This week, we continue with our series of longer pieces unraveling the histories of storied buildings.
In June 1931, with America’s working class still deep in the grip of the Great Depression, a handful of actors in New York City performed Art is a Weapon, a skit first adapted by the New York’s Workers’ Laboratory Theatre. It begins with a Capitalist, with a “silk topper and over-refined accent,” making his declaration about the limited uses of art. The workers respond by making the distinction between proletarian and bourgeois art; between art intended to amuse and enlighten the elite and art meant to liberate workers.