A Structure For Hope And Survival Opening Tuesday, June 6 at Cooler Gallery, 7 pm to 10 pm. On view through June 30.
Artist Huy Bui has a penchant for constructing environments, and his latest creation to be brought to life at Navy Yard-adjacent art space Cooler Gallery is timely in its name: A Structure For Hope and Survival. Deemed a “framework of organizing artifacts, objects, art, tools, books, games, supplies, seeds, plants and provisions,” this “modular ecological unit” serves as a structure and container for anything you might need, from plants and seating areas to how-to books and emergency snacks. An artist statement indicates that a manual is in the works for anyone who might want to build one themselves. The opening reception on Tuesday will begin with a panel discussion entitled “Art and Architecture in the Anthropocene” with Bui, fellow artists, and people who have worked on projects like Playlab and the Lowline.
Consumption Opening Monday August 22, 6 pm to 9 pm at The Living Gallery. On view one night only.
For one night only, the humble Living Gallery will be taken over by artist and “earth-loving dumpster-diver” Jill Rosati’s fantastical sculptures. Among them are “vomcanoes,” vaguely grotesque creations that look as if a mound of dirt grew legs and eternally spewed a fine stream of luminescent sludge that may or may not contain human hair. Yum! Rosati is committed to showing the ugly and excess-filled side of human nature (and sometimes, just nature itself), but smartly does so using sustainable and recycled materials so she doesn’t necessarily waste in order to portray waste.
The last time we saw Nasa Hadizadeh of Alt Space– the IRL art and fashion hub of Alt Citizen– it was January and she and her crew were so, so ready to cram their stuff inside a baby blue short bus and escape winter early by way of an enviable jaunt across the country. That’s exactly what Alt Space did after closing down its Montrose Avenue incarnation. Now, after a few months and some bumps along the way (including a broke-down bus), they’ve returned to Brooklyn with a whole new lease on pop-up life.
“Gradual Kingdom” at Signal Gallery in Bushwick (Photo: Nicole Disser)
To get a feel for Meriem Bennani‘s work, it’s best to look up @meriembennani on Instagram. After scrolling through the photoshopped weirdness and absurd takes on everything from Drake videos to the avant-garde hijabs of Fardaous Funjab, you’ll find that Bennani is really good at the internet. So good, that the Times was moved to highlight her, qualifying her as a representative “Millennial Artist” fluent in the language of post-Internet. Millennial accusations aside, she’s one of those people who makes the internet weird/smart and not just weird/depressing. In other words, Bennani’s work actually deserves that happy-tears cat emoji.
Gradual Kingdom is the artist’s most significant solo-installation presence yet; now on view at Signal Gallery, it offers an opportunity for people to see Meriem Bennani, for once, in slow motion.
“Runaway Interludes / 20 Channel Jamboree vol. 8 (Market Static)” 2015, work by Jessie Stead on view at “Surface Support,” Signal Gallery (Photo: Nicole Disser)
A new group exhibition at Signal Gallery Surface Supportstarted out with the question, “How does video exist outside itself?” Curator Amanda Schmitt has worked with video artists since about the dawn of Postinternet thinking. It’s almost as if now that thinking too heavily about the internet as a thing (and just accepting it as an inherent part of aesthetics, social interaction, and sadly even existence) we can get back to thinking about video in new ways again. “Video and of course screens changed the way we think,” Amanda explained. “We’re always on our phones now, so sometimes we take it for granted.”
This is officially the season where all these people who describe themselves as your friends keep calling (on the actual phone, wtf), beckoning you to join them for some really screwed up stuff like BBQs and Beach Bus Excursions. Whatever happened to text messages? Hiding in your apartment for days on end? Unfortunately during summer, such creature comforts are regarded as anti-social, perhaps even dangerous. But if you can make it to these two events, we promise you’ll have a whole heap of excuses to avoid person-on-person contact for the next few months or perhaps even longer, plenty of time for your friends to wrap up their molly bender and quit being so creepy. Reading materials will save you yet.
‘Untitled,’ photo by Bobson Sukhdeo Mohanlall on view at 1:54 Contemporary African Art Fair (Photo from 1:54 website and courtesy of Axis Gallery)
If there’s anything to say about Frieze that speaks to the massive annual art fair as a whole is that it’s wholly impossible to see everything. Last year, there were 190 participating art dealers from all over the globe. And that’s just at Frieze alone. What’s more the art fair brings so many art people into the city and out of their studios in “far-flung” neighborhoods to Manhattan, that several satellite festivities coincide with the event in places other than the Frieze tent. So take your pick and get ready for two parts shmoozing and feigning interest and one part legitimate enthrallment!
(Photo: Flyer for Signal Gallery’s current Exhibition, “Fissure: Fog”)
Walk into Bushwick’s SIGNAL Gallery and you might feel as if you’ve just stepped off a spaceship onto the surface of some distant moon. A thick cloud of fog dominates the room, and strangely its opacity seems to vacillate as you move across the room from painting to installation to sculpture. It can be disorienting but also sort of zen inducing, though the gallery cat doesn’t seem to be bothered one way or the other.
An exhibition curated by Bennet Schlesinger, Fissure: Fog, installed the cloud here at SIGNAL when it opened nearly two weeks ago at what’s become one of Brooklyn’s premiere galleries for emerging artists. Fissure features work by local artists including Nikholis Planck, Aidan Koch, Graham Hamilton, and Kayla Guthrie, among others. The works draw from a variety of mediums and artistic practices.
Who ever said that writing, at its best, is a lonely life? We’ve got your weekly round-up of bibliovents that prove once in a while writers do actually jerk themselves away from their laptops to good effect. On the books this week are a wide variety of events, from a reading where you can get tattooed while soaking up some Alt-Lit vibes, to a panel discussion of the King of Pop led by his brave biographer. More →
MIRRORS, Tim Bruniges. Installation view. At Signal in Bushwick. (Photo: Courtesy of Signal)
We can say without hyperbole that this is by far the coolest thing that will ever happen in the history of mankind.
This Sunday, experimental/weirdo/brilliant musician Sean Nicholas Savage is bringing his signature awesome weirdness to Signal gallery in Bushwick. Savage is a performance character of sorts (like Boy George, but hipper) who first rose to infamy in the illegal after hours scene in Montreal (the same scene that gave birth to Grimes). More →