In the Name of the Hypersurface of the Present Opening Wednesday, October 17 at Rubber Factory, 6 pm to 8 pm. On view through November 11.
Presented in conjunction with Lower East Side Art Week, which spotlights women artists in the neighborhood, this solo show by Pakistani artist Umber Majeed may have a sci-fi-sounding name, but the work on view more closely resembles Word Art, trippy memes, or old Geocities web pages than any high-tech, augmented reality creation. That’s not to diminish its appeal; the distorted text, flattened graphics, and occasional use of Comic Sans creates a world of online intrigue that feels half in the past, half far in some weird corner of the future. Through this, Majeed seeks to explore a “feminist re-historicization of Pakistan as the first ‘Muslim nuclear state,’” bringing it out of the patriarchy and into a more radical framing.More →
Surface Tension Opening Tuesday, July 31 at Cooler Gallery, 7 pm to 9 pm. On view through August 12.
Some art has sweeping sociopolitical messages, while other art serves a primarily aesthetic purpose. Neither is better or worse: sometimes you want to be provoked into thinking deeply about the world around you and sometimes you just want to be dazzled by how cool something looks. The work of mixed media artist Senem Oezdogan (presented in partnership with Uprise Art) falls more into the latter category, consisting largely of “fiber-based geometric studies” inspired by architecture, shapes, and the textures of fabrics. They’re fairly simple pieces, featuring abstract shapes and rich splashes of color, and manage to convey an alluring calmness in their playful minimalism. Rather than fixating on what message an artwork might be trying to proclaim, Oezdogan’s work invites you to merely appreciate the visuals. If it makes you feel nice, you don’t need to question it. More →
Sometimes you want to go to a Chelsea gallery to silently stare at art alongside a bunch of people who probably have more money than you, and sometimes you want to stay in Bushwick and see some art while a local trans punk band plays. You can do the latter on Thursday at The Living Gallery (which just celebrated its sixth anniversary) at Neu Show, a showcase of nine local underground photographers, painters, experimental mixed-media artists, graphic artists, and more, with live tunes from local punk outfit Library and tracks from DJ Drew Redmond to keep the mood nice and energized. There is a $5 cover at the door, but the show is a mere one night only, and these artists need to be supported somehow.More →
You’re probably familiar with the most common way to write music, with notes on a staff, even if you can’t read music yourself. But did you know there are other ways to do it? One of them, the Korean system Jeongganbo, dates all the way back to the Joseon Dynasty, which began in 1392 and ended much later, in 1910. Rather than using a staff system, it uses a grid system, with each note taking up a square in sequential order. Seoul-based artist Suki Seokyeong Kang was drawn to this geometric composition technique, and has created a series of “visual translations” of Jeonggabo in her new solo show at Chelsea’s Tina Kim Gallery. The show is mostly sculpture based, in a way that attempts to put forth both logic and harmony. Perhaps after exploring, you’ll come away with a subconscious new knowledge of how music can be made.More →
Kirke with “ShiShi In My Wedding Dress,” 2017. (photo: Cassidy Dawn Graves)
You may know her as the free-spirited Jessa in oft-discussed HBO show Girls, but Jemima Kirke considers herself more painter than actor. Her third solo exhibition, The Ceremony, is currently on view at Lower East Side gallery Sargent’s Daughters. A series of portraits depicting both friends and fictional women in their wedding dresses, the show seeks to interrogate why women still partake in this “antiquated ceremony.” A few days after the opening, we met with Kirke at the gallery to talk marriage, the #metoo movement, and recent controversy involving her castmate Lena Dunham. More →
Behind These Prison Walls Opening Monday, May 22 at The Living Gallery, 7 pm to 9 pm. One night only.
This one-night-only exhibition will be showcasing the work of Lorenzo Steele Jr., a visual artist who formerly served as a corrections officer at Rikers Island. As we’ve outlined in the past, conditions at Rikers could be described as “dismal,” if you’re into understatements. This holds particularly true for its younger residents, as New York state still charges 16 and 17-year-olds as adults, one of only two states to do so. This will soon change due to the recent passing of the Raise the Age initiative; individuals under 17 will no longer be held in county jails as of October 2018 (18-year-olds, too, starting a year later) and the “majority” of defendants aged 16 and 17 will be dealt with in Family Court rather than tried as adults.
Lorenzo Steele Jr. knows this particular plight all-too well, as the majority of his photographic documentation (taken from 1987-1999) chronicles the grim conditions to which inmates at Rikers have been subjected. Specifically, his work zeroes in on the adolescent jail and its solitary confinement unit. These images will be displayed alongside found weapons and other prison-sourced artifacts. Even as we spend our days lamenting the state of politics and Russia and the world, it is important to remind ourselves that there are also local travesties still happening around us, and it wasn’t the new administration that put them there. More →
On Wednesday night, two police officers stood outside the Chinatown gallery Sargent’s Daughters. Only, there was no law-breaking or so-called “suspicious activity” to be investigated. Rather, they wanted to know what all the hubbub was about. Particularly, why everyone seemed to be munching cookies from a large, bright orange pair of pants. And no ordinary pair of pants. These were a rendition of the lower half of Hillary Clinton’s pantsuit in motion. More →
Emergence: Emerging Artists in New York Opening Tuesday January 17 at The Living Gallery, 6 pm to 9 pm. One night only.
The term “emerging artist” has been a bit of a buzzword for quite some time now. To some, it means someone who has literally just started creating, to others, it is someone who’s been on the scene for a couple years but hasn’t won any fancy awards. And sometimes it’s somewhere in between. But this art show really owns the title in a way that’s clear: simply, Emergence is showing work by New York artists who have never shown their work in a gallery before. There will be over 20 artists covering the gallery in their work, whether it be painting and sculpture, performance, or even fashion pieces. Come one, come all, and witness the emergence.