After several weeks of delays the long-awaited demolition of Greenpoint’s old Kosciuszko Bridge began yesterday, despite the intercession of a band of sword-waving and wolf-wielding marauders. (The “new” Kosciuszko Bridge has been in use since April.)
“There is a no more senseless or inhumane action than to leave a body in the street,” declared city councilman Ydanis Rodriguez at a news conference earlier today at the Greenpoint intersection where 27-year-old Neftaly Ramirez was struck and killed by a hit-and-run driver early Saturday morning.
Important news for decadent foodies, millenarians, and doomsday preppers: the latest sign of the impending apocalypse has come to pass. Following on the heels of Burger King’s “mac-n-Cheetos,” we now have another ungodly Doctor Moreau-style mac-n-cheese cross-over dish: the mac-n-cheese burger. And, just like the mac-n-cheese bagel, this grotesque beast was created right here in New York.
Move over, rainbow bagels.
Deborah Kass‘s iconic OY/YO sculpture made its triumphant return to Brooklyn two weeks ago, and it’s proving irresistible Insta bait.
The sculpture — which reads YO (“I am” in Spanish) or OY (as in the Yiddish “oy vey”) depending which way one faces it — was previously installed in Brooklyn Bridge Park. Now, a year later, it’s back — this time at the Williamsburg waterfront at the end of N. 5th Street.
Following on the heels of Whole Foods, Equinox, Flywheel, and other aspirational bourgeois health brands that have planted their flags in once-edgy Williamsburg, Lululemon today unveiled its first North Brooklyn location.
Legendary New York art team McDermott & McGough — known, among other things, for spending 15 years living in the East Village while dressed as top hat-wearing Victorian gentlemen — are back with an ambitious new project to be unveiled at The Church of the Village this September.
The new art installation combines several of the artists’ motifs and preoccupations — the Victorian era, Ireland, gay culture, LGBT rights, time — in a giant homage to Oscar Wilde, the turn-of-the-century Anglo-Irish writer and bon-vivant famously condemned to prison for refusing to hide his sexuality.
The Oscar Wilde Temple “combines painting, sculpture, and site specific elements in a functioning environment that recalls the beautiful and provocative sensuousness of the Aesthetic Movement [that] Wilde championed,” according to a press release. It will transform The Church of the Village‘s chapel into a shrine to Wilde. In the center will be a four-foot statue of Wilde in the manner of a religious icon. On the walls will be paintings in the style of the Stations of the Cross, but instead of depicting Christ’s persecution they will illustrate Wilde’s journey from arrest to incarceration.
Peter McGough and David McDermott — who, after their East Village days, threw elaborate parties in the Williamsburg bank building where they resided — evidently first began discussing the idea of the Oscar Wilde Temple more than 20 years ago. In keeping with the duo’s fondness for “time experiments,” the Temple will painstakingly replicate the aesthetics and atmosphere of Victorian England through the use of “specially made fabric wall coverings, architectural and decorative details, furnishings and lighting.”
The Temple will also include a secondary altar conceived as a shrine to those struggling with or killed by AIDS, as well as a series of portraits by McDermott & McGough of homophobia “martyrs,” such as Harvey Milk and Alan Turing, and lesser-known victims of AIDS or homophobia including Sakia Gunn, a teenage African-American lesbian stabbed in Newark in 2003, and two figures from The Church of the Village’s own history — Rev. Paul M. Abels and Rev. C. Edward Egan, ministers forced out for being gay.
Sponsored by The Church of the Village and the New York LGBT Center, the Temple will also be available to rent for weddings, memorial services, and other private functions, with the proceeds benefiting the LGBT Center.
The installation will run concurrently with “I’ve Seen the Future and I’m Not Going,” a McDermott & McGough retrospective opening at the Dallas Contemporary in Texas on October 1st.
The installation will be open Sept. 11th through Dec. 2nd at The Church of the Village at 201 W. 13th St. at 7th Ave., viewable Tuesdays through Saturdays from noon – 7:00 pm.
Lower East Side vaudeville venue the Slipper Room is at the center of a controversy over offensive speech which began Wednesday, July 5, when host and owner James Habacker, while performing as his character Mel Frye, used a racial slur onstage as well as referred to mentally disabled people with language often considered offensive.
According to a Facebook post (quoted in a recent addition to the Slipper Room’s Wikipedia page) by someone who attended the show in question, Habacker made a joke using the term “retarded,” which he justified by arguing he was changing the word’s context to be more positive, and then, adding further fuel to the fire, claimed it was akin to black Americans’ reclamation of the “N-word,” which he used several times to the discomfort of the sole black audience member.
Last week we reported that LES/Chinatown stalwart Cup & Saucer — one of the last of the New York luncheonette old guard — is closing after more than three quarters of a century, thanks to a rent hike on its Canal Street location.
Although Bowery Boogie reported that today would be Cup & Saucer’s last day of operation, it already, as of this morning, appears to be closed forever. Phone calls to Cup & Saucer are going unanswered, and sources tell us the diner is dark.
People paid their respects on Instagram.
The owners told the New York Times that their rent was set to nearly double and that they may look for another space.
A $340,000 “Angelmobile” has started cruising the streets of North Brooklyn, handing out free meals in Williamsburg, Greenpoint and Bushwick. The state-of-the-art food truck– funded in part by Norman Brodsky, the entrepreneur who drew ire from community activists when he held out on selling his valuable waterfront property for parkland— is more than just a mobile soup kitchen. Inside, it has an office space where a rotating array of neighborhood organizations can dole out social services.
Cup & Saucer, a throwback luncheonette that has occupied the same quiet spot on Canal Street for more than 75 years, is likely closing, Bedford + Bowery has learned. The small but much-loved diner — whose iconic Coca-Cola sign and faded retro aesthetic hearken to an older era — is a staple of the Lower East Side/Chinatown neighborhood.