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Stronger Vision Zero Plan Demanded in Wake of Increasing Traffic Deaths

(Photos: Cecilia Nowell)

A bike messenger delivered two bags of fresh-cut flowers to City Hall just in time for Transportation Alternatives and Families for Safe Streets to take to the steps. At noon, members of the two organizations, joined by sympathetic city council members, laid pink roses and yellow carnations at the steps of City Hall– alongside photographs of loved ones who had died in traffic accidents. The organizations had joined forces to declare a state of emergency on Mayor Bill de Blasio’s Vision Zero Plan. More →

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Miniatures Through Magnifying Glasses and More Art This Week

(image courtesy of Victori + Mo)

Shame is the First Betrayer
Opening Thursday, May 9 at Victori + Mo, 6 pm to 8 pm. On view through June 22.

Art gallery Victori + Mo, which previously occupied a space within Bushwick’s 56 Bogart, is moving to Chelsea. The first exhibition in their new space, opening Thursday, is by multidisciplinary artist Phoenix Lindsey-Hall. The show takes its inspiration from the Lesbian Herstory Archives, specifically sections of the archive’s collection containing people’s personal belongings. Typically, these items stay in an archival setting, accessible only for people who already had the idea to go hunting for them. In Lindsey-Hall’s work, they come alive, as the gallery will be filled with replicas and reproductions of specific items that lesbians and queer women throughout the past decades possessed, whether that be everyday objects or treasured possessions. More →

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‘Framing John DeLorean’ Is a Wild Ride With the Elon Musk of the ’80s

“It’s a DeLorean!”

With those three simple words in Back to the Future, the DMC-12 solidified itself in the mind of every ’80s kid as the coolest car ever made. With its iconic gull-wing doors and geometric stainless-steel exterior, the DeLorean is right up there with the Concorde as one of the most visually stunning vehicle fails of all-time, and its infamous creator finally has a documentary that’s as ambitious as the car itself. More →

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After 79 Years, Essex Street Market Has Left the Building

The vendors, staff and customers of Essex Street Market ringing the bells to close out the market’s original location at 120 Essex St., 5/5/17 at 6p. (Photos: Nick McManus)

With a champagne toast yesterday, the vendors of Essex Street Market said goodbye to their longtime home at 120 Essex Street ahead of its relocation across the street. Opened in 1940 in an effort to remove pushcarts from the street, the market continued to provide an affordable, diverse variety of food to its Lower East Side neighbors and beyond. More →

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Brooklyn ‘Brewminaries’ Have Homebrewing Down to a Science

Rachel Zeiss’s Ditmas Park kitchen is positively crammed with equipment. A 10-gallon stainless steel pot sits on the stove, almost touching the underside of the microwave; that, in turn, is hooked up to another large pot on the floor, via a snaking apparatus of tubing I keep losing track of. In between the pots, on a wooden chair in the middle of the room, sits a repurposed orange Gatorade cooler, the kind that gets turned over on proud coaches’ heads—it’s covered, all around its circumference, with stickers. One declares, in instructively bold lettering: “MAKE SOME BEER.” More →

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Moniker Art Fair Brings Frieze Weekend to Noho

Attendees of Moniker’s opening night art Sold Magazine’s street art installation in the cellar, 5/2/19.

Moniker International Art Fair has opened its doors in Noho as Frieze NY weekend takes over NYC’s art world. The Fair, which was launched in London in 2009 by Tina Ziegler, is celebrating a second year in New York. After a stint in Greenpoint, Moniker has taken new digs at 718 Broadway and has partnered up with fellow art fair Superfine over in Soho with a ticket deal so that guests can see both at one price.

Moniker front desk staffers Madeline Philipp (left) and Kimberly Manguch (right) as they welcomed visitors.

Last night at Moniker’s opening party, we were greeted by unpretentious attendants. After posing for a portrait with the opening installation by muralists Yok and Sheryo, staff member Madeline Philipp told us why she was having so much fun: “I love all the humans I meet as they all have to come through me first.”

Cake Agency owner Beau Pate (second left) with artist Buddy Austin (second right) at their booth.

The booth belonging to Chicago’s Cake Agency is one of the first you see, and you need to see it up close to appreciate the details of the engraved watches, rings and pendants by artists Christopher Ser and Buddy Austin. Gallerist Nick Malloy said Seattle-based Austin’s engraved Rolexes and Cartier timepieces have a two-year waitlist. “It’s a young money type of thing and we want to bring something else to the table.”

Artist WK with assistant Dash (left pic, right and left) at his installation on Moniker’s main floor.

For those that don’t mind interaction, artist WK was snapping “mugshot” Polaroids of guests and then taking their fingerprints for a project he’s working on. WK’s young assistant Dash, a Parsons student, told us that working with the artist has inspired his own project about “young African-American men being targeted by police.”

Garey The Third retail director Aurora Fisher at her store’s booth.

Upstairs, Aurora Fisher was running a booth for the Garey The Third art boutique. For sale were books and apparel inspired by late artist LeRoy Neiman, famous for his modern expressionist paintings of athletes and celebrities, along with other vinyl collectables and prints. “We’re based on the West Coast,” Fisher said of the Los Angeles store, “but we have a demand here for our limited releases and we wanted to satisfy that.”

Attendees Sam Erenthal and NOT ART (left and right) with the installation by artists ICY & SOT.

On Moniker’s second main floor, in a spacious basement, an eye-popping 3D installation by artist Li-Hill was on display along with several of her paintings. The London-born, Brooklyn-based Li-Hill explained the installation’s message. “It’s about a potential dark future because we’re in a global crux. So much can be done to the world to make the positive change.”

Artist Tai Taeoalii at his booth for Analog Contemporary at booth for Moniker Int’l Art Fair.

Also on the second floor was Philadelphia’s Analog Contemporary, featuring the art of Bruce Jefferies Reinfeld and Tai Taeoalii. Reinfeld’s saturated photographs are printed on lenticular plastic; the 3D illusion makes them jump at you from across the room. “These photos of graffitied trains and trucks were taken all over the country, but I just started working in lenticular about a year ago,” Reinfeld told us. “My pieces can range in any size and I’m doing a large lenticular installation for Art Market Hamptons this summer.”

Artist PAID MSD (center) with Perseus gallerist Iana Safina (left) at their booth.

Two levels down in the building’s cellar, Sold magazine partied at their street-art installation while a discussion panel took place on a nearby stage. Titled “The War of Messaging: Ad Takeovers and the Fight For Your Attention,” the talk was moderated by artist and activist Josh MacPhee, who spoke with writer RJ Rushmore, street art photographer Luna Park and public space artist Jordan Seiler. They discussed the subversive methods some artists employ against the giant reach of billboard advertising and how replacing them with street art is a way to resist corporate monotony.

Fousion gallerist Jasmin Waschl (center) with her featured artist Miss Van (second left) at their booth

When a fellow artist in attendance challenged whether the street artist had the “right” to illegally change the ads, another artist chimed in to defend them. “Yes, in legal terms they’re not right to do that, but because they admit who they are, what they do and have outlined their cause I would grant them that right. They see the world in a different way than the law and I agree with that difference.”

The staff of The Sampler Bushwick (at left) with guests at their satellite bar.

After the panel, the audience hit up Moniker’s bar, which was embellished by artist SKEWVILLE and run by The Sampler Bushwick, a craft beer house owned by two firefighters from the neighborhood that relaunched 15 months ago. General Manager Joel Suarez explained how The Sampler, which also offers session cans and growler refills, doubles as a gallery and pop-up kitchen. “We have a monthly art show that follows Black History Month, Women’s History Month; we did an indigenous peoples show last Thanksgiving and we give artists 70 percent of the cut. It’s even better when he have guests chefs come use our kitchen because we give them 100 percent. Me and my staff come from the Bronx and we were all artists first so we know how it is.”

Moniker International Art Fair continues through the weekend and will be free to the public on Sunday from 11am-12:30pm.