The space that used to house Coup, on Cooper Square, still feels like a cocktail lounge, but the young people at the bar during a recent visit were hunched over laptops instead of pints. Scrawled on three massive rolls of brown paper were the talking points of Suraj Patel, the Congressional candidate who is now using the space as his campaign headquarters. Patel’s platform, outlined on his website, states that voting should be digital, gender is a spectrum, healthcare is a right, and marijuana should be legalized.
Wednesday, March 28 at Lot 45, 7 pm: $25
When you think of vaudeville, you may imagine charismatic and fast-talking magicians, jokesters, and other memorable figures circa hundreds of years ago. Though it had its heyday in the past, this type of vaudevillian evening is far from extinct, and you can find it tonight in the form of Wondershow, a night helmed by mentalist Eric Walton. In addition to mind-melting tricks from Walton himself, you can also see “elegant sleight of hand” from Alex Boyce, dancing from Jenny Rocha and Her Painted Ladies, and comedic experiences from Jonathan Burns and Harrison Greenbaum. Time Out called this show “professional mindfuckery,” so provided that’s what you’re into and consent is obtained, I assume you shall be in for a treat. More →
Home Away From Home
Opening Wednesday, March 14 at Aperture Gallery, 7pm to 8:30 pm. On view through May 10.
For some people, home is the place they have lived for their entire lives. But for immigrants, it’s not always so clear-cut. Photographer Taysir Batniji is originally from Gaza, in Palestine, but he is also French and splits his time between the two places. Members of his family, on the other hand, have ended up in America, in places like California and Florida. Batniji paid these people a series of visits, photographing and interviewing them about their sense of home and experience living in America. His new solo exhibition at Aperture Gallery combines these new images with archival material, such as old photographs and sketches of their family home made from memory, creating a portrait of generational memory and history contrasted with current lives. More →
Environmental and community groups gathered outside New York University’s Kimmel Center this morning, rallying against a natural gas pipeline proposed by the Williams energy company. Meanwhile, inside, Governor Cuomo announced a $1.4 billion commitment to renewable energy programs. It’s said to be the biggest by any state in US history, but some protesters continue to say that Cuomo isn’t doing enough to stop fracking off the coast of New York City and elsewhere. More →
Motherless Brooklyn, the Edward Norton-penned adaptation of Jonathan Lethem’s 1999 novel, took over Washington Square Park today, transforming the public space into a scene straight out of the 1950s.
Norton, who also directs and acts in the film, plays a lonely private investigator with Tourette’s searching for his only friend and mentor’s killer. Willem Dafoe, Alec Baldwin, and Gugu Mbatha-Raw, among others, are set to join the cast. The film, set against the backdrop of 1950s New York, will be released next year.
Woke AF: A Mind-Opening Variety Show
Thursday, March 1 at UCB East, 11 pm: $7
Minds are like doors, I guess. Some are closed and some are open and some are in between and uh, some have doorbells? I’m working on it. Instead of trying to continue this bit, let’s get to the point here: Woke AF is a comedy variety show that aims to open your mind by exposing you to a diverse group of people waxing poetic/comedic about social issues they feel particularly attached to. Maybe it’s a topic you’re well versed in but have never heard joked about lovingly, or maybe you’ll learn something totally new. However your mind will react to this proposed awakening, you can expect to see ruminations of all sorts from Jes Tom, Corin Wells, Timothy Dunn, Glorilis Tavarez, Jesse Roth, and Kami Dmitrova. Just remember not to be too performatively woke, even if this is a performance. More →
Opening Wednesday, February 28 at Tina Kim Gallery, 6 pm to 8 pm.
You’re probably familiar with the most common way to write music, with notes on a staff, even if you can’t read music yourself. But did you know there are other ways to do it? One of them, the Korean system Jeongganbo, dates all the way back to the Joseon Dynasty, which began in 1392 and ended much later, in 1910. Rather than using a staff system, it uses a grid system, with each note taking up a square in sequential order. Seoul-based artist Suki Seokyeong Kang was drawn to this geometric composition technique, and has created a series of “visual translations” of Jeonggabo in her new solo show at Chelsea’s Tina Kim Gallery. The show is mostly sculpture based, in a way that attempts to put forth both logic and harmony. Perhaps after exploring, you’ll come away with a subconscious new knowledge of how music can be made. More →
Jennifer Rubell has been on the receiving end of a pie-five for about nine nights thus far, and she still has 14 more to go. Since Feb. 8, the Meredith Rosen Gallery has been home to Rubell’s Consent, an exhibition of her newest works. Visitors have been invited to admire the artist’s paintings and, while you’re at it, smash a pie into her face.
Camae Ayewa / Moor Mother
Opening Wednesday, February 21 at The Kitchen, 6 pm to 8 pm. On view through March 17.
Camae Ayewa, who some may know by her musician moniker Moor Mother, is a truly multifaceted artist. She writes poetry, pens and performs visceral electronic noise protest songs referencing black activists and theorists, photographs, leads community workshops, makes collages, and if you’re impressed already, that’s merely a partial list of what she’s capable of. If your curiosity has been piqued, head on over to The Kitchen for a comprehensive look at Ayewa’s creative output and process. Though this is an art exhibition, it’s so much more than that; created as an accompaniment to her second solo album (and its subsequent instrumental accompaniment), the show delves into the album’s creation and inspirations by way of collage, film, soundscape, and poetry. On March 6 and 7, Moor Mother will take to the stage. More →
In November of last year, amid the aggressive grey that is winter in New York City, Christopher Street was overrun with color. From Hudson to Bleecker, someone had swaddled the trees in different shades of crochet. Nearly 1,500 squares of lavender, mint green, cobalt, powdered pink, and egg-yolk yellow lined the sidewalks. Passerby began posing with them, Instagramming them, calling them “tree cozies.” Parents admired the eight-foot-tall sweaters with their children, asking aloud which ones were medium, which ones were large. As it turns out, the trees of Christopher Street were clothed by Holly and her aunt Polly.