Sunday night, the Golden Probe Awards recognized “outstanding achievements in sexism and anti-abortion extremism” at Le Poisson Rouge. In what was billed as “misogyny’s most glamorous evening,” some of the city’s best comedians handed out awards in categories such as “Best Adaption of Reality” and “Best Original Science.”
In case you were living under a rock or underneath the bridge, Nirvana’s seminal album Nevermind turned 25 on Saturday, an event that was marked by everything from a cover night at Sunnyvale to a recreation of the album cover featuring its now 25-year-old baby. There’s not much left to say about the album that led pretty much every suburban kid to buy a guitar and smash his entire Columbia House cassette collection with it, but there’s plenty left to be said about Smart Studios, the Madison, Wisconsin facilities where an early version of the record was recorded. Luckily, a new documentary is coming along to fix that. The Smart Studios Story, directed by Wendy Schneider, will screen at St. Vitus on Nov. 13.
Here’s a look inside the Ludlow House by the numbers.
The Open Mic Roast of Riley Soloner
August 1 at Over the Eight, 594 Union Ave, Brooklyn. This show is free and starts at 9:30 p.m. More info on the event page.
Comedian Riley Soloner is hosting an open mic in which he will let anyone in the audience—including complete strangers—roast him in any way they want. Soloner is an improviser and comedian probably best known for his appearances on The Chris Gethard Show, but if you’re unfamiliar with him, that’s fine. He still would like you to roast him. In what the event page describes as “a truly bold and stupid move,” Soloner crowd-sourced this show via Facebook, where people requested that it be “a roast” and “sad.” Please don’t let him down—say something vile to his face.
Back in February we told you about how far Bushwick-based boylesque performer Stephen Plante (Vic Sin) was willing to go to fund his trip to the Vienna Boylesque Festival, pledging his body for “one night only” in return for a $3,000 donation. He told us it was “a joke, but at the same time, is it possible? Yeah.” Well, he reached his goal (without having to go full-on Pretty Woman), performed in Vienna, England and France, and now he’s back, with footage of his festival performance and a mission: to make the New York City arts scene more family-friendly. He’ll still be stripping, but he wants to do it with more support from other artists, both on and off of the stage.
Since it was announced that Bushwick Open Studios will be taking place in October and not on their usual summer date, a couple fledgling fests have tried to fill the void. There’s been the Bushwick Arts Festival, which was a bit of a letdown, and the Bushwick Galleries Association’s Hot Summer Nights of extended hours, which are great but for galleries only. So when we heard tell of a new Bushwick art festival called the Bushwick Open Art Fair, we were skeptical. What would make their “Bears on Bicycles”-themed fair different from the other upstarts? But then the organizers told us they’re “currently looking into the permits required to have live animals at the show.”
It was about a year ago that Brooklyn filmmaker Alex Ross Perry released his latest, about some female friends who retreat to a cabin after a woman’s relationship doesn’t end well. Now he’s appearing in a film in which a group of guy friends retreat to a cabin after their bro’s relationship falls apart. Needless to say, Joshy, directed by Jeff Baena (Life After Beth), contains way more dick jokes than Queen of Earth, as you’d expect from a largely improvised film in which comics Nick Kroll and Brett Gelman play coke-snorting, prostitute-hiring wingmen. But don’t mistake this for an Apatow knockoff– it’s actually a nice balance between the Rich Dicks shtick for which Kroll is known and the sad-sensitive mumblecore for which Perry is know.
The closing of two beloved record stores wasn’t the only blow dealt to Manhattan’s music scene over the weekend. Down on the Lower East Side, the social center known as ABC No Rio hosted its last two shows in its home of over three decades.
At what point does something stop being beautiful once it becomes functional? Can something you use every day be made into art? Does art need to hang in a gallery to be recognized? And, perhaps the biggest question of all, how much can sheep really contribute to the fine arts?
Back in February, we noticed a FREE COFFEE sign hovering a few stories above the controversial Starbucks on Union Avenue and wondered if it was an olive branch to neighbors who were rankled by the corporate interloper’s bid for a liquor license. But a barista at the Starbucks told us there were no free Frappuccinos to be had, and it quickly became apparent that the glowing sign was either an art installation, an epic prank, or both. Curious to find out, we slipped a note under the door of one of the building’s top-floor apartments, requesting a word with the sign maker.
Last week, we finally got a text: “This is the guy behind the free coffee sign.”
With your smartphone at your fingertips, these days its easy to mistake Instagram and Facebook for the ultimate arbiters of visual taste. But the International Center of Photography begs to differ. On Thursday they open their brand new museum on the Bowery, with an inaugural exhibition making the case for considered curation and historical perspective to broaden the conversation around images and their impact.