Vapid & Screaming Opening Monday January 2, 6 pm to 9 pm at 208 Bowery. On view through January 4.
Nowadays, gallery space in Manhattan is pricey, yet art is still being created left and right. For those still clinging on to the last kernel of hope that there is hope for the island, well, there might be something there. At least, for pop-up shows.
Take 208 Bowery–a former restaurant supply shop-turned-pop-up hub which recently featured a Drake-themed event, among other art shows and will now be the site of Vapid and Screaming, a pop-up show of work by “emerging fag, femme, and queer artists.”
From left, Dream, Rify Royalty, Paul Leopold. (Photo: Ben Boyles)
Even though the year is ending, most things will continue after the clock strikes 2017. But not all of them. The queer nightlife collective known as The Culture Whore is saying goodbye not only to 2016 with their New Year’s Eve space-rodeo rave, “Night Riders.” The blowout will be the group’s final party, as they are disbanding.
The company of “Street Children” (photo: Ted Alcorn)
Time magazine declared a “transgender tipping point” in 2014 when it featured actress Laverne Cox on its cover. In the two years following that proclamation, mainstream media and pop culture attempted to follow suit. TV shows and movies like Transparent and Tangerine garnered critical acclaim and media buzz, but not all of it was positive. Despite increased portrayal of trans characters in media, the people creating and playing them remain predominantly cisgender.
Gender-fluid electropop artist Addison XIV is all about “obsessive love” in their bouncy, sugary new EP S.H.O.U.J.O., which premieres today. The four-track EP includes tracks appropriate both for the club and for crying in your room, and touches on being in love, being in love with love, being “treated like a girl,” and even a disdain for canines.
S.H.O.U.J.O. includes “WHeN i SeE yR FaCE,” a high-energy but sad track with a groovy bassline that appeared on The Culture Whore’s annual mixtape earlier this year. It’s not the only catchy song on the EP by any means; they all have their earworm qualities, from the repeated spelling in the title track to the memorable lyrics of opener “I Don’t Like Dogs.” The EP’s production recalls a variety of flavors, from ’80s R&B and ’90s pop to “happy hardcore” electronic music, video game theme songs, and J-pop.
Life seems pretty bleak post-November 9, and even moreso when you consider that 2016 has been declared the “deadliest year on record” for transgender individuals in America, with 24 trans people– predominantly women of color– murdered so far.
This week, GLAAD’s Transgender Awareness Week continues, culminating on Sunday with the Transgender Day of Awareness. Founded in 1998 by a trans advocate in honor of trans woman Rita Hester’s memory, TDOR has been commemorated every year by vigils and other community-based events. Here are several goings-on this week, fun and solemn alike, that are either directly affiliated with Trans Awareness Week or serve to spotlight and lift up trans and queer individuals or groups.
Freak Out! Fest, a queer and trans punk music festival, is making its debut in Bushwick and the Lower East Side this weekend with over 20 bands playing shows at Silent Barn, ABC No Rio, and Cake Shop. The fest starts tonight at Silent Barn and continues with afternoon and nighttime shows on Saturday and Sunday.
Even the most jaded of after-hours ravers probably haven’t seen this pricing scheme before: for women, entry to Dagger is $5 at the door before midnight and $10 after; meanwhile it’s $15 all night for “homo cys dudes” and $50 all night for “str8 cys dudes.” Those covers are actually enforced, and yet the people at the monthly party’s latest installment were still easily a third male-presenting.