Adult Sex Ed Thursday, May 2 at Caveat, 9 pm: $15 advance, $20 doors
Think back to the sex education you received growing up, if you got any at all. Was it comprehensive, engaging, or useful? It’s more than likely the answer to all three of those is a resounding “no.” I’m not exactly sure how similar Dani Faith Leonard’s salacious storytelling show Adult Sex Ed is to a traditional educational experience, but it will certainly be more entertaining. Leonard assembles an evening that combines personal anecdotes, sketch comedy, and yes, real actual lessons on sexuality. Tonight’s show focuses on sex’s representation on television, and features Narcos actor Michael Stahl-David, The Romanoffs actor Mike Doyle, comedians Anita Flores and Ayanna Dookie, and more.
When Werner Herzog took a seat in front of the audience at Cinema
Village East on Friday, following the Tribeca Film Festival screening of his
new documentary, Meeting Gorbachev,
he said he was still in a rage over a question he had recently received. Someone
had asked him how he let Mikhail Gorbachev get away with the “lie” of saying
“we tried,” regarding Gorbachev’s self-described attempt to turn the Soviet
Union into a democracy (albeit a socialist one). More →
It was the end of an era Saturday night as Local 138 closed out its Ludlow Street location ahead of its move around the corner to 181 Orchard Street next month. The move, prompted by the sale of its building to local landlord Delsha Capital, was announced last month on Local 138’s Instagram.
The pups of the East Village are making room for new feline friends this weekend. Cat Castle and The Crazy Cat Family will host a Pop-Up Cat Cafe this Saturday at 526 E. 11th Street, just blocks from the dog-friendly cafe Boris & Horton and bar d.b.a.
The Hong Took Tong Chinese Dramatic Company debuted on October 18, 1852 with a 42-person operatic performance. With that show, Hong Took Tong became the United States’ first Asian American theatrical company, but it would be far from the last group to make waves in the Chinese American music scene.
Abel Ferrara’s The
Projectionist, which premiered at the Tribeca Film Festival on Sunday, is a
scrappy love letter to New York’s independent cinemas, as seen through the eyes
of Nicolas Nicolaou, the owner of some of the city’s oldest and most beloved
theaters: Cinema Village near Union Square, Cinemart in Forest Hills, and the
Alpine Cinemas in Bay Ridge. But the documentary somehow fails to mention what
might be Nicolaou’s most intriguing theater, the Bijou, an underground cruising
spot that was one of the East Village’s best-kept secrets until it closed a
week ago. More →
Harbin, China | Past/Present Opening Tuesday, April 30 at Museum at Eldridge Street, 6 pm to 8 pm. On view through October 4.
The Museum at Eldridge Street exists at the intersection of Manhattan neighborhoods with diverse cultural histories, and has always tried to honor that with events like their annual Egg Rolls, Egg Creams, and Empanadas Festival spotlighting Jewish, Chinese, and Puerto Rican foods and traditions. The museum’s latest exhibition has the same spirit, but takes viewers to a small city in northeast China called Harbin, where a community of Jewish immigrants flourished in the late 1890’s. The exhibition traces this community’s presence in Harbin over the decades alongside works by contemporary artist Steven Lane, who has worked in Harbin’s synagogues and often utilizes Chinese archival material in his work.
A popular tactic for those in support of abortion access is emphasizing that when a fetus is aborted, it is more akin to a small clump of cells than anything already living. But The Appointment, Alice Yorke and Lightning Rod Special’s musical about the American abortion debate now running at New York Theater Workshop Next Door, leans in the other direction. The show’s ensemble consists of a group of fetuses, complete with swinging umbilical cords, that couldn’t be more alive.
If you’ve ever picked out an Einstürzende Neubauten album and headed to the front counter in mortal trepidation of not being able to keep up your end of the conversation with the checkout clerk, Other Music will give you some serious PTSD. The hotly anticipated documentary, which premiered at the Tribeca Film Festival last week and screens again Sunday, takes us right back into the beloved indie record store’s cramped aisles for a bittersweet look at its final days.
About halfway through Moving Parts, the documentary about her life that premiered at Tribeca on Thursday, Trixie Mattel looks right at the camera from under her paint-relocated eyelids and says, “The more you get to fabricate the life you live, the happier you are.” That’s an apt mantra for the 29-year-old country musician/comedian/drag megastar of the small (and now silver) screen: Trixie has willfully fashioned her stardom into existence, has manufactured an entire pink-plastic empire for herself. She’s harnessed what she calls “delusional confidence,” to propel her career out from the gay bars of Milwaukee and into America’s hearts.