By all appearances, downtown filmmaker Sara Driver had a pretty good weekend. On Friday night, Boom For Real, Driver’s evocative, propulsive, and genuinely moving documentary of Jean-Michel Basquiat’s late teenage years (and the late 1970s Lower East Side art scene that nurtured his extraordinary talent), had its world premiere at the IFC, following a rave review in the Times. It’s a terrific movie, functioning equally well as a we-were-there record of how Basquiat went from homeless kid spraying Samo© to instant sensation at PS1’s New York/New Wave in 1981, his first-ever public show; and as a loving portrait of a neighborhood abandoned by the rest of the city, and all craziness and creativity that ensued.
Then on Sunday evening Driver and a coterie that included the likes of her partner Jim Jarmusch, Lee Quinones, Rosie Perez, Katie Taylor Legnini, Jimmy Webb, Henry Chalfant, Jeffrey Deitch, Luc Sante, and Alexis Adler crammed into the opening of a big group exhibition at the Howl! Happening space. A line to get in formed early and extended all the way over to Bowery for much of the night.
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