yossi milo gallery

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Art This Week: African Portraits, Radical Radio, Gender Expression

Samuel Fosso
Autoportrait, 1975-1978
From the series 70’s Lifestyle 
Gelatin Silver Print
© Samuel Fosso (image via Yossi Milo Gallery / Facebook)

African Spirits
Opening Thursday, July 11 at Yossi Milo Gallery, 5:30 pm to 7:30 pm. On view through August 23.

Your standard art history education tends to stay pretty Eurocentric, so some people might not know that portrait photography has had quite a heyday in Africa, dating back to the early 1900s, when both European visitors and African locals experimented more and more with the form. The 1950s through the 1980s were considered the “golden age” of portraiture in West Africa, and images from this time will be showcased in a new group exhibition at Chelsea’s Yossi Milo Gallery, which range from staged studio imagery to more candid nightlife captures. These photos will be displayed alongside works from more contemporary photographers of all stripes. 

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Queer Intimacy From Mapplethorpe and Goldin, Plus More Art This Week

Hikaru Fujii, The Primary Fact, video still, 2018, seven-channel video, 73 min. Courtesy of the artist. (image via ISCP / Facebook)

The Primary Fact
Opening Tuesday, June 26 at the International Studio and Curatorial Program, 6 pm to 8 pm. On view through October 12.

Did you know there is a recently-excavated mass grave in Athens, Greece with contents dating back to 7 B.C., including “eighty shackled skeletons” with great teeth? Artist and current resident at the International Studio and Curatorial Program Hikaru Fujii does, and he’s spent a lot of time documenting and learning about this curious piece of history. The result of this work will be on view in The Primary Fact, the artist’s first solo exhibition in the U.S. It features predominantly video and photography, focusing on the “inconclusive scientific viewpoints” that have emerged about the grave, its contents, and its history. In addition to displaying actual imagery from the Athenian grave, Fujii also assembled a group of Greek men to recreate the choreographic moment of mass execution (presumably due to a political coup) that led to this grave in the first place. More →