Miss Meatface Opening Tuesday, July 2 at The Untitled Space, 6 pm to 9 pm. On view through July 13.
No, “Miss Meatface” does not refer to the latest right-wing woman to adopt the “carnivore diet,” that frightening all-beef culinary regime embraced by the likes of Jordan Peterson; it refers to the artist Kat Toronto, who creates bizarre and entrancing “performance-based photography” under the name Miss Meatface, which resemble stills from some surreal, experimental, BDSM-laced film you want to immediately consume in full. In addition to an exhibition of recent creations by Miss Meatface, Tuesday’s reception will also feature a zine signing and an artist talk between Meatface and The Untitled Space’s director, Indira Cesarine.
Photography After Stonewall Opening Tuesday, June 4 at Soho Photo Gallery, 6 pm to 8 pm. On view through June 29.
As I’m sure you’ve heard (and if you haven’t, you might want to broaden the types of media you consume), it’s the 50th anniversary of the Stonewall riots this year, and it’s Pride month. Events commemorating this historic milestone can be found pretty much everywhere you look, including at the Soho Photo Gallery, which will be showing creative photography works from 23 living artists making work about queerness today. The pieces on view include portraits, abstract works, documentations of romance and love, images that have more of an editorial flair, and more.
Defining Form Opening Wednesday, July 11 at The Untitled Space, 6 pm to 9 pm. On view through August 1.
When one thinks of sculpture, it’s likely the old masters of yore come to mind: Donatello, Michelangelo, Bernini, even more modern creators like Duchamp and Calder. Something else these artists have in common, in addition to their acclaim and skill, is their gender. Surprise surprise, like most art historical figures, they’re all men. New group show Defining Form seeks to introduce the public to a new, more diverse generation of sculptors. Over 50 artists are participating in the exhibition, which features common motifs of feminism, unconventional materials, and technologically-advanced ways of creating art, such as 3-D printing. So, come and have your notions of what it means to be a sculptor expanded. More →
“Summer Sisters” 2018 by Rebecca Leveille (image via The Untitled Space)
The End of Love Opening Tuesday, May 1 at The Untitled Space, 6 pm to 8 pm. On view through May 13.
For an exhibition sporting as foreboding a title as The End of Love, Rebecca Leveille’s paintings are so entrancing as to inspire a sort of optimism in the viewer. In addition to being strikingly beautiful, her paintings portray feminine beauty, bliss, and sexuality in a way that’s playful and mixes elements of realism and mythology, allowing for a mental break from the seemingly constant barrage of nonsense coming from the world. Leveille is no stranger to the realm of the fantastical, as she has previously created illustrations for Magic: The Gathering under the name Rebecca Guay. Looking to how the artist herself has spoken of this show, the connection between the title and the content begins to feel more clear. “What comes after delusions of ‘love?,’” she writes. “Feminine power and sexuality find new ground, as does an urgency to assert the female gaze.”More →
“America” ONE YEAR OF RESISTANCE artwork by Touba Alipour
One Year of Resistance Opening Tuesday, January 16 at The Untitled Space, 6 pm to 9 pm. On view through February 4.
Though it feels like several eternities, it’s been about a year since Trump was inaugurated. A large array of artists have been asked to channel their rage and other such emotions into their work, resulting in the wide spread that is One Year of Resistance, a group show at The Untitled Space in Tribeca. This gallery is no stranger to art that responds to the current political climate; the month of the 2017 inauguration they presented group exhibition Uprise / Angry Women. For One Year of Resistance, which serves as a follow-up to Angry Women, curator and gallery director Indira Cesarine has asked over 80 artists of all genders to contribute work inspired by “the controversial policies and practices of our current president.” The work ranges from literal depictions of Trump to more symbolic renderings of #resistance. Can you believe it’s only been a year? More →
Sweety’s, a curatorial initiative “dedicated to the labor of black and brown artists,” will be taking over the Lower East Side’s Cuchifritos Gallery + Project Space until the end of July, using their time to stage live talk show interviews with artists and “Spanish-speaking cultural producers.” They’ve partnered with four unique artists, who will be interviewed by Sweety’s and given space for a week to show their work. Once those weeks have concluded, the four members of Sweety’s will be creating a collaborative installation.
The residency begins with Cecilia Gentili, a performer, storyteller, and advocate for trans women of color, and continues with illustrator Raul Gonzalez III, poet and AIDS activist Emanuel Xavier, and visual artist Elia Alba. As the Manhattan art world continues to largely fulfill its reputation of being upper-class, cis, and white, ventures like Sweety’s are a breath of fresh air.
If you’ve been saving up all your anger from the last two weeks and would perhaps like to slap it on a canvas in a blind rage to create art that will then be shown to the public, keep reading. Tribeca gallery The Untitled Space has put out an open call inviting women artists to submit work for a show called Angry Women, to open in mid-January. Artists are asked to “respond to the political and social climate as well as explore themes revolving around feminism today and female empowerment.”
Self-Reflection Opening Tuesday September 27 at The Untitled Space, 6 pm to 9 pm. On view through October 8.
No less than 21 female artists will descend upon Tribeca art gallery The Untitled Space this Tuesday for the show “Self-Reflection.” Their art spans multiple genres, but all pieces will focus on some form of self-portrait, using the artists’s own bodies as a tool for creation. These self-portraits aren’t the typical depiction of oneself; some are even constructed through wool tapestry weaving. Rather than being potrayed by others, where objectification and the pesky male gaze can run rampant, these women will take their bodies into their own hands (in some cases, literally) to construct a self that feels authentic to them, however that might manifest. Some photograph themselves, some use images of their own nude form for painting references– either way, it’s all them.