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Four Shows: Bounce Legend Bounds into Town and Free Sleep for Early Birds

(Flyer via House of Vans)

(Flyer via House of Vans)

Sleep, Battles
Thursday, June 23, 8 pm at House of Vans: FREE with RSVP
I always devote at least a few minutes of my bike ride home to a scene from Gummo– you know, the fantastically twisted Harmony Korine film starring that kid with the ears. I like to fan out my elbows, toss off my helmet, and fantasize that some people describe me, too, as “downright evil.” But that scene wouldn’t have been the same without the addition of “Dragonaut,” the stoner metal classic from Sleep‘s 1992 album, Holy Mountain.

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Trans-Pecos Founder Is Bringing Out-There Outdoor Shows to SculptureCenter

(Flyer via Sculpture Center)

(Flyer via Sculpture Center)

The Long Island City fine art scene is about to get a dose of DIY cred with Holding Space, a new three-part music series curated by Sam Hillmer (aka Diamond Terrifier) launching tomorrow at SculptureCenter. As the guy behind the scenes at Trans-Pecos (and co-founder along with Todd P), Hillmer will present his usual fare– a motley brew of various sounds stemming from eclectic tastes and experimental practices.

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Variance Joining the Bushwick Festival Fray this Summer

(Flyer via Variance)

(Flyer via Variance)

What’s being billed as a “16 hour fully immersive, internationally inspired” music and visual art event is coming to a yet-to-be disclosed location near the Jefferson stop, joining Northside and Out in the Streets on the growing list of festivals happening in and around Bushwick this summer. Variance, however, is situated somewhere between Brooklyn’s answer to SXSW and the super-local chill fest known for bringing DIY regulars out of their usual dank, cavernous confines and onto the grassy grounds of Onderdonk House.

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Catch France’s Crème de la Crème (For Free!) at the France Rocks Summerfest

Israeli-French singer/songwriter Yael Naim. (Photo courtesy FranceRocks)

Israeli-French singer/songwriter Yael Naim. (Photo courtesy France Rocks)

Voilà! The inaugural France Rocks Summerfest or should we say, France Des Roches Fest D’été (no, no we shouldn’t) kicked off Memorial Monday with a performance by “guitar orchestra” composer Rhys Chatham, and continues on June 3 with a performance at Le Poisson Rouge by French pianist and composer Maxence Cyrin (known for his solo piano covers; check out his 2009 cover of “Where Is My Mind” by The Pixies). The seven-week showcase of French music will include more than 30 musical acts performing a range of indie rock, pop, electronica, jazz and world rhythms at more than 25 venues across Manhattan, Brooklyn and the Bronx.

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Yer Fast-Approaching Future in Music

(Image via Claudio Simonetti's Goblin/ Facebook)

(Image via Claudio Simonetti’s Goblin/ Facebook)

Claudio Simonetti’s Goblin
Tuesday May 24, 8 pm at the Marlin Room, Webster Hall: $25
Goblin– the late ’70s Italian band best known for their amazingly spooky soundtracks, written for the Italian art-house horror master, Dario Argento– really needs no introduction. However, Claudio Simonetti’s Goblin might call for some explaining.

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Glenn Branca’s Guitar Orchestra Sorta Blew Out My Ear Drums, But I’m OK With It

(Glenn Branca's Symphonies - Red Bull Music Academy Festival New York 2016)

(Glenn Branca’s Symphonies – Red Bull Music Academy Festival New York 2016)

There are few things in this world that make you feel more like a corporate lackey than sipping a free cocktail spiked with piss-colored (and flavored) energy drink at a show put on by said energy drink’s uber-branded festival that you didn’t pay for either. Ok, so maybe when it comes to the Marxist-guilt department, writing a glowing review about the aforementioned caffeine company’s spectacular music event tops one shameless night (ok, two) spent gobbling down all those freebies. But the real and honest-to-god truth is that Red Bull Music Academy is responsible for some truly killer (and sometimes truly rare) music happenings all over the world– Glenn Branca’s Symphonies, held at the Grand Lodge of Free and Accepted Masons, were no exception.

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House of Vans + Rooftop Films Collab: Two Music Docs and ‘Creative Workshops’

(Flyer via House of Vans/ Rooftop Films)

(Flyer via House of Vans/ Rooftop Films)

The great giver of free things, House of Vans, has announced they’re teaming up with Rooftop Films (the latter just dropped their 20th-anniversary summer programming) for two undeniably sick events happening next week. The super group of summertime chill times are calling the almost back-to-back affairs “cinematic music events,” and for the low, low price of $0 you too can see two music-centric documentaries followed by performances from Danny Brown, The Casualties, and more. It’s all happening at House of Vans. Read on for more deets.

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Week in Music: Sounds for Satanic Rites and a Whole Lotta Party

(Image via Red Bull Music Academy Festival)

(Image via Red Bull Music Academy Festival)

Diamanda Galas: Death Will Come and Will Have Your Eyes
Thursday May 12 and Saturday May 14 at Red Bull Music Academy at 258 W 118th Street
Believe me when I tell you that this one is worth the trip uptown. The Red Bull Music Academy Festival is back, and as usual their title isn’t the only thing that’s a bit of a mouth full. They always seem to be asking a lot of their guests, most of whom probably don’t wanna take some class on the anatomy of so-and-so and would just like to please hear some dang music. If you count among the purists, here’s at least one show on the month-long list of festival happenings (through May 22) that qualifies as required listening.

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Shimmy Up to these Four Shows for Your Listening Pleasure

(Flyer via Alphaville/ Facebook)

(Flyer via Alphaville/ Facebook)

Honey, The Men, Foster Care, JJ Doll
Friday May 6, 8 pm at Alphaville: $8 in advance/ $10 at the door
The season of leisure is (sorta, almost) upon us, but before you can pull out your pastel polos and Adidas flip flops n’ white socks (predicting that a health-goths-in-hot-weather with ’80s Beverly Hills golf club vibe will dominate Riis Park Beach Bazaar this summer), you gotta ease into that seasonable mindset of giving very few fucks. Without the zen attitude, you’re just another banker boy who spills mustard on his Comme des Garcons tennis shoes and makes his French bulldog Daisy pay the consequences. In my opinion, the best way to avoid wanton animal abuse is to eliminate all possible stress factors– that means lining up your go-to tunes for the summer far in advance so that when it comes to making an all-day playlist on the fly, you’ll be ready to go.

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This Here Sonic Crystal Ball Reveals Five Killer Shows in Your Future

(Image via Webster Hall/ Facebook)

(Image via Webster Hall/ Facebook)

SUUNS, Eaters, John Congolton and the Nighty Nite
Thursday April 28, 7 pm at the Marlin Room at Webster Hall: $15
The Marlin Room inspires a sense of foreboding in me: visions of an antechamber filled with clamoring sea beasts who’d like nothing more than to pierce my and your flesh with their Samurai snouts, then placidly inspect our writhing, tortured remains with their lifeless, black membranes-for-eyes. But I’m sure that people have made it in and out of shows at this Marlin Room before. Right? Could be a trap, or it could be worth it. If you can get past all this, then by all means go see Suuns and friends.

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Five Upcoming Shows That Should Be On Your Radar

(Flyer by Olivia Russin, via Aviv)

(Flyer by Olivia Russin, via Aviv)

Sediment Club, New England Patriots, Guardian Alien, Bugs & Rats, Worse
Friday April 22, 8 pm at Aviv: $8 
It’s true that I inevitably run into some semantic obstacles when I try to enlighten people about the New England Patriots. Yeah, not the football team or whatever, but the weirdo punk band. But trust, the Pats are worth the hassle. OK, so they’re from Boston, but hear me out– these guys are ratchet as all hell, and know how to whip even the blandest room into a professional-grade brain-screw. Expect spineless (in a good way) noise without seeming end or beginning, interspersed with small grasps at reality or familiarity– try and hold on to them and within a blink’s time they’re gone. This is the attention-shattered ecstatic floundering of a band truly unhinged.

The Pats recently dropped some new tunes on the net for the first time in two long years (along with some heady new artwork depicting their googly-eyed Steal Your Face skull), which bodes well for a new record release. But all you need worry about right now is the Pats’ impending appearance in NYC, and since they’re about halfway through their April tour– the point where, deep into the bender, everyone begins to lose their mind, but still manages to have some semblance of fun– there’s a good chance it’s gonna be a real banger.

(Image via Silent Barn/ Raw Pony)

(Image via Silent Barn/ Raw Pony)

Raw Pony, Shop Talk, Anna Banana, Shockwaves
Wednesday April 20, 8 pm at the Silent Barn: $8
The frontwoman of this Columbus, Ohio garage punk outfit has a bellowing range of vocal talents, from quivering falsettos to dips and whirs and extends and holds, all of which she utilizes at her whim, without paying any attention to the laws of physics, which can feel something like the worst roller coaster ride you can imagine. And that’s awesome stuff for punk. It’s all so worthy of our girl Kathleen Hanna (who’s back not only performing but landing perfect splits) and the same unbridled energy, and combined with the Raw Pony‘s bare-bones slacker psych, makes for a real interesting and, uh, real raw rock n’ rolling. Pairing nicely with the old-school vibes are the actual Ramones incarnate, Shockwaves.

Did we mention that you’re not likely to get even one second to breathe at this show? Shop Talk keep the waves a flowin’, with their frenzied take on clunky, bass-whopped folk punk. The band occasionally veer close to the edge of wide-eyed Mountain Goats earnest storytelling garble, but something manages to pull them back. Maybe it’s the snappy guitar and bass interplay that won’t take a backseat to no one. But for now (considering their relative newness and bitty online catalogue of just two songs) it’s hard to say for sure.

(Flyer via Trans-Pecos)

(Flyer via Trans-Pecos)

“Becoming New Objects”: Genesis Breyer P-Orridge & Edley O’Dowd, Victoria Keddie, Sam Vernon & Abby Dobson, Bonnie Baxter, Deli Girls, Maria Chavez (DJ)
Friday, April 22, 7 pm at Trans-Pecos: $12.
It’s part II of the Queens International Concert Series’ Trans-Pecos iteration, and duh, the fact that industrial music legend Genesis Breyer P-Orridge of Throbbing Gristle is headlining with h/er Psychic TV drummer Eddie “Edley” O’Dowd– the guy who encouraged P-Orridge to start the band up again– is reason enough to get to this show. (And if you haven’t seen P-Orridge’s ongoing exhibition at the Rubin Museum, get to it already.)

But obvi the rest of the lineup is pretty stellar too, what with the Deli Girls (who’ve recently been mixing iconic reggaeton beats and other dance items into their fourth-dimension dischord deluge). And then there’s noise magician Bonnie Baxter (Kill Alters, Shadow Box) as we rarely see her– unadulterated by neither her ambient project nor her avant-noise moniker. Whatever that means, we’re looking forward to it.

Interestingly, a slew of visual artists are on the lineup as well. There’s Victoria Keddie of E.S.P. TV, the psychedelic cable access show and roving analogue video collaboration/ live broadcast experiment, as well as Sam Vernon, who works mainly with collage.

(Flyer via The Acheron)

(Flyer via The Acheron)

Hank Wood and the Hammerheads, Porvenir Oscuro
Tuesday April 26, 9 pm at the Acheron: $10 
You’d think we were SOL when it comes to party punk done right, given the enormous wave of saccharine garage rock flooding the interwebs and venues around these parts. But a hometown outfit, Hank Wood and the Hammerheads– a band you’ve probably seen paired up with the Dawn of Humans crowd– prove that you can wriggle to an organ and potentially get the wind throttled right out of you. Performances are usually a sweaty affair but as far as the tunes are concerned, think of The Cramps, with an acid-soaked guitar or two thrown in there plus a hefty dose of hardcore spittle screaming, all fronted by a corn-pipe smoking hillbilly pirate.

Speaking of hardcore, Porvenir Oscuro (that’s “dark future” en español for those of you who don’t speak Google translate) does a rather excellent job of it– slippery slide guitars, chanty lyrics about exorcisms, calls for “no more” and other things that are beyond the realm of the aforementioned Spanish cheat sheet.

(Flyer via Palisades)

(Flyer via Palisades)

KHF, Compactor, Madame Deficit, Spreaders, Fetishes (DJ)
Tuesday April 26, 8 pm at Palisades: $8

You know what Tuesdays are great for? Disappearing from the dang world. And while it’ll be far too early in the week to do something really escapist, this lineup at Palisades might do the trick without pulling you too far out to sea. It’s all about compromise, people.

Spooky noise from KHF will cap off the night with some seriously spaced-out, extended meditations on being and nothingness. Madame Deficit is back again to introduce some actual ghosts into the space with her horror show of a set (read more about LC von Hessen’s project here here.) And if you have ears when you walk into this thing, you certainly won’t have them after staying for the Spreaders set, which is best described as an onslaught of relentless wire-crackling, fuse-busting, and conductor-harnessing power electronics. Sick stuff.

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Get Ready for These Four Sick Shows Appearing in Your Nearest of Futures

(Image via AdHoc)

(Image via AdHoc)

James Chance and the Contortions, Gary Wilson with Tredici Bacci, Horse Lords, Eartheater
Friday, April 29, 8 pm at Market Hotel: $13
Excuse me while I have a fangirl moment here, but when I found out that James Chance and the Contortions were playing Market Hotel I just about had an aneurysm. One of the weirder musicians out of the New York City no wave scene, James Chance, of course, fronted the outfit with his freakaleak saxophone skills, super-hyper screetching, and bleeding-throat acrobatics– a spirit reminiscent of James Brown. Chance’s devotion to jazz seeps through his music, and for that reason his live tracks, as documents of funky improvisational exercises, noisy meltdowns, and legitimate, Dr. Jekyll-worthy freakouts, are a new listener’s best bet.

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