yes no maybe Opening Tuesday, July 17 at Flowers Gallery, 6 pm to 8 pm. On view through August 24.
Thanks to social media, the word “algorithm” is no longer something only mentioned in math class. I’d say for better or for worse, but we all know that people typically invoke talks of The Algorithm when they are complaining about the latest way it’s seeming to screw them over. A new group exhibition at Chelsea’s Flowers Gallery, which takes its title from the mathematical theory of probability, asks five artists to create works using their own algorithmic processes. This may sound intimidating until you realize an algorithm isn’t much more than a purposeful pattern that repeats over time, which is something done in art often. The artists of yes no maybe (all prolific and regarded in their respective fields) take their algorithmic inspiration from topics as varied as geometric microscopic organisms, Berlin’s Tempelhof airport, jazz music, and hypercubes. At the opening, there will be a panel discussion with Beryl Korot, Manfred Mohr and Judith Stenneken, moderated by Zabet Patterson, a professor and writer who focuses on how contemporary art and computing interact. More →
Did you know there is a recently-excavated mass grave in Athens, Greece with contents dating back to 7 B.C., including “eighty shackled skeletons” with great teeth? Artist and current resident at the International Studio and Curatorial Program Hikaru Fujii does, and he’s spent a lot of time documenting and learning about this curious piece of history. The result of this work will be on view in The Primary Fact, the artist’s first solo exhibition in the U.S. It features predominantly video and photography, focusing on the “inconclusive scientific viewpoints” that have emerged about the grave, its contents, and its history. In addition to displaying actual imagery from the Athenian grave, Fujii also assembled a group of Greek men to recreate the choreographic moment of mass execution (presumably due to a political coup) that led to this grave in the first place. More →
The last time we checked in with the Spanish Benevolent Society’s beloved restaurant La Nacional, they announced they’d be closing for a “complete renovation” in March 2016, with a planned reopening featuring new chefs in May of that same year.
The Spanish Benevolent Society’s executive director Robert Sanfiz finds it “really hilarious” to look back on that optimistic estimation. “We had go through major structural work,” he tells me. “Ultimately, it was going to eat a lot of our time and a lot of the money we put away.” Despite the delay, La Nacional will officially reopen on June 15, which coincides with both the 150th anniversary of the Spanish Benevolent Society and the World Cup match between Spain and Portugal. More →
“Summer Sisters” 2018 by Rebecca Leveille (image via The Untitled Space)
The End of Love Opening Tuesday, May 1 at The Untitled Space, 6 pm to 8 pm. On view through May 13.
For an exhibition sporting as foreboding a title as The End of Love, Rebecca Leveille’s paintings are so entrancing as to inspire a sort of optimism in the viewer. In addition to being strikingly beautiful, her paintings portray feminine beauty, bliss, and sexuality in a way that’s playful and mixes elements of realism and mythology, allowing for a mental break from the seemingly constant barrage of nonsense coming from the world. Leveille is no stranger to the realm of the fantastical, as she has previously created illustrations for Magic: The Gathering under the name Rebecca Guay. Looking to how the artist herself has spoken of this show, the connection between the title and the content begins to feel more clear. “What comes after delusions of ‘love?,’” she writes. “Feminine power and sexuality find new ground, as does an urgency to assert the female gaze.”More →
Some photography is staged, utilizing the lens to create a fantastical scene that would very likely never be encountered in a candid sense. Rather than doing that, Mexico City-born photographer Amanda Gutiérrez seeks to document her surroundings as she ventures through Brooklyn’s Sunset Park, focusing both on her “subjective experience as a Mexican woman living and working in New York” and painting a photographic portrait of the neighborhood’s Mexican immigrant community. In addition to photography (shot with a 35mm disposable camera), Gutiérrez’s solo show will also feature videos of her working in the darkroom, animations created from her own prints, and binaural audio tracks of her walking through various environments, welcoming you in on multiple sensory levels. More →
Origins Opening Tuesday, April 3 at Cooler Gallery, 7 pm to 10 pm. On view through May 19.
What is a Fuzzy Dude? I have some theories, but so does artist and director John McLaughlin, whose solo show Origins will give you a thorough introduction to these wacky creatures that have sprung from his brain. Appropriately, Fuzzy Dudes are beings covered in a stringy, colorful fur that recalls silly string, shaggy dogs, household mops, or something else entirely. They come from a “space-like” dystopian world, or so I’m told, but you can see them come to life on Earth by way of sculpture, video, and more. Watching these curious creatures feels almost like a psychedelic experience, as their multicolored, textured bodies run, jump, and sway. Their actions are humanlike, but their appearance is a lot more interesting. Why not take a break from the dreaded news cycle for an evening and go meet some otherworldly beings?More →
You’re probably familiar with the most common way to write music, with notes on a staff, even if you can’t read music yourself. But did you know there are other ways to do it? One of them, the Korean system Jeongganbo, dates all the way back to the Joseon Dynasty, which began in 1392 and ended much later, in 1910. Rather than using a staff system, it uses a grid system, with each note taking up a square in sequential order. Seoul-based artist Suki Seokyeong Kang was drawn to this geometric composition technique, and has created a series of “visual translations” of Jeonggabo in her new solo show at Chelsea’s Tina Kim Gallery. The show is mostly sculpture based, in a way that attempts to put forth both logic and harmony. Perhaps after exploring, you’ll come away with a subconscious new knowledge of how music can be made.More →
Jennifer Rubell has been on the receiving end of a pie-five for about nine nights thus far, and she still has 14 more to go. Since Feb. 8, the Meredith Rosen Gallery has been home to Rubell’s Consent, an exhibition of her newest works. Visitors have been invited to admire the artist’s paintings and, while you’re at it, smash a pie into her face.
Imagine this bagel sandwich, but 50 times bigger. Photo courtesy of Acme Smoked Fish
If you’ve ever wanted to throw a pie in someone’s face, now’s your chance. Jennifer Rubell, the conceptual artist who built a giant cookie jar resembling Hillary Clinton’s pantsuit, is inviting you to fling pies at her during a performance at the new Meredith Rosen Gallery, opening next week. Or maybe you’d rather stuff your own face with bagels? Head over to Brooklyn’s Acme Smoked Fish next Friday, where they’re building a super-sized (we’re talking a few hundred pounds here) bagel sandwich in honor of National Bagel and Lox Day.
Some abstract art is indeed just blotches of color, shape, and brushstroke. But some art that looks abstract, such as the works of Zhang Enli, could in fact be a version of hyperrealism. The subjects of Enli’s paintings are often recognizable landscapes, such as the gardens peppered throughout Shanghai, zoomed in far enough to become unrecognizable and in doing so, take on a new type of beauty. However, there’s only the partial presence of hyperrealism in Enil’s works, as they’re modeled off of real imagery but imbued with his own personal interpretation. Is that swirl green because it was originally green, or does it look that way because the artist made it so? You can give your best guess, but not knowing is part of the fun.