Quiet as a Space Opening reception Thursday, March 14 at 54 Eldridge Street, 6 pm to 8 pm. On view through April 1.
One type of trendy online content today can be found under the label “oddly satisfying.” Paint cutting videos, hands poking indents in spheres of colorful slime, objects fitting perfectly into one another, and so on. Imagery like that can be calming to observe, even if you don’t know exactly why. The work of artist Adrian Kay Wong, an LA dweller bringing his work to the Lower East Side beginning Thursday, has a similar feel to it. Smooth diagonal slashes, even squares, symmetrical curves, and more calming geometry abounds in Wong’s paintings, which are graced with bold colors and landscapes populated with desks, lamps, couches, and flowers. They’re simple, they’re impressive, and they’re definitely satisfying.More →
It’s a shame you can’t consume paintings with more than just your eyes, as the works on view at Food For Thought, opening Thursday at Soho gallery Louis K. Meisel, certainly look good enough to eat. That’s not a metaphor: they’re artistic renderings of food, from sugary, cellophane-wrapped confections to simple still lives of walnuts or onions. The edible item isn’t always front and center in this stuffed show—some pieces are intricate retro renderings of the signs outside of diners, bars, or burger joints; others are painted nudes where the subject just happens to be holding an apple. Either way, the food is there. Sometimes you have to look for it, sometimes it’s so prominent you’ll start feeling peckish.More →
Vesuvius, Will You Be My Girlfriend?, 2018. 10 x 12½’ (image courtesy of Howl Happening)
Homo Eruptus Opening Thursday, February 14 at HOWL! Happening, 6 pm to 9 pm. On view through March 13.
Scooter LaForge’s paintings, on view at East Village space Howl Happening starting on Valentine’s Day, are satisfyingly messy, so it’s only appropriate they are unveiled on a day classically associated with messy emotional feelings, whether they be good or bad. Similar feelings are articulated through LaForge’s brushstrokes, which create compelling and mind-boggling scenes featuring cartoon animals, bodily fluids, autofellatio, angels, and much more. He manages to fit a doe-eyed rabbit that looks straight out of a Disney movie in the same frame as angry black paint smears, a urinating brown bear with big black boots, and human(ish) figures that look almost like they’d be fit to adorn the ceiling of a church somewhere, provided that church was sufficiently strange. The longer you look, the more you’ll find. More →
Back To Nature Opening Wednesday, September 5 at Front Room Gallery, 7 pm. On view through October 21.
If you ever rode the Haunted Mansion ride at Disneyland, you’ll recall paintings hung on some of the walls that had eyes that appeared to follow you as you moved your own from side to side. Spooky! That’s sort of how I feel when I look at the wide-eyed paintings done by Amy Hill, who is opening a solo exhibition at Lower East Side’s Front Room Gallery on Wednesday. Her portraits are realistic while also being surreal and a little creepy (even the cats stare at you with unblinkingly large eyes), bringing the style of 19th century American folk art into more modern times. Rather than setting her figures in the 21st century, she curiously grounds them in 1960s counterculture, where peace-sign necklaces and fringed leather replace any peasant frocks. We never actually found that peace, did we…More →
August Summer Residency Showcase Opening Wednesday, August 29 at Con Artist Collective, 7 pm to 11 pm. On view through August 31.
It’s the end of the summer, which means people are scrambling to get the last of their leisure time in before it feels less justifiable to do so. This often means less events and other artistic goings-on. After all, it’s hard to have an art show when you don’t want to leave the beach. But the restless vigor of Con Artist Collective continues—on any given day (including in the midst of the end-of-summer lull) you can probably find them up to something, whether that be the party-filled unveiling of a new art exhibition or something else entirely. Starting Wednesday night, the Lower East Side art space’s summer studio residents will be showing their latest creations.More →
Strange Beach Opening Tuesday, July 24 at Fridman Gallery, 6 pm to 8 pm. On view through August 31.
Summertime is a time for going to the beach, but that’s not what this group exhibition at Fridman Gallery is about, despite the name. Rather, it’s a “metaphor for the body,” framing one’s physical form as a vessel of sorts that can advance, retreat, swallow up others, be intruded upon, amass debris and valuable items alike over time. Three artists comprise Strange Beach: Arghavan Khosravi, Nate Lewis, and Tajh Rust, who incorporate themes of race, social history, portraiture, and the marginalized retaking their own narratives, whether this be through drawing on photographs to create something celestial or painting portraits of people using their own skin tones to inform the color palette. More →
Some abstract art is indeed just blotches of color, shape, and brushstroke. But some art that looks abstract, such as the works of Zhang Enli, could in fact be a version of hyperrealism. The subjects of Enli’s paintings are often recognizable landscapes, such as the gardens peppered throughout Shanghai, zoomed in far enough to become unrecognizable and in doing so, take on a new type of beauty. However, there’s only the partial presence of hyperrealism in Enil’s works, as they’re modeled off of real imagery but imbued with his own personal interpretation. Is that swirl green because it was originally green, or does it look that way because the artist made it so? You can give your best guess, but not knowing is part of the fun.
Channels Opening Wednesday, January 3 at Fridman Gallery, 6 pm to 9 pm. On view through January 24.
Channels seem like they’re becoming a bit of a relic, at least when they’re referring to the ones found on television. Several technological relics of sorts play a major role in sound artist and audio engineer Daniel Neumann’s new solo exhibition, aptly titled Channels. In it, large auditory objects appear simultaneously as sculptures and music-makers, including a custom-built vintage speaker and a 56-channel mixing board suspended in midair. The third “sculptural” component of the show is a bit more abstract: a 3D sound field made up of 56 sounds and their subsequent feedback. Whether you see it as a concert of objects or a visual display, there will be something to take in.
Kirke with “ShiShi In My Wedding Dress,” 2017. (photo: Cassidy Dawn Graves)
You may know her as the free-spirited Jessa in oft-discussed HBO show Girls, but Jemima Kirke considers herself more painter than actor. Her third solo exhibition, The Ceremony, is currently on view at Lower East Side gallery Sargent’s Daughters. A series of portraits depicting both friends and fictional women in their wedding dresses, the show seeks to interrogate why women still partake in this “antiquated ceremony.” A few days after the opening, we met with Kirke at the gallery to talk marriage, the #metoo movement, and recent controversy involving her castmate Lena Dunham. More →
Dawn of the Looney Tune Opening Thursday, November 16 at Derek Eller Gallery, 6 pm to 8 pm. On view through December 23.
Not all sculptures involve components like carrots and bread, but Michelle Segre’s sculptures certainly do. You can see them this Thursday at LES space Derek Eller Gallery, when her latest exhibition opens. As these works often involve organic matter such as the aforementioned carrots and bread, and gallery shows are often on view for quite some time, it is almost guaranteed that Segre’s work will subtly change as time goes by. More specifically, that organic matter is probably going to get mushy. Or grow fur. Or change colors. Either way, it will shift. And you will get a healthy reminder that like it or not, we are all slowly but surely decaying. Happy Monday! More →