pat Ivers have dusted off another clip, posting footage of Lux Interior et al doing “Pretty Baby What You Do To Me.” Check it out above, and then watch “The Mac Daddy” as well– it’ll make for the perfect pre-partying music tonight as you get ready to head over to the annual Halloween tribute to The Cramps at Bowery Electric.

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Four Must-See Shows This Week, From a Neo-Noise OG to a Bedroom Punk QT

Boy oh boy this weekend’s gonna be a wild one. There’s a lot of dark energy floating around right now. People have reached their breaking point with winter and it’s hard not to feel like something’s bound to give at any moment. Call me a truther, but I feel like ISIS might have something to do with this one. I mean they’re definitely the people behind “the dress,” am I right? Something so dull and inconsequential was the perfect way to distract people from the realities of war and global distress. Is that a glowing revelation for you or what? Well, sorry about that– but we suggest you banish your fear and channel all anxiety and doom into bobbing your head or grinding at any one of these rad shows. We promise you Suicide and Pharmakon will invoke way realer terror than “the dress.”

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‘We’d Found This Cave Out of Time’: A Look Back at Glam Rock’s Club 82

(Photos: Aileen Polk)

(Photos: Eileen Polk)

When Judy Garland, Kirk Douglas, Liz Taylor and the glitterati of the ‘50s wanted to walk on the wild side, they headed to the East Village’s Club 82, “New York’s After-Dark Rendezvous.” The notoriety of the basement club, at 82 East Fourth Street, came from its elaborate stage shows performed by 35 female impersonators. Strippers, dancers, comedians and singers, all men in drag, staged three shows nightly, seven days a week well into the ‘60s, when the novelty wore off and the club’s popularity faded.
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Watch the House Videographers at CBGB Call Richard Hell a Crybaby

As you may have read over at Rolling Stone, Pat Ivers and Emily Armstrong — in what’s sure to be one of the highlights of the CBGB Festival — are screening some of their rare late-70s and early-80s concert footage at Bowery Electric tonight, between performances by Cheetah Chrome of the Dead Boys, Syl Sylvain of the New York Dolls, and Glen Matlock of the Sex Pistols. We were lucky enough to have the authors of our weekly Nightclubbing column into the B+B Newsroom last Friday, along with Richard Boch, who’s working on a memoir of his time manning the door of the Mudd Club, and Pat Irwin, the guitarist for the Raybeats, 8 Eyed Spy and the B-52s, who spoke about his recently unearthed collaboration with Philip Glass.

If you missed Friday’s discussion, watch the replay above. Here’s what the gang had to say about Suicide (we spoke to Martin Rev of that band back in June) and the evolution of the Ramones.
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