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Chasing Stories with the New York Times Run Club

Photo: Courtesy of the Times Run Club

“I’m completely hungover, I barely slept last night, I don’t even know how I managed to do this morning’s race!” Emily Palmer bursts out laughing, then avidly crunches into a slice of pizza, dripping with burrata. She has just finished a ten-mile race through Central Park. More →

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Art This Week: Discarded Toys, Water, and Fermentation

(image courtesy of Doosan Gallery)

stain begins to absorb the material spilled on
Opening Thursday, January 16 at Doosan Gallery New York, 6 pm to 8 pm. On view through February 15.

This “lab” exhibition by artists Tiffany Jaeyeon Shin and Jesse Chun is an intellectual and sensorial treat, offering much to see, hear, ponder, and even smell. The show focuses on the curious relationship between language and digestion, with each artist centering their work around one of these two components. Chun unpacks and deconstructs language’s ability to “render one readable as a subject,” from the ubiquitous presence of English to the power of official written documents, while Shin (who also has an ongoing session at Recess) utilizes ancient Korean vases used for fermentation to explore the theoretical and literal vitrification (the process of a substance becoming glasslike) that occurs in conjunction with Westernization.

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How ‘Love at First Sight’ Saved a 170-Year-Old Synagogue

(Photos: Holly Pickett)

Kaleidoscopic colors illuminate the interior of Anshe Slonim Synagogue at 172 Norfolk St. on the Lower East Side. Sapphire, scarlet, magenta, and emerald take turns reflecting off peeling gold paint and the pulse of the Bee Gees’ 1977 disco classic “Night Fever” radiates from speakers facing the sanctuary. In front of the Ark—in most synagogues, the special cabinet housing the Torah, Judaism’s holy text—actors perform a musical based on New York City’s notorious Studio 54 nightclub. During the musical numbers, the audience members boogie on a square dance floor, lit from below with fuchsia and white lights. Above it all, a rotating disco ball flings sparks of light across the room. More →

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9 Doyers Street and the Gangs of New York Scorsese Didn’t Tell Us About

Martin Scorsese’s 2002  film Gangs of New York is a glimpse into the power struggles that plagued the neighborhoods of lower Manhattan in the late 19th century. It addresses universal and timeless themes of xenophobia and resistance to immigration, but limits the emphasis of its story to the ongoing battle between the so-called “Natives”—those whose parents arrived in America as early as the 1600s—and the “Dead Rabbits” and other Irish gangs that emerged as the Irish population grew three centuries later. But Herbert Asbury’s 1928 eponymous book, on which Scorsese based his film, features many other gangs of the era, the most prominent of them the Hip Sings and the On Leongs, whose activity centered on Chinatown’s Doyers Street. More →

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Performance Picks: Winter Theater Fests and Queer Comedy

(image courtesy of The Public Theater)

Under the Radar Festival
Now through January 19 at The Public Theater, various times, $25+.

What do Laurie Anderson, prize-winning playwright Aleshea Harris, and multiple stories about the moon have in common? They’re all part of The Public Theater’s 16th annual Under the Radar Festival, the long-running celebration of innovative performance work from around the world and one of the biggest signifiers that January’s theater festival season is upon us once again. This year, they’re presenting 12 theater pieces, four concerts, six works-in-progress, and several parties. Highlights include Selina Thompson’s pice inspired by a trip retracing a Transatlantic Slave Triangle route, Back to Back Theater’s exploration of disability and an AI-dominated future, and the aforementioned moon tales: one of virtual reality by Laurie Anderson and Hsin-Chien Huan, one of desire on the West Bank by Palestine’s Remote Theater Project.

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A Home For Little Wanderers, and the Occasional Arsonist

1940s Tax Lot photo. Credit: New York City Department of Records.

The Saturday before Christmas, 1921, near Third Avenue and 12th Street, a truck struck and killed little Amelia Laredo, who was on her way to buy a present. She was living just around the corner at the Howard Mission and Home for Little Wanderers, a Protestant-run orphanage housed in the four-story red brick-and-frame townhouse at 225 East 11th Street. On Saturdays, Jennie Hudson, the mission superintendent, would give each child a dime for the movies but that day, Amelia told her friends that she was going to use the money to buy a Christmas gift for her brother, a cripple, who was in Brooklyn Hospital.  More →