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Week in Film: ‘Supernatural Comedy,’ Women Rule the World, and More


The Lost City Of Z

Now through Thursday May 11 at Sunshine Cinema: $14

I haven’t seen The Lost City of Z just yet, but what I can tell you is that the film takes place in 1925, a tumultuous time in the Western world when it looked like the sun might very well start to set on the British Empire. In fact, imperial order was starting to collapse around the globe, and would eventually be replaced by a new bipolar world order– divvied up into two supposedly opposite political instincts, nationalism and socialism. (If that sounds like a super mysterious process, that’s because it is. There are tons of fascinating theories about how and why this happened, and about WTF nationalism even is, man– none of which I will go into here.) So even though a bunch of landowning white men still ruled the day at this point, they were probably feeling a little insecure about their privileged position, which they justified by an unshakeable belief in white supremacy and fashionable pseudoscientific ideas/total BS concepts of the time. I mean, now we know that terms like “imperial expansion” and “colonization” are just fancy ways to talk about pirate stuff (e.g., raping, pillaging). Oh, and racism too.

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Film Alert: a Witch Most Skillful in Blood-Lusty Sex Magic, James Baldwin Redux, and More


The Love Witch
Thursday December 15, 4:15 pm at Nitehawk: $12

If you can play hooky this afternoon, do. Your first hideout should be Nitehawk’s last screening of The Love Witch, which (witch?) I’m kicking myself for not getting to until now. I blame it all on Anna Biller– the filmmaker has done such a convincing job of making this throwback film look like an actual piece of vintage sexploitation that, for-realsies, even after several once-overs I failed to realize is actually a brand new movie that I should definitely be paying attention to. I mean, even the movie poster (see below) looks exactly like an airbrushed box-office placard advertising some cheap-o, long-forgotten ’70s erotic thriller.

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Week in Film: Slippery Suffocaters and a Skin-tastic Japanese Pink Film Redux

(Flyer via Spectacle)

(Flyer via Spectacle)

Daydream
Saturday October 14,  midnight at Spectacle: $5

Throughout the month of October, Spectacle is running a series on Pink Film, a Japanese cinematic movement that began in the groovy ’60s– a time when counterculture thrived in Japan and, just like the U.S. and France and other countries across the world, ideas about free love and experimental art-making began to take hold.

According to the theater, this is “the largest and most comprehensive [retrospective] of its kind in North America” and covers Pink’s evolution from start to present. Sick.

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Four Films: Nordic Noir Marathon, Iggy Live, and RZA Screens Kung-Fu Selects


Three Sisters
Tuesday, June 21 (7 pm) and Sunday June 26 (7:30 pm) at Spectacle Theater: $5
For six months, documentary filmmaker Wang Bing embedded himself in a tiny rural village, Xiyangtang, in China’s Yunnan province, following the lives of three sisters all under the age of 10, orphaned, and living under crushing poverty. Their mother has died and their father, who occasionally pops into their lives, but never long enough to see if they’re even meeting their basic nutritional needs, has gone to the city to work. The family represents some of the major problems for China’s rural residents– an extreme lack of resources that is leveled unevenly by women, and therefore children as well, when men leave to find work in urban areas (China is one of the few places in the world where the suicide rate for women surpasses that of men, and many of the suicides are related to death by fertilizer poisoning).
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Meet the King of All Media Hoaxes at the LES Film Festival

‘Tis the season for festivals, apparently, and the Lower East Side is not one to be left in the dust. Along with an art festival in Bushwick, music festivals in Brooklyn, and more coming up in the next weeks, the Lower East Side Film Festival is coming to the nabe from June 9-16. It’ll hit the Sunshine Cinema, natch, as well as Hotel Indigo, the new Ludlow House and The Standard, East Village.

The headliner for opening night is the premier of The Art of the Prank, about a mischievous LES artist who loves nothing more than exposing the media’s hunger for sensational story with outrageous tall tales that sound just (barely) plausible enough to swallow. Lambasting the media has certainly been in fashion this election season, but no one has been doing it longer and in better style than Joey Skaggs (sorry, “Settle for Hillary” guys).

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Oh Look, It’s Your Near Future in Film

Rooftop Films Premiere 
Wednesday May 18 through August 2016 

The summer al-fresco screening series turns 20 years old this season, which officially makes Rooftop Films a millennial– meaning they’re addicted to their phones, underemployed, over-entitled, and why don’t they just grow up already and chain themselves to a cubicle desk and support the only real man in this race Donald Trump? Did that sound curmudgeonly enough to come from the desk of David Brooks or something? I figure the only way to drive the olds out of a universally beloved series such as Rooftop Films is to convince them either that it will somehow induce diabetic reactions and/or edema or that, like Snapchat, it’s something that only Millennials would understand.

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Week in Film: Fassbinder Gets His Doc and Patrick Stewart Plays a Punk Choker

Green Room
Friday, April 29 through Thursday, May 5 at Nitehawk: $12
Is there anyone more punk than Patrick Stewart? Apparently there is, and it’s Patrick Stewart on a murderous rampage, hellbent on killing a little punk band for no apparent reason. Green Room might be the most bizarre combination of genres we’ve seen come together under one film in a long, long time. Fusing together snuff, Saw-like torture horror, teen drama, punk movies, and backwoods suspense, the film follows a punk band as they embark on a tour that takes them to some real hillbilly places.

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Week in Film: Visconti Double Trouble and Some Colombian Noir

Soplo de Vida
Saturday April 9 and Saturday April 16, 10 pm at Spectacle: $5
Do you find yourself still watching new eppies of True Detective well into season two, ignoring the hammy dialogue and neverminding the complete void of character development that is Detective Colin Farrell? Do you often invoke the phrase, “It can’t rain all the time” with complete and utter sincerity only to be lol’d at by your friends who just don’t get it? Well, it’s likely you’re a fan of noir. It’s ok, friend, this is your safe place. But given all of the above, it’s likely you’ve had your way with the Hollywood stuff. Here’s a curveball– Soplo de Vida (“Breath of Life”) Colombian director Luis Ospina’s singular detour into noir. Too bad he only made one of these, because as it turns out, he’s rather good at it.

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Week in Film: Board Game Masterpieces and Narcos Galore

Yes, there are better things playing right now than Mission Impossible number… whatever. Ethan Hunt is the hero to end them all, perhaps, but why make yourself feel any dumber this week than you need to? There’s plenty of time for Tom Cruisin’ (that movie’s got at least a billion more dollars to make back before Scientology’s satisfied), so get tootin’ on some of these other films instead.

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Week in Film: Dada Brunch, Florida in Celluloid Form, and More


Have we got an interesting crew for you this week! Our lineup is a regular emotional rollercoaster, from feel-horrible humanitarian films about sex slaves and child soldiers all the way to feel-sick, total-garbage cult Martial Arts-action films. Don’t try to swallow them all at once is our only advice.

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