performance art

No Comments

Responses To The Inauguration Anniversary, And More Shows To See

WEDNESDAY

(image via Ars Nova / Facebook)

Citizens United II: What Happened?
Wednesday, January 17 at Ars Nova, 8 pm: $15

If you couldn’t tell from the title alone, this is a political show. Though just to clarify, it’s not a staged reading of the Hillary Clinton book. At least, I don’t think it is. “Leftist performance collective” Citizens United returns once more to the Ars Nova stage to parse through these troubled political times by way of drag shows, poetry, performance art, punk music, and more. The group joins the many artistic efforts happening this month to commemorate-slash-mourn the one-year anniversary of the presidential inauguration. In fact, the last time Citizens United brought their unique stylings to the stage was January 2017. What has happened since that fateful month is dizzying and often cringe-worthy to think of, and possibly perfectly summed up by a night of chaotic performance. Keep Reading »

No Comments

More Theater Festivals, Clowns, And Performative Activism

(photo: Ian Douglas, courtesy of American Realness)

American Realness
Now through January 16 at Abrons Arts Center and other venues, various times and prices.

If you thought last week’s Performance Picks covered all the winter theater festival shows to see, you would be incorrect. There are actually more, believe it or not. Abrons Arts Center and Gibney Dance’s American Realness festival began yesterday, bringing with it a slew of dance and movement-based works, including several world premieres. Whether you’re interested in profound performance art, classic dance, or pop cultural tribute, American Realness likely has you covered.

Some intriguing titles include nora chipaumire’s punk salute to Patti Smith and Zimbabwe, Neal Medlyn’s investigation into Pina Bausch and his years as an “untrained dancer in New York contemporary dance,” NIC Kay’s solo performance inspired by queer ballroom and Butoh, Adrienne Truscott’s “dance about dance without any dance,” Claire Cunningham and Jess Curtis’s physical delve into the seeing and perceiving of bodies both disabled and not, and of course, more. Keep Reading »

No Comments

Under the Radar Festival and More Must-See Performance

A scene from Antigonón, un Contigente Épico, running January 10-14 at The Public Theater as part of The Public’s 14th Annual Under the Radar Festival. (Photo: Lessy Montes)

The Public’s Under The Radar Festival
January 4-15 at The Public Theater and other venues, various times and prices.

It is time once again for the slew of winter theater festivals that usually fill the month of January to its very brim, and cause many an artist to triple-check their schedule and/or wallets to see how they can make it all work. Beginning on Thursday is one of the most notable fests, Under The Radar, presented by The Public Theater. Though it’s only 12 days, there are more than 155 performances across five venues. Even slightly pondering that gives me scheduling-related anxiety.

A brief sampling of highlights: Roger Guenveur Smith and CalArts’s piece exploring the New Year’s Eve concert Jimi Hendrix played in 1969 in NYC, queer ensemble Split Britches’s meditation on anxiety and doomsday created in collaboration with local artists and elders, a concert of work by Erin Markey and Emily Bate, harunalee’s exploration of how memory can be gendered and racialized, Cuban company Teatro El Público’s underground drag-cabaret version of Antigone, and more. There is truly so much more. Keep Reading »

No Comments

Performance Picks: Comedic Compliments, Native Satire, All the Feels

WEDNESDAY

(image via The Center for the Humanities)

This Isn’t Funny!: I, An Moron
Wednesday, November 8 at CUNY Graduate Center’s James Gallery, 7 pm: FREE

Comedy is a strange thing. Many write it off as merely jokes with little meaning, but comedy is one of our biggest and most pervasive cultural forces. So, be careful what you joke about, because hey, jokes do matter and it’s extremely easy to be very funny without tearing down marginalized groups. I see it happen literally all the time. Anyway, tonight you can see performance artist Dynasty Handbag perform their new work that riffs on “white activism” (#resist by buying this shirt about feminism!) and solo shows made by privileged heterosexual women with little self-awareness, which I also see happen all the time. After the performance concludes, the artist will be joined by Morgan Bassichis, Dominique Nisperos, Keisha Zollar, and moderator Bess Rowen for a discussion about the role of comedy in times of political unrest, and how one can utilize the genre to productively take on the establishment.

THURSDAY

(flyer via Union Hall)

Boast Rattle
Thursday, November 9 at Union Hall, 10 pm: $10 advance, $12 day of

Ah, roasts. No, I don’t mean cookouts or that ceremony where you put the whole pig in the ground and take it out after a while. I am talking about the weird comedic ritual of hurling insults in a way some take as complimentary, ultimately. In my opinion, it is too easy to resort to cheap shots in a roast. Unless maybe you are roasting a white man who does not have many redeeming qualities. In any case, at this show you needn’t worry about expecting to laugh at any cruel or dumb retorts. In fact, Boast Rattle is a night of fierce compliments. So, you can sit back and watch Jo Firestone, Josh Gondelman, Mike Drucker, Adam Conover, Shalewa Sharpe, and even Bizzy The Dog cook up their best words of praise to each other. Plus, this edition of the show is part of the New York Comedy Festival, so maybe you will feel fancier in the audience.

FRIDAY

(flyer via Ars Nova / Facebook)

Every Feeling I’ve Ever Felt
Friday, November 10 at Ars Nova, 8 pm: $15

When it comes to feelings, composer and musician Ellen Winter has many of them. So many, in fact, that she’s written an entire show to expose them all to you. Her one-night-only show at Ars Nova (where she also interned several years back) not only has a hefty dose of emotions all along the spectrum (and probably more than one or two tears), it also serves as a showcase of songs she’s written over the years, from renditions of punk songs past to new material from her upcoming solo album. With some rare actual good news coming from the most recent local elections and the inevitable advent of chillier weather and seasonal depression, I have also been feeling many types of feelings. It can always be a treat to experience them with a roomful of others, set to a handful of songs.

SATURDAY

(photo: Theo Cote)

Don’t Feed The Indians: A Divine Comedy Pageant
Now through November 19 at La MaMa, 7 pm (Sundays at 2 pm): $25, $20 students/seniors

One (and certainly not the only) group who has faced hundreds of years of oppression that still continues today is Native Americans. Though their land and livelihood is still largely disregarded today, illuminated by movements like that of Standing Rock and more, the struggles they face are not always splashed on the (virtual) front pages of the news. And when Native or Indigenous people are portrayed in fictional media, it’s equally uncommon that they themselves are the ones telling the stories or even playing the roles. That all gets turned on its head at Safe Harbors Indigenous Collective’s “greatest sideshow of Indigenous people you’ll ever see.”

Created by Murielle Borst-Tarrant of Spiderwoman Theater with music direction by Kevin Tarrant, Don’t Feed The Indians takes common Native stereotypes and subverts them in a satirical, musical night performed by actual Native artists. May the future only bring more and more work like this.

No Comments

Performance Picks: Nightcaps, Bars Become Barns, and Black Girl Magic

THURSDAY

Nightcap | by Ike
Thursday, October 19 at Joe’s Pub, 9:30 pm: $15

Sometimes you’ve had a long and hard week, and you just want to sit back in a comfortable chair and enjoy a nice nightcap. Whether this, to you, means a snug piece of headwear to pair with a matching set of PJs or a fine pour of neat whiskey, come Thursday night it means joining comedic performer Ikechukwu Ufomadu at Joe’s Pub for a night of special guests, gentle quips, live music, and more. As a host and performer, Ike has a demeanor and tone of voice that will simultaneously make you chuckle robustly and feel like a soft blanket is enveloping your very form. Joining him on this evening will be jazz singer Stephan Crump and singer-songwriter LOLO. Keep Reading »

No Comments

Surrealist Warehouse Festival, Fantastic Comedy, and More Performance Picks

WEDNESDAY

(flyer via Brian Fiddyment / Twitter)

Prayerz
Wednesday, June 28 at Vital Joint, 9 pm: $5-10 sliding scale

Regular old prayers are boring. Clasping your hands together and murmuring at the sky all polite-like? Come on. And don’t get me started on the kinds of prayers that just happen as a silent “conversation with God” in your head (i.e. the kinds I did as a child, I was no heathen). Let’s get some performative prayer up in here! And that’s just what comedian Brian Fiddyment will bring you in his monthly show at East Williamsburg space Vital Joint. Well, maybe. It’s a show and open mic focusing on multimedia-based and non-traditional comedy pieces are given priority. Perhaps that was the true Word of the Lord all along.

And if you want to double up on the #showz, get there early, because at 8 pm three groups of artists are performing new experimental works as part of ?!: New Works, deemed “the spiritual successor to the Exponential Festival.” Keep Reading »

No Comments

Little Green Guys, 5-Hour Durationals, and More Performance Picks

WEDNESDAY

(poster by Mikey Heller, via Facebook)

Little Green Guys: An Evening of Comedy About Frogs and Lizards
Wednesday, May 10 at Babycastles, 8 pm: $5

First of all, I don’t know what I can say about this show that will make it any more appealing than the title already makes it. Little green guys! Why make jokes about people and places when you can make them about frogs and lizards. They’re small, they’re wacky, and they’re one of a kind. A grand old lineup of people will be stopping by to wax comedic about these green-hued critters, including Jo Firestone, Lorelei Ramirez, Annie Donley, Anthony Oberbeck, Carmen Christopher, The Junk Bros, and more, plus your amphibian-and-reptile-loving hosts Joe Rumrill and Andrew Tisher.

The only thing that would make this show better is if actual frogs and lizards made their way up the steps to Babycastles, clambered up the mic stands, and croaked out their own jokes and humorous musings. I guess we will just have to wait for the sequel to see that. Keep Reading »

No Comments

How a ‘Pansexual Pervert’ Metal Band Ended Up in the Proud Boys’ Crosshairs

(Photo: Nicole Disser)

If you’ve never been to a Pink Mass show and your idea of BDSM is 50 Shades of Grey, then grab your smelling salts for this one. Even I found myself flinching at photos of the band’s live performances– gory scenes of large, sweat-soaked men sheathed in balls-to-the-wall bondage gear, bending into various shapes of mastering and submitting, and abiding strictly by the band’s stated “personal interests”:

LEATHER
STUDS
WHIPS
SCARS

Keep Reading »

No Comments

Kyle, a Cocaine Comedy, Aims to Have You Snorting With Laughter

Kyle, a ‘cocaine comedy’ (Photo: Jody Christophersen, courtesy of Frigid New York, Horse Trade Theatre Group)

Up until, ahem, pretty recently, you could get away with making the claim that as Americans we are far more enlightened than we were 50, or even 10 years ago. The numbers appear to support this–  fewer of us are going to church, the youngins among us are far more tolerant than the olds, 60 percent of us are down to see marijuana legalized, and best of all, this whole “Golden Age of TV” thing means that even our beloved Idiot Box is smart these days. We all know what happened next– which meant that progress was not only going to be stopped, but deported back to Angela Merkel’s lap and replaced by nonsense rhetoric (the “best people” are doing “tremendous” things to make the U.S.A. “great” “again”) and “alternative facts.” We are only a few months into this horror show, but the impact on art, and how we process art, is already being felt.

Keep Reading »

No Comments

Something ‘Terrifying’ and Four More Performance Picks

WEDNESDAY

(image via Maude Gun / Facebook)

Maude Night #4
Wednesday, March 15 at Muchmore’s, 9 pm: $5-7 suggested donation

This is decidedly not the UCB showcase, but a queer/femme/POC space for variety performance and expression helmed by witchy, culty performance-art band Maude Gun. The lineup includes “Mountain Moving Witch of the West Coast” Carissa Matsushima, “Ritualistic Serotonin Poem Witch” Tara Jayakar, “Nose Bleeding Drama Queen Healer” Holly Simple, and a closing piece by Maude Gun themselves. Though it is the name of their band, they seem to be rather generous with the term “maude,” referring to their booked performers and potentially everyone in the room by the moniker. In the event description is a reminder: “let’s mind our pronouns! (call everyone a MAUDE if you’re lost)” Keep Reading »

No Comments

Avril Lavigne’s Ghost, a Dirty Panties Musical, and More Performance Picks

THURSDAY

(flyer via The Witness / Facebook)

The Witness
Thursday, March 9 at Superchief Gallery, 8 pm: $10

Tonight, witness this fine-tuned evening of powerhouse performance, live music, and installations from an array of artists working in movement, visual, and sound mediums. Curated by multidisciplinary gal Ariele Max (who will also be performing), the evening is comprised of hyper-sexual “inverted gospel” musician/performer Cole, choreographer and installation artist steeped in dystopian imagery Kathleen Dycaico, research and ritual-based artist Autumn Ahn, and musician/choreographer/etc Richard Kennedy.

It’ll cost you $10 to get in, but the price includes a full day of exploring Superchief Gallery, plus wine and the mysterious notion of “edible art.” Why touch the art when you can eat it? Keep Reading »

No Comments

Disney Burlesque, a Show in a Bathtub, and More Primo Performance

THURSDAY

(flyer via The Slipper Room)

(flyer via The Slipper Room)

Burlesque Tribute to the Ladies of Disney
Thursday, February 3 at The Slipper Room, 7 pm doors, 8 pm show: $10 

Hotsy Totsy Burlesque is back again. Known for their titillating tributes to all things pop culture, Hotsy Totsy has created scantily-clad evenings dedicated to Game of ThronesStar Wars, Stephen King, The Muppets, and more. This month, they’ve stepped away from the fur and sci-fi in lieu of something more delicate and nostalgic. Yes, they’ve whipped up a tribute all your favorite princesses: the ladies of Disney. However demure these princesses may be, this show doesn’t exactly seem to follow suit. The concept hinges upon Cherry Pitz and Handsome Brad as the Fairy Godmother and Prince Charming respectively, who seem to be enjoying their very own Happily Ever After. Only, paradise can be boring for a mere duo. As per the show’s description, “Looking to spice things up, the two love birds have decided to throw a ball, looking for the hottest princess in the land to join them in a threesome!” Keep Reading »