Between London’s Wagamama, which opened on 26th Street in November, and L.A.’s Sugarfish, which opened on 20th Street around the same time, the Flatiron has seen an influx of cult sushi imports. You can add another one to the list: Another UK brand, YO!, is set to bring its conveyor-belt sushi to the suddenly happening hood next month.
Part Is No Object
Opening Friday February 10 at SOHO20 Gallery, 6 pm to 9 pm. On view through March 12.
Denise Treizman’s colorful sculptural creations are refreshingly playful, uplifting and childlike. This solo show of her work is opening in SOHO20 Gallery’s modest +/- Project Space, a space highlighting “ephemeral” or site-specific work. For Treizman, site-specific is everywhere, as her “constructions” are made of essentially anything that crosses her path, from pom-pom puffballs to PVC pipe. She collects these “fragments,” whether they be bits and pieces found on the side of the road or broken remains of a studio project, and then puts the mismatched pieces together to create something entirely new. There will be two other openings this weekend at SOHO20 Gallery, one of paintings by Nana Olivas and one showcasing work by the gallery’s three 2016 Residency Lab artists.
That’s all she wrote, folks. Penn Station’s (relatively) beloved big board has departed the building. Removal started Tuesday. Throughout the week, as you can see above, workers meticulously disassembled the iconic departure board like Dave murdering Hal in 2001: A Space Odyssey. Below is what the scene looked like today. In lieu of flowers, please send beer money to passengers who’ve just missed their train and need to drown their sorrows at Kabooz’s Bar & Grille.
“I need a drink,” Steve Gunn said as he started into “Way Out Weather” at Rock and Roll Hotel in D.C. on Friday night. After taking a swig he added, “As I’m sure you also probably do.”
Opening Tuesday January 10 at Cooler Gallery, 7 pm to 10 pm. On view through January 31.
Firstly, let’s discuss this gallery’s name. Sure, it sounds sort of pompous, in a cooler-than-you kind of way, and maybe that’s what they think of themselves. But the origin of this gallery is actually, well, cool. It exists within a “repurposed industrial icebox” in the Brooklyn Navy Yard, so it really is a cooler gallery. Plus, it seeks to display work that involves elements of manufacturing, so it’s aware of its roots. But enough about the gallery, let’s get to the show: artist Kate Hush makes massive sculptures of neon light, and what she is particularly trying to capture in her solo show, Female Behavior, are women and their so-called “wicked ways.” She writes of light being produced when bonds are broken, such as the cutting of a diamond, so she has crafted female silhouettes to portray those who are seen as cruel and conniving simply for being “sharp” or for cutting ties with a man who will then call her crazy. May women burn bright and powerful as much as they can, especially now.
Even though the year is ending, most things will continue after the clock strikes 2017. But not all of them. The queer nightlife collective known as The Culture Whore is saying goodbye not only to 2016 with their New Year’s Eve space-rodeo rave, “Night Riders.” The blowout will be the group’s final party, as they are disbanding.
Wednesday, December 28 at Throne Watches, 8 pm: FREE
Mary Houlihan, Joe Rumrill, Sam Taggart, and Julio Torres’s recurring comedy show Future Forms is a tasty treat, and probably one of the only shows you can say you’ve seen in a watch showroom. I mean, with the impending closure of spaces like Cake Shop, and DIY spaces getting all hush-hush for fear of getting shut down, perhaps we’ll all soon be watching shows in the aisles of grocery stores or something like that. Which could be fun, but the lighting leaves something to be desired.
The Perfect Play
Wednesday, December 21 at JACK, 7 pm: $15
Not much seems perfect in 2016, especially in these last few moments. However, at Clinton Hill art space JACK, experimental performance ensemble Banana Bag and Bodice will summon a crop of luminaries of the downtown theater and performance world in a grand attempt at perfection. If a pursuit of flawlessness makes your eyes roll into oblivion, let me clarify that what these folks are actually doing is staging their fourth annual adults-only musical weirdo version of the classic Nativity story. You know, the perfect child, the virgin birth, etc.? Perfect. There’s certainly a lot to unpack here. Particularly the virgin birth– I still have a lot of questions about that. But I trust that this merry gang of creators, who have also dreamt up concoctions like a Beowulf musical and an experimental piece on political prisoners scored by a soundscape of found objects like fishbowls and license plates, will do the whole thing justice. After the formal show, stick around for drinks and “special Christmas musical maneuverings.”
We haven’t heard much about TWA Flight Center since we took our last look inside of it during Open House NY last year, but progress is finally being made on the hotel that will restore Eero Saarinen’s majestic structure to its Jet Age glory and open it to the public after more than 15 years of disuse. Today Governor Andrew Cuomo and other elected officials gathered to break ground on the TWA Hotel, set to open at the end of 2018.
The subterranean lounge opening at 19 Kenmare tomorrow has a “secret chef,” according to its menu. The folks at The Lø aren’t saying who it is, but Camille Becerra would be a safe bet. The onetime Top Chef contestant will soon open a restaurant, De Maria, in the space above The Lø, and the 50-seat lounge is operated by Becerra’s partner in the restaurant, musician/DJ/entrepreneur Grace Lee.
Let’s take a moment to talk about a strange and ubiquitous inhabitant of today’s internet landscape: the social media influencer. You know the type. Millennial. Self-described “lifestyle blogger.” Multiple Instagram posts per day. Perfect lighting. Radiant skin. Expensive clothes. Exotic locales. Thirsty for followers. #Grateful to be #blessed with such a strong #brand.
You don’t have to reach all the way back to the days of David Mancuso for some epic downtown loft parties. Seven years ago, over the course of 50 successive Fridays, artist and designer Ryan McGinness held a series of legendary fetes in his Chinatown studio. Each had a separate theme, starting in July of 2009 with White Trash BBQ (kegs, sparklers, wet t-shirts) and ending in June of 2010 with a Talent Show (magic, dancing, and unicorns).