Photography After Stonewall Opening Tuesday, June 4 at Soho Photo Gallery, 6 pm to 8 pm. On view through June 29.
As I’m sure you’ve heard (and if you haven’t, you might want to broaden the types of media you consume), it’s the 50th anniversary of the Stonewall riots this year, and it’s Pride month. Events commemorating this historic milestone can be found pretty much everywhere you look, including at the Soho Photo Gallery, which will be showing creative photography works from 23 living artists making work about queerness today. The pieces on view include portraits, abstract works, documentations of romance and love, images that have more of an editorial flair, and more.
Asia Gagnon’s ‘The Kind of Thing You Don’t Talk About’ at SipFest
SipFest Now through March 14 at Wild Project, various times, various prices
The nature of live theater is that anything can happen at any time. Sometimes this is good, but not always. Spaceman, a high-tech play from Loading Dock Theater about a woman astronaut’s journey to Mars, was supposed to have a run at Wild Project currently, but had to be canceled due to an injury sustained by the lead performer. However, the venue will not be empty. A last-minute festival of original performance works by women and queer artists called Sipfest will run at the Lower East Side venue in its stead. There, you’ll find a solo show digging into how we discuss sexual assault, drag performances, femme ballads, a play inspired by the fanfiction epic My Immortal, and more.More →
From “David Bowie is” at Brooklyn Museum. (Photo: Daniel Maurer)
The opening of the mammoth “David Bowie is” exhibit last week at the Brooklyn Museum left a lot of people nostalgic for the late Starman. Lucky for all the Ziggy Stardust acolytes out there, the Bowie love continues with a slew of new record releases in April and a batch of themed cocktails at Crown Heights bar and restaurant. So take your protein pills, put your helmet on and let the Bowie mania begin.
Los Sures Friday December 9, 7 pm to 10 pm at Dobbin Street: $8 to $10
Dobbin St. is a new “luxury event space” that occasionally throws non-luxury events. For Halloween, they hosted a screening of Suspiria and went all out, washing the space in Dario Argento’s signature evil-pink light and amassing a band to do the live score. They even threw in some popcorn, a bar, and prep school-style beds for good measure.
Danny Says Friday September 30 through Thursday October 6 at IFC Center: $14
Danny Fields was the music manager “at the pulse of the underground,” the man behind the best rock n’ roll to come out of the ’70s New York City scene and actually some of the most influential rock of all time. Iggy Pop, Lou Reed, and the Ramones were just a few of his associated acts and though all of this stuff is standard by now, back in Danny’s glory days it was nothing short of insanity.
The Jazz Loft According to Eugene W. Smith Friday September 23 through Wednesday September 28 at the Metrograph: $15
In this film about a loft that from 1957 to 1965 drew some of the best musicians of its time to a nondescript location in the city’s Flower District, you might get the feeling that you’ve been to a place sort of like this before. Like almost everything cool in America, the DIY venues we frequent today have their roots in jazz, specifically the underground spots of yesteryear where the music could be experienced in its natural state.
“Untitled” (from the series In The Vale of Cashmere), Thomas Roma 2011
Like many Brooklynites, Prospect Park is my go-to, but the awesomely named Vale of Cashmere– a relatively isolated area on the east side of the park and the subject of photographer Thomas Roma’s new book– didn’t sound familiar at all. To outsider eyes like mine, the Vale (depending on your taste) is either a beautifully wild or pitifully neglected patch of land, overgrown with disobedient trees and untamed plants, at the center of which there’s a once-elegant fountain clogged with weeds and fetid puddles from years of neglect. Park staff have planted shrubs and flowers there too, lending the area a rotting romanticism.
But the Vale has another history: it’s long been a cruising spot for gay men, but especially gay men of color. Until recently it was considered an open secret, and one that many park powerfuls have decided not to engage, despite demands from elsewhere that they do so (in various ways). While Roma’s series is ultimately a personal exploration of friendship and loss, it’s nearly impossible to unravel his images from questions about what kind of impact a looming project will have on the community that has made this space its own.
Winston Scarlett: curator of Slackgaze and founder of Nola Darling (Photo: Nicole Disser)
For the city’s DIY scene, the year 2014 was anything but static– openings, closings, you know the drill. And while one little venue might seem like it’s simply joining the list of short-lived venues and tragic casualties, in all probability, Nola Darling is just getting started.
It was a bad week for us film nerds in NYC with word emerging that Sunshine Cinema will likely be sold to developers. Such things do not bode well for the future of independent cinemas in the city, seeing as Sunshine is definitely one of the more mainstream of the downtown art house theaters and always seems to have sold out screenings during prime showtimes. Yikes. Well you can help us in our efforts to appease the cool-film deities by devoted prostration and abiding carefully by the following directions: a) pray silently over one Godard film, b) recite the lines along with a character from at least one Jarmusch movie and c) check out a weird film event (or two) this week. It’s very little to ask, really.
Casey Rocheteau in 2013 (Photo: Thomas Sayers Ellis)
When Brooklyn-based poet Casey Rocheteau first heard about Write A House Detroit, a unique writer-in-residence program that awards selected writers with a permanent home in Detroit, she didn’t know what to think. “I wasn’t necessarily convinced that I should apply right away,” she said. But when Airea D. Matthews , a Detroit-based poet, posted a status on Facebook encouraging other poets to apply to the program, Rocheteau says she was convinced. “I applied, of course, with no expectation of actually getting it,” she said. “I just thought it seemed like a really fantastic and interesting idea.” More →