While government organizations like USPS are taking the day off today to mourn George H.W. Bush and making my packages arrive in the mail a day later than they’re supposed to, which I will continue to be excessively salty about, others are taking to the streets for a little public engagement. Or shall I say, engape-ment? Anyhow, weirdo comedy queers Talk Hole (Stephen Phillips-Horst and Eric Schwartau) are taking over the World Trade Center Oculus for a seasonal evening of jokes, surprises, gifts, and gapes. Maybe not the last two, this is a public space after all, but you never know with these guys. Joining the duo will be Cole Escola, Ayo Edebiri, Lily Marotta, Ruby McCollister, Alex Schmidt, and DJ Physical Therapy.More →
The display Paul Mpagi Sepuya’s photographs. (Photo by Diego Lynch)
The New Museum is taking a deep dive into the role of gender in contemporary art. With an emphasis on the word “contemporary.”
The vast majority of “Trigger: Gender as a Tool and a Weapon,” opening today, consists of pieces from after 2010, with a sizable contingent from this year. The exhibit was curated with the goal of creating a snapshot of the current moment of “political upheaval and renewed culture wars,” a seeming reference to the increased prevalence of right-wing populism.
(Photo courtesy of Rose M. Singer Center, Rikers Island Correctional Center)
It’s time to stop putting off checking out the city’s great cultural institutions, because this week is #MuseumWeek. UNESCO is focusing on a different theme each day, with the entire week dedicated to celebrating gender equality and women around the world.
To celebrate New Museum’s 40th anniversary (contemporary art museums, they grow up so fast!), two new gallery spaces and several exhibits will be added this fall. The temporary galleries will open on September 27 and showcase work by Peter Halilaj and filmmaker Khalil Joseph.
The galleries will connect the museum’s ground floor to 231 Bowery, which the museum purchased in 2011, and will operate for an indefinite period of time, according to a museum spokesperson.
Lobby installation. (All art by Raymond Pettibon, all photos by Daniel Maurer)
As he introduced the new Raymond Pettibon retrospective, New Museum artistic director Massimiliano Gioni admitted that he first became aware of the artist via his album covers for the Minutemen, Black Flag, and Sonic Youth. While we’re in confession mode: I still think of Pettibon mainly as the brother of Black Flag frontman Greg Ginn and the creator of the punk band’s iconic logo. But “A Pen of All Work,” which opens today, is further proof that the artist is far more than just a nihilistic doodler whose work has been “displayed” by skaters and punks sporting Six Pack t-shirts.
Last Saturday, several groups of artists, scholars, entrepreneurs, writers, and more gathered in the basement of the New Museum for the second annual Open Score symposium, where they delved into topics like artificial intelligence, how memes relate to blackness, and ways the internet can create social infrastructures. The afternoon was co-presented by Rhizome, a contemporary arts organization centered on intersections of art and technology.
Pipilotti Rist, Gnade Donau Gnade (Mercy Danube Mercy), 2013/15. Installation view: “Komm Schatz, wir stellen die Medien um & fangen nochmals von vorne an,” Kunsthalle Krems, Austria, 2015. Courtesy the artist, Hauser & Wirth, and Luhring Augustine. Photo: Lisa Rastl
As artist Pipilotti Rist spoke to a group of journalists last week, soap bubbles floated out of a silver machine and promptly disappeared in a puff of smoke, as part of a 1999 sculptural piece playfully entitled “Nothing.”
“Thank you for your work, being a bridge to the possible audience, being a translator,” she told us. With that bit of kindness, plus a brief statement in support of letting refugees in, we were ushered into Pixel Forest, the three-floor survey of Rist’s video and sculptural work that is equal parts manically psychedelic, serenely meditative, and highly accessible. More →
“Raymond Pettibon, No Title (This feeling is), 2011. Pen and ink on paper, 37 ¼ x 49 ½ in (94.6 x 125.7 cm). Private collection. Courtesy Regen Projects, Los Angeles.”
It’s been two years since Raymond Pettibon’s surfer art went on display on the Upper East Side. Wait, wha? The artist who did the anarchic drawings that graced the cover of Black Flag albums and concert posters? On the Upper East Side? If that seemed weird, this makes more sense: downtown’s own New Museum has announced that, in February, it will put on the city’s first major museum survey of Pettibon’s work, featuring more than 700 drawings across three floors.
If you thought pole dancing was just a thing for strippers and dance instructors (or strippers turned dance instructors), you thought wrong. It’s a thing for art galleries too. This Wednesday at 6:30 p.m. artists Brennan Gerard and Ryan Kelly will be showcasing their exhibition P.O.L.E.—People, Objects, Language, Exchange—at the New Museum Lobby Gallery. The exhibit will be on daily at 1 p.m., 3 p.m. and 5 p.m. from February 4 to 15. The main attraction is Two Brothers, where a colorful array of entertainers—from exotic dancers to contemporary artists to those ever embattled subway performers —will perform around two 16-foot brass poles. More →
The Chapman + New Museum collaboration, after use (Photo: Kirsten O’Regan)
A house of stacked boxes that teeters upwards from the Bowery, the New Museum’s silhouette doesn’t seem like apt inspiration for a skateboard. But that hasn’t stopped the museum — last seen hawking Bowery-scented air fresheners — from teaming up with Chapman to create a limited edition deck in the shape of its iconic Sejima + Nishizawa/SANAA-designed building. More →