Tonight, witness this fine-tuned evening of powerhouse performance, live music, and installations from an array of artists working in movement, visual, and sound mediums. Curated by multidisciplinary gal Ariele Max (who will also be performing), the evening is comprised of hyper-sexual “inverted gospel” musician/performer Cole, choreographer and installation artist steeped in dystopian imagery Kathleen Dycaico, research and ritual-based artist Autumn Ahn, and musician/choreographer/etc Richard Kennedy.
It’ll cost you $10 to get in, but the price includes a full day of exploring Superchief Gallery, plus wine and the mysterious notion of “edible art.” Why touch the art when you can eat it? Keep Reading »
This Is How You Talk To People Wednesday, February 22 at The Silent Barn, 7 pm: $5
Tonight, Bushwick mainstay The Silent Barn will welcome a “communal reading” of a play by Rachel Davies, who has written for outlets such as Rookie, Complex, Nylon, and The Le Sigh. This Is How You Talk To People is Davies’s first play, and chronicles a variety of women from a talk show hostto a student who are collectively trying to navigate shifting friendships and relationships. The reading will be done communally in “an attempt to make the performance more accessible,” and profits from the evening will be donated to the ACLU.
Valentine’s Day has technically passed, so all you single people can breathe a sigh of relief and all you non-single people can also breathe a sigh of relief because the pressure to give into capitalism has maybe lessened a little. Depending on who you are, of course. But if you’re longing to stay in the spirit of flowers, chocolates, and a pink n’ red color palette, this edition of Greta Titelman’s Room Service comedy show at The Jane has got you covered. With a lineup full of love-worthy folks like Bowen Yang, Lorelei Ramirez, Alyssa Stonoha, Petey DeAbreu, Blair Socci, Tom Thakkar, and Ricky Velez, you’ll be sure to spend the night feeling warm inside, expelling laughs from your gullet in only the most loving of fashions. Rounding out the bunch will be two individuals aiming their Cupid’s arrow in a more musical way: Ruby McCollister and Tim Platt as “resident songbird” and “heartthrob,” respectively. Keep Reading »
Masterpiece Classic: Women in Art Wednesday, February 8 at UCB Chelsea, 8 pm: $7
It is generally agreed upon that art is Good. However, the art world is where things get a little more polarized. This new character-based show by comedian and actress Hallie Haas takes on the type of people who consider themselves high and mighty creators, the type of people who take themselves reeeeeeally seriously. The premise is that Laura Linney, of course, has gathered together seven of the most sophisticated and acclaimed women artists for an evening that feels a lot like a certain public access television show. Only probably a lot weirder. Especially considering Haas will be playing every character. This spoof on PBS classics feels especially timely, considering I just got an email asking me to sign an online petition so that Donald Trump doesn’t get rid of PBS Kids. Please, think of the children. And the art.
Burlesque Tribute to the Ladies of Disney Thursday, February 3 at The Slipper Room, 7 pm doors, 8 pm show: $10
Hotsy Totsy Burlesque is back again. Known for their titillating tributes to all things pop culture, Hotsy Totsy has created scantily-clad evenings dedicated to Game of Thrones, Star Wars, Stephen King, The Muppets, and more. This month, they’ve stepped away from the fur and sci-fi in lieu of something more delicate and nostalgic. Yes, they’ve whipped up a tribute all your favorite princesses: the ladies of Disney. However demure these princesses may be, this show doesn’t exactly seem to follow suit. The concept hinges upon Cherry Pitz and Handsome Brad as the Fairy Godmother and Prince Charming respectively, who seem to be enjoying their very own Happily Ever After. Only, paradise can be boring for a mere duo. As per the show’s description, “Looking to spice things up, the two love birds have decided to throw a ball, looking for the hottest princess in the land to join them in a threesome!” Keep Reading »
The Annoyance’s stage (photo via Annoyance Theatre NY / Facebook)
The New York chapter of comedy theater The Annoyance has announced they’ll be closing their location on Bedford Avenue in Williamsburg at the end of March. Originally started in Chicago 28 years ago, The Annoyance began holding classes in Williamsburg in January 2014, and went on to open up a physical location in the city later that year in December.
Make America Gay Again Wednesday, January 18 at Ars Nova, 8 pm: $15
By now, the phrase Make America Great Again pretty much seems like old hat. Which is also a pun I didn’t mean to make, but there it is. Tonight, performance artist Chris Tyler hopes to put his own ribald spin on MAGA with this spangled variety show, claiming while that America has never been particularly great or even particularly good, it has indeed been “more than a little bit gay.” Republicans are welcome to this affair, though it’s unclear what their fate shall be when they arrive. The lineup includes “drag queens, poets, and punk musicians” such as performance artist Emily Oliveira, drag queen Kelsey, local rockers Gandor Chorale, Pussy Grabs Back: The Band, writer Jess Goldschmidt, and more. Advance tickets are sold out, but a waitlist begins at the theater at 7:30. Keep Reading »
Comedy is not a pursuit for the faint of heart, and that goes for audiences and comics alike. Lately, there’s been a widespread and mercilessly drawn-out public debate over what exactly counts as “offensive,” and how that may or may not be something quite separate from old-fashioned hate– you know, the classics, like racism, misogyny, homophobia. Meanwhile the term “safe space” has become so common, so misused and abused, that invoking it comes with some seriously heavy baggage that makes it almost impossible to use without infuriating some people and inspiring others to swoon.
F*@#d in the East Village January 11-17 at The Wild Project, 7:30 pm: $20, $16 students/seniors.
The East Village isn’t what it used to be, I think we all know that. Samantha Fontana and Roger Manix especially do, so much that they’ve crafted a comedic play all about it. F*@#d in the East Village is one of those plays where two people play many characters, but in this case the show begins with only two people: a “recently dumped high school senior” who meets “her twentysomething gay man self in 2005.” Now that that pattern of logic has been established, the audience will go on a journey back in time to the East Village of the past, only it’s a little weirder and more surreal. Not in the sense of there being more avant-garde art spaces, but like, in the sense that the Astor Place Cube is granted the ability to speak. You know, just average stuff like that. Fontana is a born-and-bred East Villager, so this isn’t a mediation on “old New York” by people whose first interactions with the city included Duane Reades and Starbucks on every corner already.
Under the Radar Wednesday January 4 through Sunday January 15, various showtimes at The Public Theater and other spaces: $20 and up
Ah yes, it’s that time again, when the slew of January performance festivals sail in every winter to overwhelm you with a seemingly endless supply of shows. One of these is The Public Theater’s Under the Radar festival, which presents a wide variety of music, performance, and more from artists based across the U.S. and all over the world.
Mary Houlihan, Joe Rumrill, Sam Taggart, and Julio Torres’s recurring comedy show Future Forms is a tasty treat, and probably one of the only shows you can say you’ve seen in a watch showroom. I mean, with the impending closure of spaces like Cake Shop, and DIY spaces getting all hush-hush for fear of getting shut down, perhaps we’ll all soon be watching shows in the aisles of grocery stores or something like that. Which could be fun, but the lighting leaves something to be desired.
The Perfect Play Wednesday, December 21 at JACK, 7 pm: $15
Not much seems perfect in 2016, especially in these last few moments. However, at Clinton Hill art space JACK, experimental performance ensemble Banana Bag and Bodice will summon a crop of luminaries of the downtown theater and performance world in a grand attempt at perfection. If a pursuit of flawlessness makes your eyes roll into oblivion, let me clarify that what these folks are actually doing is staging their fourth annual adults-only musical weirdo version of the classic Nativity story. You know, the perfect child, the virgin birth, etc.? Perfect. There’s certainly a lot to unpack here. Particularly the virgin birth– I still have a lot of questions about that. But I trust that this merry gang of creators, who have also dreamt up concoctions like a Beowulf musical and an experimental piece on political prisoners scored by a soundscape of found objects like fishbowls and license plates, will do the whole thing justice. After the formal show, stick around for drinks and “special Christmas musical maneuverings.”