In Living Color! Weekly on Wednesdays at UpNorth, 9 pm: FREE
There are so many drag shows in the city, they can be hard to keep track of. When a show happens every week, it can create a comfortable consistency; you always know it’s going to be there. The newest weekly sensation to hit Bushwick is In Living Color, a free evening of drag and burlesque hosted by effervescent drag performer Junior Mint, who may be new on the scene but has so much talent and vibrant presence that you’d never know it. Every Wednesday, she hosts a crop of multitalented local performers for your entertainment, while you sip drinks and dine on vegetarian food from the bar. This week features Rara Darling, Thee Suburbia, and Tink, with gogo dancing and kittening by Foxy Belle Afriq. More →
The Portrait is Political Opening Wednesday, April 24 at BRIC, 7 pm to 9 pm. On view through May 12.
Portraits have become one of the most ubiquitous forms of imagery in our society. While their origins lie in fine art, today’s portraits can take any form, but the most common is surely the selfie. Some might argue the vast proliferation of selfies and such has diluted the significance of this form, but I’m more inclined to believe it has opened up the opportunity to start thinking more purposefully about portraiture; one must, to cut through the churn. The Portrait is Political, a “suite” of exhibitions opening at BRIC this week, seeks to reassert the power of depicting people in art. Jaishri Abichandani immortalizes Brooklyn’s South Asian feminists in paint, Texas Isaiah creates collaborative works with his subjects, and Liz Collins curates a sprawling spread of portraits from over 35 queer artists. More →
The Grove Street Stompers perform at Arthur’s Tavern (Photos: Tara Yarlagadda)
It’s your typical Monday night at Arthur’s Tavern in Greenwich Village, an eclectic spot on Grove Street that’s been serving jazz fans since the speakeasy days of the 1930s. Portraits of jazz legends hang on the wall amidst Christmas lights and a faded Happy Halloween sign. It’s late June—in case you were wondering.
It’s been a hummus-filled week, folks. Alongside the arrival of Panorama near Union Square, vegetarian and vegan-friendly restaurant VISH Vegetarian Hummus opened up earlier this week on E. 8th Street in the heart of NYU’s campus community. Falafel-lovers’ favorite, Maoz Vegetarian, closed in the spring and left a pita-shaped void on the block. But since VISH is opening in the exact same spot, fans can rest easy.
Environmental and community groups gathered outside New York University’s Kimmel Center this morning, rallying against a natural gas pipeline proposed by the Williams energy company. Meanwhile, inside, Governor Cuomo announced a $1.4 billion commitment to renewable energy programs. It’s said to be the biggest by any state in US history, but some protesters continue to say that Cuomo isn’t doing enough to stop fracking off the coast of New York City and elsewhere. More →
(Photo via Washington Square Park Conservancy’s Twitter.)
Motherless Brooklyn, the Edward Norton-penned adaptation of Jonathan Lethem’s 1999 novel, took over Washington Square Park today, transforming the public space into a scene straight out of the 1950s.
Norton, who also directs and acts in the film, plays a lonely private investigator with Tourette’s searching for his only friend and mentor’s killer. Willem Dafoe, Alec Baldwin, and Gugu Mbatha-Raw, among others, are set to join the cast. The film, set against the backdrop of 1950s New York, will be released next year.
In November of last year, amid the aggressive grey that is winter in New York City, Christopher Street was overrun with color. From Hudson to Bleecker, someone had swaddled the trees in different shades of crochet. Nearly 1,500 squares of lavender, mint green, cobalt, powdered pink, and egg-yolk yellow lined the sidewalks. Passerby began posing with them, Instagramming them, calling them “tree cozies.” Parents admired the eight-foot-tall sweaters with their children, asking aloud which ones were medium, which ones were large. As it turns out, the trees of Christopher Street were clothed by Holly and her aunt Polly.
Joey Skaggs is at it again. The longtime prankster has made a profession out of feeding the media false information in order to highlight and satirize their gullibility. His victims range from Fox to The Washington Post. In October of last year, director Andrea Marini released Art of the Prank, a documentary that covers Skaggs’s history as an artist and his many hoaxes. Yet despite the media’s growing awareness of Skaggs and his MO, he continues to disseminate elaborate scoops to the press.
The highly anticipated adaptation of Donna Tartt’s 2013 novel The Goldfinch began filming in Greenwich Village this Friday, with film crews taking over sections of 11th and 12th streets between 5th Avenue and University Place. In case you were living under a rock in 2014, The Goldfinch won the Pulitzer Prize for fiction that year, and was selected as one of the 10 best books of 2013 by the New York Times Book Review.
The novel is a Dickensian bildungsroman; it tells the story of Theodore Decker, who becomes involved in art theft and forgery after a troubled childhood. Ansel Elgort is reportedly set to play the adult Theodore, while Finn Wolfhard (yes, of Stranger Things fame) has been cast as the younger version of Boris, Theodore’s childhood friend. Sarah Paulson, Luke Wilson, and Jeffrey Wright are all supposedly part of the cast as well.
While the film unfortunately won’t be released until 2019, you might as well get started on the book in the meantime– it’s a whopping 784 pages long.
Some abstract art is indeed just blotches of color, shape, and brushstroke. But some art that looks abstract, such as the works of Zhang Enli, could in fact be a version of hyperrealism. The subjects of Enli’s paintings are often recognizable landscapes, such as the gardens peppered throughout Shanghai, zoomed in far enough to become unrecognizable and in doing so, take on a new type of beauty. However, there’s only the partial presence of hyperrealism in Enil’s works, as they’re modeled off of real imagery but imbued with his own personal interpretation. Is that swirl green because it was originally green, or does it look that way because the artist made it so? You can give your best guess, but not knowing is part of the fun.