satire

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Gallery Sleepover, Magical Laughter Workshop, and Other Art Occasions

Untitled, 1971 Ink on paper 27.6 x 35.2 cm / 10 7/8 x 13 7/8 in © The Estate of Philip Guston Courtesy Hauser & Wirth

Untitled, 1971
Ink on paper
27.6 x 35.2 cm / 10 7/8 x 13 7/8 in
© The Estate of Philip Guston
Courtesy Hauser & Wirth

Laughter in the Dark, Drawings from 1971 & 1975
Opening Tuesday, November 1 at Hauser & Wirth 22nd Street, 6 pm to 8 pm. On view through January 14. 

While our heads are all aflurry with the politics of today, it could be good to take a break, clear your head before you place pen to paper and fill out that absentee ballot, trying not to smudge the ink with your tears of frustration and hopelessness. Though this election season seems truly eternal, there were other presidents, and there was art made about them, too. Hauser & Wirth’s 22nd Street location will be showing a tremendous collection of Philip Guston’s satirical caricature drawings of Richard Nixon, from his well-known “Poor Richard” series to collections of sketches rarely seen by the public, if at all.

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Funny Pages: Tribeca Docs Plumb the Humor of the New Yorker and National Lampoon

Nation Lampoon magazine cover, Jan '73 (Credit: National Lampoon)

Nation Lampoon magazine cover, Jan ’73 (Credit: National Lampoon)

I know I’m not the only one whose pre-adolescent mind was warped by National Lampoon and the cartoons of the New Yorker, so it’s a real treat to have seen documentaries about both at the Tribeca Film Festival.

On Sunday, Calvin Trillin kicked off a post-screening panel discussion about Leah Wolchok’s doc, Very Semi-Serious, by confessing that he had a “100 percent turndown record for cartoon ideas at the New Yorker.” Back in the day, aspiring doodlers would submit for 25 years before they were finally accepted, but the documentary makes clear that entry is no longer quite as forbidding.

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