(Flyer via Knockdown Center/ ‘Nasty Women’ & ‘Stay Nasty’)
Stay Nasty Thursday January 12 through Sunday January 15 at Knockdown Center: first night free, $10 individual, $20 all access pass
Earlier we told you about Nasty Women, the massive new exhibition bringing a whopping 1,000 pieces of art made by 700 artists (all of them women and female-identifying) to Knockdown Center this Friday. The organizers have lined up a “very diverse” group for the everything’s-for-sale exhibition (if you buy it, you get to drag it out the door with you that day), which pretty much guarantees a feeding frenzy. Sounds scary? Well, suck it up and relish in the competition because, seriously, when’s the last time you truly got excited about anything? Plus, if you can bring yourself to cough up a hundo bill–at the very most, since the art work must be priced at $100 or less (yup, that even applies to the fancy sparkly art stars involved in the show)– you can feel like a somewhat sorta decent half-human because all the proceeds are going to Planned Parenthood.
The Range, Glass Gang, Sarah Kinlaw, IMAGIST, Kathleen Dycaico Tuesday November 29, 8 pm at Elvis Guest House: $10 minimum donation
Prepare for some straightforward, vaguely uplifting dance musicfrom the The Rangeaka James Hinton, a Brooklyn-based producer/ electronic musician with a penchant for sped-up, Chipmunks-style vocal samples and dreamy soundscapes.Glass Gang sounds like TV on the Radio shed any remaining remnants of rock n’ roll music and fully embraced their electronic pop music side.
Lazeyes, PC Worship, Gingerlys, RIPS Wednesday October 5, 8 pm at Rough Trade: $10 in advance/ $15 at the door
According to our social media stalking of Justin Frye, PC Worship will be playing some “new songs” at their Rough Trade show tonight.
But wait, aren’t all of the band’s live performances improvisational? How could music that lingers somewhere around deconstructed punk/avant-garde/drone/free jazz made with freaky-deaky instrumental sculptures (ew, I’d never say that Frye “hacks” his instruments) be anything but new-to-you?
Maybe it’s the scenery (Williamsburg) that’s making Frye feel lightheaded. He’s also encouraging showgoers to take a walk along the waterfront and “contemplate the exact moment Williamsburg ‘changed.””