
When New York’s stay-at-home order went into effect in March, Siobhan O’Loughlin immediately panicked. Since 2015, she had been touring around the world for her theater project Broken Bone Bathtub, which usually takes place inside of a bathroom in someone’s home for an audience of however many people can fit—usually, five to 12. How could an artist whose work hinged on such immersive experiences survive the age of Zoom? More →