High-end fashion retailers are staking out Noho like there’s no tomorrow. First there was A.P.C., then Filson landed, and Phillip Lim scored a still-under-construction spot. Now, vintage/modern luxe store Dear: Rivington+ has just moved into 37 Great Jones, fresh from its former digs on Rivington Street.
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Posts by Kirsten O'Regan:
Talking Dating and Drama With the Writer and Director of ‘Get Me a Guy’
New Yorkers are not only constantly dramatizing their own already rather dramatic love lives, but also adore consuming dramatizations of other such love lives: see Sex and the City, Girls, Hitch, Gossip Girl, Forty Days of Dating, and so on and so forth. Now, Horse Trade Theater Group brings you the rare opportunity to see some disastrous romantic escapades (not your own!) LIVE, at their production of Get Me a Guy—currently playing at Under St Marks Theater in the East Village.
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Dine With Lena Dunham in the Confines of the Lowline!
The Lowline folks are on a roll. Less than a month after a lucrative benefit netted them $30,000 for their ambitious underground park project, they’ve released a save-the-date for their Anti-Gala 2014. The no doubt glitzy October 8 event will be the third such—with this year’s iteration set to be hosted by none other than Spike Jonze and Lena Dunham. Individual tickets are retailing for $1,500, while a table will set you back $25,000.
Here’s How Locals Are Feeling About Williamsburg’s First Starbucks
In case you hadn’t heard, Williamsburg finally got itself a Starbucks location this morning—on Union Ave near the Lorimer/Metropolitan L and G station. The neighborhood is already in the throes of an identity crisis, what with the closure of old stalwarts and the imminent arrival of megaliths like J. Crew. While the Twitter-sphere at large explodes with consternation at this latest development (woeful declarations of the demise of the neighborhood abound), we hit the streets to find out what locals really think about their newest coffee purveyor.
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At Last, a Look Inside the New St. Mark’s Bookshop
After a spate of setbacks and slowdowns, St. Mark’s Bookshop has reopened in its new digs at 136 East Third Street. It’s the beloved book store’s fourth iteration since opening in the East Village in 1977. It had been at its previous spot off of Third Avenue since 1992.
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It’s Gonna Be ‘Shwick: Brooklyn’s Newest Maker Market Is Born
All ye makers of artisanal Sriracha and hand-crafted jewellery and normcore t-shirts, rejoice! Come August 23, there’ll be yet another market in New York City’s most maker-y borough, from which to hawk your unique and occasionally maligned merchandise.
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Readings and Talks: Post-Apocalyptic Pregnancy, Kafkaesque Erotica, and More
Wise-up about the underlying structures of the Israel-Palestine conflict, lust in the style of Kafka, and hear about California’s (fictional) dystopian future at this week’s worthy readings and talks.
Friday, July 18
An Evening with Nir Evron
As the Israel-Palestine conflict is once again splashed across the international press, there’s never been a better time to become familiar with the work of Nir Evron. The Israeli filmmaker has long been fascinated with the physical architecture of the conflict, and this latest work—Endurance—is the third in his “Architectural Trilogy.” More →
This Jeweler Isn’t Big On Gems, Is More Into Transatlantic Cable
“I find gems to be really boring” is not something one expects a jewelry-designer to say, but Erica Weiner says it and means it. “It’s more interesting to talk about De Beers’ advertising campaign than to talk about how big and perfect a diamond is. I do not give a shit about how big and perfect a diamond is.”
25 Images From New Museum’s Arresting Survey of Contemporary Arab Art
For the last fifteen years, Massimiliano Gioni has enthusiastically observed the increased presence of the work of artists of Arabic origin at various biennials and international exhibitions. “And I started getting worried and suspicious,” says the Associate Director and Director of Programming of the New Museum, “because many of these great artists—who we would see everywhere else—were not being shown in New York.”
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James Franco’s Debut as a Theater Director Is a Little Bit Alien-ating
Near the end of “The Long Shrift” — James Franco’s debut as a theater director — one character says to another, and to the audience at large: “Let’s stop. I’m getting bored with this.” My thoughts exactly.
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