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Choreographed Photos, Experiments In Light, and More Art This Week

Image: Jenna Westra, Mariana Sits on “The Complete Photographer, An Encyclopedia of Photography” (1949), Volume 6, Pages 2178-79, ‘Best Fashion Study and Best Action Production Still Taken in a Studio’, 2018. Archival pigment print, 26 x 21.75 inches (image courtesy of Lubov)

Parts Of Some Quartet, Fruits
Opening Saturday, March 24 at Lubov, 6 pm to 9 pm. On view through May 6.

The Tribeca gallery Lubov is small, tucked away on the second floor of an office building, but within it you’ll find none of the monotony typically associated with such work. Instead, you’ll be greeted with contemporary art of all sorts, including their newest exhibition Parts Of Some Quartet, Fruits. In addition to being a very good exhibition name in my opinion, it’s also an assortment of analog photography by Jenna Westra that focuses on what happens when you don’t shy away from the act of purposefully trying to create an engaging scene ripe for the snapping. The scenarios recall a kind of captured choreography, such as an amateur model (or maybe a dancer?) kneeling with their dirt-dusted feet squarely sitting on (what else?) a book of photography, simultaneously desecrating and establishing its position as subject. More →

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Radical Hospitality, Political Stitching, and More Art Affairs

(image via Idio Gallery / Facebook)

Radical Hospitality
Opening Thursday, June 15 at IDIO Gallery, 6pm. On view through July 15.

“Art is my life,” you’ve probably heard so many people proclaim. But rarely does it ring true in quite so literal a sense as this exhibition at Idio Gallery, in which “radical hospitality” means the East Williamsburg art space will be open from sun-up till sundown for 30 days in a row, welcome to all for any stretch of time. It’s the culmination of an ongoing exploration of the same name by the gallery’s curator Montana Simone, built partially by research and partially by actual times she experienced the hospitality of others, particularly in locations seen by Westerners as “hostile.”

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