No Comments

The Sip-In That ‘Legalized Gay Bars’ Before Stonewall

The building in 1969 and 50 years later in 2019. Courtesy Greenwich Village Society for Historic Preservation and NYC Landmarks Preservation Commission.

On the quiet corner of West 10th Street and Waverly Place, one of New York’s oldest watering holes has been operating since around 1864. It bore the name Julius’ sometime in the 1920s. Even Prohibition, during which the tavern transformed into a bustling speakeasy, had minimal impact on Julius’ operations. On April 21, 1966, three years before the riots at Stonewall occurred a block away, a gay rights milestone gave the West Village bar its status as legend, paving the way for the city’s legitimate LGBTQ establishments.  More →

No Comments

Art This Week: Peep Shows and Curious Comfort

(image via friedman_benda / Instagram)

Comfort
Opening Thursday, January 89 at Friedman Benda, 6 pm to 8 pm. On view through January 15.

Everyone has a different definition of comfort. Your grandfather’s old and cigarette-scented armchair might feel like home to you but cause another person to wrinkle their nose in disgust. Curator Omar Sosa’s latest show at Friedman Benda focuses on the harmonies and contradictions inherent in items, particularly pieces of furniture and design, meant to bring comfort in one way or another. As this is an art exhibition and not a furniture showroom, comfort is usually interpreted quite creatively—think a boxy bookshelf that leans but never falls, a sculpture entitled “Toilet Sink,” and a colorful blanket meant for a pair.

More →
1 Comment

The Village East Cinema: From Yiddish Theater to Arthouse Cinema

Image via cinematreasures.org

On Nov. 16, the Village East Cinema held a special screening of The Room, a maybe-the-worst-film-ever classic that has become a cult phenomenon. The screening included a talkback with the eccentric writer/producer/star/financier Tommy Wiseau. Screenings of the movie have become something of an event since it first hit theaters in 2003, even inspiring a critically acclaimed movie by James Franco, The Disaster Artist. More →

No Comments

Our 36-Hour New Year’s Party Crawl

The conclusion of Bubbles & Bass’s Seize the Day party at House of Yes in Bushwick, 1/1/20 at 5:30pm.

From the far reaches of Red Hook to downtown Manhattan and back again to Bushwick’s warehouses, our New Year’s was a 36-hour race against time from one rager to the next. Follow along as we hit 20 parties across three boroughs. More →

No Comments

A Tale of Two Evas: Marriage, Deceit and the Underground Baby Trade


Sketch from Jan. 14, 1891 edition of the “Evening World.”

Robert Ray Hamilton was 37 years old when he met his daughter for the first time. A year and a half later, he would die more famous than he had ever been, a tragic chump in a scandal that transfixed newspaper readers across the country. But in early January 1889, as he ducked past the Third Avenue Railway and entered a flat at 208 E. 14th St., the great-grandson of Alexander Hamilton could still make sense of his life. He was a well-respected state assemblyman, he owned real estate all over New York City, and descended from one of the young nation’s founding fathers. More →

No Comments

How Mariners’ Temple Survived Fire and Flux in Chinatown

Mariners’ Temple today. (Photo: Kayla Stewart)

On September 21, 1845, Rev. William R., Williams preached a sermon entitled “God’s presence in his sanctuary,” welcoming congregants back to their new edifice at 12 Oliver Street—or 3 Henry Street, depending on whom you ask. This was already one of New York City’s first Baptist churches, and it would continue to make history by serving every surrounding immigrant community. It would be the first church in the United States led by a black woman, and it would welcome predominantly black congregants near the heart of a bustling Chinatown, carrying a unique version of the message of hope and inclusion for all who walked through it doors. More →

No Comments

After Peter Luger, a Chophouse With Stakes in the New Williamsburg

Williamsburg Bridge in 1991 (Photo by Jet Lowe/Library of Congress)

At the end of October, Pete Wells didn’t use his knife to cut through Peter Luger’s vaunted porterhouse— instead he drove it directly into the heart of the 132-year-old steakhouse. “What gnaws at me every time I eat a Luger porterhouse is the realization that it’s just another steak,” Wells wrote in his review for the New York Times, “and far from the best New York has to offer.” He awarded the restaurant zero stars, his words as cold as the disappointing German fried potatoes. The same day, the New York Times released a (perhaps prematurely) companion article: “Readers Respond to the Pete Wells Review of Peter Luger: ‘Finally.’” This was a hit job, through and through.  More →

No Comments

From Governor’s Mansion to Russian Anarchist Hotbed

Drawing from Khleb Y Volia’s opening editorial; the caption reads, “Clear the road, old world,” while the flag reads Union of Russian Workers.

On Nov. 7, 1919, the second anniversary of the Bolshevik Revolution, US federal agents and New York City policemen, armed with clubs and blackjacks, raided a Manhattan apartment full of Russian-speaking immigrants at the headquarters of a Russian anarchist association. Inside were a few devoted anarchists belonging to the Union of Russian Workers and more than 200 undereducated Russian immigrants who were more or less clueless of the union’s full intent. “Wanton cruelty” and “brutality” was how the sociaist New York Call described the actions of the authorities during the raid. They arrested the immigrants, bloodied and bruised, jailed them, and tried them for sedition. Six weeks later, the USS Buford, an army transport ship the press jeeringly dubbed “the Soviet ark,” set sail from Ellis Island with 249 people aboard in the first mass deportation in US history.  More →

No Comments

A Firehouse Where Pioneering Feminists Have Carried the Torch

(Via Landmarks Preservation Commission)

Eleanor Cooper was determined to keep 243 West 20th Street from turning into an icebox. This almost seemed like a joke, if she thought about it, since the building had been a fire station not six years earlier and for decades and decades before that. The three-story firehouse was decrepit and absolutely freezing, but if she had to shovel coal into the furnace herself she’d do it to keep the Women’s Liberation Center open. More →

No Comments

The Dance Hall That Charmed Dickens in America’s First Slum


William Henry Lane, a famous tap dancer at Almack’s dance hall, located at 67 Orange St. (Drawing: 1850, courtesy of New York Public Library)

Charles Dickens toured Five Points for a day and found only two things he liked about it. One was the pigs. Dickens described the city swine in better terms than he described many of the local slum dwellers. The pigs were gentlemanly, self-reliant and confident, while the people had “coarse and bloated faces” and lived in houses of debauchery. Dickens surmised that the pigs, who lived in those houses too, smugly wondered why their masters walked on two legs instead of four.  More →