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This Here Sonic Crystal Ball Reveals Five Killer Shows in Your Future

(Image via Webster Hall/ Facebook)

(Image via Webster Hall/ Facebook)

SUUNS, Eaters, John Congolton and the Nighty Nite
Thursday April 28, 7 pm at the Marlin Room at Webster Hall: $15
The Marlin Room inspires a sense of foreboding in me: visions of an antechamber filled with clamoring sea beasts who’d like nothing more than to pierce my and your flesh with their Samurai snouts, then placidly inspect our writhing, tortured remains with their lifeless, black membranes-for-eyes. But I’m sure that people have made it in and out of shows at this Marlin Room before. Right? Could be a trap, or it could be worth it. If you can get past all this, then by all means go see Suuns and friends.

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Four Killer Shows Happening This Week

Hiroshi Hasegawa (Photo via End Tymes Fesitval/ halfnormal)

Hiroshi Hasegawa (Photo via End Tymes Fesitval/ halfnormal)

Hiroshi Hasegawa, Dromez, Dessicant, Dead Wolf
Friday, Feb. 12, 8 pm at The Silent Barn: $8
When it comes to power electronics, Japanese musician Hiroshi Hasegawa has been around the block a few thousand times– busting ears and forgetting names. Way back in 1990, he started the prolific group C.C.C.C. (Cosmic Coincidence Control Center), whose members counted a porn star and weirdos like Hasegawa amongst their ranks. Besides improvising and recording all kinds of brain-shattering noise music, the group was known for throttling their audience with aggressive stunts like throwing plastic bags full of pee out into the crowd. The guy may be pushing 60, but he’s still down as hell to make incredibly belligerent music. And hey, maybe you’ll be graced with the honor of a urine splash for old times’ sake.

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Shows: Yas Noise Queens and Renegade Sounds from the Lone Star State

(Photo via Pharmakon Facebook)

(Photo via Pharmakon Facebook)

Where has the sun gone? It’s cool, we needed a break anyway. Thankfully mood-appropriate bands are scooting into town reminding us of our impending doom. This week, scoop up sounds by the dominatrixes of noise, the best of just-above-underground electronic music, and gothy post-punk devotees.

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