UntitledAll week, we’re bringing you a series of deep dives into the surprising histories of storied addresses. Back to our usual after the New Year.

The raucous audience inside Turn Hall grew increasingly impatient for the curtain’s rise. Police had just arrived at 66-68 East 4th Street, between Bowery and Second Avenue, to subdue the swelling mob at the door, those unfortunate souls without a ticket to see America’s first Yiddish play.

The spectators had paid a whopping five dollars for seats normally valued at 50 cents in 1882. Such was the excitement surrounding the sold-out performance of Koldunye, or The Witch. A production conceived of by the 13-year-old sweatshop worker named Boris Thomashefsky, the play brought professional Yiddish theater stateside, says historian Nahma Sandrow. But the real-life drama that night trumped the work of playwright Abraham Goldfaden: the leading lady had disappeared.
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