This One Night at the Opera Continues every Wednesday through April 29 at The Red Room, 85 E 4th Street, East Village. 8pm (April 29 show at 7:30pm). Tickets are $20. More info here.
For over a year now, cabaret artist Salty Brine has undertaken what he calls his “Spectacular Living Record Collection,” where he takes a classic or beloved album (anywhere from Weezer to The Beatles) and performs it in full, giving it his own personal touch. This often includes delightful and surprising reinterpretations of songs, larger-than-life costumes, and storytelling interludes. After working in this style for so long, it’s only fitting Brine is taking on Queen’s harmonic behemoth A Night at the Opera, spinning it into a grand evening of theatrics and betrayal fittingly directed by opera director Jordan Fein.
Armory weekend is upon us y’all, and you know what that means– if you’re gonna hoof it to the West side to get cultured and not just slammed at the after parties (which is perfectly alright, too) it’s best to have some idea of where you’re headed, and we’re guessing it’s probably not going to be in the direction of those $45 Armory tickets. Hoo boy. No, thank you. Besides, there’s plenty else going on that’s not gonna nuke your wallet.
Lear Continues through February 20 at New York Live Arts, 219 W 19th Street, Chelsea. 7:30pm; Tickets are $15 and can be purchased here.
Acclaimed dance artist Valda Setterfeld, sporting a shock of white hair, crafts her own version of Shakespeare’s Lear in collaboration with Irish choreographer John Scott. Interestingly, Setterfeld herself plays Lear while the King’s daughters are played by three men. Don’t expect this to be an evening of period dress and Classical language. Setterfeld may be the right age to play Lear, but this unique and movement-driven creation seems anything but typical.
Audio Visuals Sunday, Jan. 31, 3 pm to 7 pm at the Silent Barn: $5 suggested donation
Hey! It’s a combined live music/screening event at the Silent Barn in honor of the release of Kung Fu Crimewave‘s new music video for their very topical song, “Winter Squall.” The band is fluent in so-called “regressive rock,” or what sounds to us like a mix of weird-punk and psych– there’s a crush of instruments going on here but not in an annoying Arcade Fire way. But instead of having a traditional something-release show, the Kung Fu kids have brought together a bunch of local filmmakers (who have either dabbled in or are steeped in music videos) to share their work. There’s even a Q+A after the screenings, so if you’re curious about how they get stuff done, well here’s your opportunity to hear it straight from the horsies’ mouths.
Catherine Opie’s “The Quest for Japanese Beef,” 2010-2011. (Photo: Gillie Collins)
In the late 1990s, Catherine Opie drove across the country, taking photos of lesbian families in and around their homes. The resulting series, Domestic, (which Opie, who herself is gay, said was an attempt to document “the lesbian dream’’) contains a still life of a washer and dryer, which the photographer joked was “a lesbian washer and dryer.” Because, as she put it, “it’s the same thing.” An ongoing pair of solo exhibitions, Portraits and Landscapesand 700 Nimes Road, at the Lehmann Maupin gallery locations in Chelsea and on the Lower East Side, respectively, also readjust our expectations about the artist and her long-held role as a “provocateur.”
Until now, Sigiri has been the go-to for Sri Lankan food in the East Village – and pretty much the whole city as far as those who don’t want to venture out to Staten Island are concerned. But starting next month, it’ll get some competition just around the corner.
Banana Leaf is moving to Curry Row, into the space at 326 East Sixth Street currently occupied by Spice Cove, which has the same owner.
Should she want to relive those days, she might want to forget about #AllMyMovies and catch The Jazz Loft According to W. Eugene Smith, showing Friday and Monday as part of the DOC NYC festival. The documentary by Sara Fishko is an offshoot of her “Jazz Loft Radio Series,” a 10-part WNYC production that unboxed the audio recordings that legendary photographer W. Eugene Smith made while sharing his Chelsea loft with some of the jazz greats of the late ‘50s and early ‘60s. Her new documentary adds a visual element, sharing some of the thousands of photos that Smith took of the loft’s habitués, from Thelonius Monk to Salvador Dali to Warhol’s Ultra Violet, and the street life below.
This week, cash in your change jar because you’re gonna need it for the screening of this lost Riot Grrrl film starring Kathleen Hanna. Also, pick from a bazillion or so documentaries this year at Doc NYC 2015, and more. Read on, friends.
With the title “HOUSE OF LIES,” Johan Wahlstrom’s upcoming exhibition at the Van Der Plas Gallery on the Lower East Side isn’t exactly subtle political commentary. The painting at left (click to enlarge) will be one of several featuring our favorite orange comb-over in the artist’s signature earthy palette. But it’s not just about hating on Trump, says the gallery’s executive assistant Arbi Gjondedaj. “It’s about the social upheaval we see all around us.”
By the looks of things, October’s becoming something of a de facto Queer Film Month in New York City. Which is way cool, we’re always happy to see queer goings-on about town beyond Pride Month. And whether you’re a connoisseur of all things old and aging well, or live solely to soak up ever-refreshing nowness, we’ve got a couple of events that offer a slew of opportunities to attend LGBT movie happenings.
It’s going to be pretty hard to beat Taran Killam’s impression of Donald Trump (above) during the season opener of Saturday Night Live, but the intrepid improvisers at UCB are giving it a shot tonight at 8 p.m. “Trump is President and he’s giving a luxurious speech from the East Room of the White House,” goes the blurb for Trump Dump: President Luxury. “Join him and his paid audience as he updates America on the Hunt for Rosie O’Donnell, the construction of the first ever transcontinental hair oil pipeline and his plan for bronzing illegal immigrant’s babies and using them for actual ships anchors.”