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Patti Smith Announces New Memoir, Did ‘People Have the Power’ For East Village

Last time we saw Patti Smith do “People Have the Power,” she was on stage with Miley Cyrus, Laurie Anderson, Debbie Harry and pretty much every other New York City music legend — and before that she was belting it out with Michael Stipe and James Franco. But she and Lenny Kaye kept it lean and mean at last night’s benefit at Theatre 80 for the victims of the East Village explosion. Check out the above footage posted to YouTube by Sandy Bachon.

Today it was announced that Smith will release a sequel to her memoir, Just Kids, on October 6. Here’s the publisher Knopf’s description, via the Amazon page.

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Nightclubbing | The Raybeats

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library. In this edition: the discovery of a lost Philip Glass recording.

(Photo: Gary Reese)

In 1687, Newton’s third law of motion explained that for every action, there is an equal and opposite reaction. For punk rock, that reaction was the Artists Space 1978 music festival. With a line-up featuring the Contortions, DNA, Mars, and Teenage Jesus and the Jerks, it spawned the No Wave scene. The sound was atonal, abrasive and utterly new, combining elements of funk, jazz and just plain noise. As Lenny Kaye of the Patti Smith Group observed, “the edge that originally attracted people to punk rock, that splintered sound, was almost gone by the late ‘70s. No Wave kinda picked up the artistic banner.”

In 1980, the pendulum swung again for four of No Wave’s most influential musicians. Jody Harris, Donny Christensen and George Scott III were veterans of the Contortions and Pat Irwin had performed with George in 8-Eyed Spy with Lydia Lunch. They were done with moody lead singers and wanted to try another way. They formed The Raybeats. More →

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Nightclubbing | Stilletto Fads

Tomorrow, as part of the CBGB Festival, Pat Ivers and Emily Armstrong will discuss the Downtown Collection’s recent acquisition of their Nightclubbing archive of punk-era concert footage. In this week’s installment of their column for The Local, they speak with Tish and Snooky Bellomo, who will be playing with the Sic F*cks tonight at Bowery Electric and tomorrow at Fontana’s. That band was hardly the only one the Bellomo sisters had a hand in.

Tish and Snooky Bellomo (Courtesy Manic Panic)

In the beginning, there was the Stillettos: Debbie Harry, Elda Stilletto and Roseanne Ross. As flashy and trashy as glam bands got, they played CBGBs so early in the game that the Ramones opened for them. By 1975, Debbie Harry had gone on to form Blondie. Elda transformed the Stillettos into the Stilletto Fads, with Tish and Snooky Bellomo as back up singers.

The Bellomos were no strangers to the CBGB scene. “We used to come down to the city from Riverdale,” said Tish. “We would hide our ‘subway’ shoes in some hedges outside of Max’s and CBGB and change into our cool stilettos and rock-and-roll wear before we went in, then change back on the train on our way back to the Bronx so we wouldn’t scare the neighbors.” Their fashion sense paid off: realizing how hard it was for New Yorkers to get the cool tight black pants that English kids wore, they used $500 to open Manic Panic on St. Marks Place in 1977. “Sometimes, we only made a $2.50 sale all day,” recalled Snooky, “but everyone would drop by, so you almost didn’t care. It was a while before we started making any money.”

Meanwhile, they sang with the Sic F*cks – at CBGBs, Max’s, Mudd Club theme nights, and wherever fun was to be had – and with the Stilletto Fads. More →