John Driscoll (image via Fridman Gallery / Facebook)
Slight Perturbations / The Weight of Things Opening Wednesday, January 16 at Fridman Gallery, 6 pm to 8 pm. On view through February 13.
Fridman Gallery’s new space on Bowery has two levels, upper and lower. Fittingly, there will be two exhibitions opening there this Wednesday: a show of of interactive sound sculptures by John Driscoll in the upper space, and a two-channel video installation by Dana Levy centered around the Palace of Versailles in the lower space. Driscoll’s sculptures resemble hodgepodge collections of found objects or avant-garde furniture pieces crossed with a science fair, but they’re much more than something to puzzle over: they contain minuscule microphones and speakers, and a “reflective foil” that creates sound with help from whatever objects are nearby. And though it’s in the lower level, Levy’s video work deals with the upper crust of Versailles, depicting the palace’s contents steadily crumbling due to an earthquake.More →
The empty Astor Place, where ‘The Last Three’ once stood. (Photo: Tara Yarlagadda)
“Oh no, Jerry!” The 93-year-old woman in Washington Square Park called out to her husband, who was similarly distraught. I had just informed the passing couple that The Last Three—an installation in nearby Astor Place featuring three bronze, life-sized rhinos piled topsy-turvy on top of each other—was about to be taken down. The anguish was evident on their faces—and mine.
Guests create collages at Amy Williams Studio (Photo: Tara Yarlagadda).
Out of more than 400 participating artists in the annual Greenpoint Open Studios this past weekend, Bedford + Bowery interviewed five zany (and impressive) artists you should definitely keep an eye on.
Beryl Korot, Babel 2 (detail), 1980, Pigment on linen woven by the artist, 72 x 38.75 in (image via bitforms gallery nyc / Facebook)
A Coded Language Opening Thursday, April 12 at bitforms gallery, 6 pm to 8 pm. On view through May 20.
As a child, perhaps you tried to invent a new language with your friends, or merely came up with a new phrase so that parents or teachers or what have you didn’t get to know the kind of stuff you were actually getting up to. Codenames and made-up, just-for-you languages have made an appearance in nearly everyone’s lives, even if yours just consists of you doing a gibberish vocal warmup in an acting class once or something. Technologically-inclined artist Beryl Korot has also created her own language, but it’s inspired by something a little more mathematical: the grid pattern formed from woven cloth. Her solo exhibition A Coded Language will showcase work made between 1980 and 2017, many of which utilize this language of the grid, initially created in 1980. In addition to this language’s presence, she also pays tribute to others who have forged their own way of communicating, such as Dutch Jewish writer Etty Hillesum, who wrote to her friends in code during the Nazi invasion in Holland. More →
Origins Opening Tuesday, April 3 at Cooler Gallery, 7 pm to 10 pm. On view through May 19.
What is a Fuzzy Dude? I have some theories, but so does artist and director John McLaughlin, whose solo show Origins will give you a thorough introduction to these wacky creatures that have sprung from his brain. Appropriately, Fuzzy Dudes are beings covered in a stringy, colorful fur that recalls silly string, shaggy dogs, household mops, or something else entirely. They come from a “space-like” dystopian world, or so I’m told, but you can see them come to life on Earth by way of sculpture, video, and more. Watching these curious creatures feels almost like a psychedelic experience, as their multicolored, textured bodies run, jump, and sway. Their actions are humanlike, but their appearance is a lot more interesting. Why not take a break from the dreaded news cycle for an evening and go meet some otherworldly beings?More →
Hair Paintings & Other Stories Opening Tuesday, February 6 at La MaMa Galleria, 7:30 pm. On view through March 3.
The Bellwether and Codify Art team up with La MaMa Galleria to present this solo exhibition by multidisciplinary creator Jarrett Key. Though yes, it’s technically a showcase of just work created by Key, it’s representative of so much more than that. Their works deal specifically with “the collective bodily memories and rituals of the Black community,” so each one of them manages to be deeply personal while also literally containing multitudes. As you may have guessed by the title, hair has a significant presence here, which can be seen both in the exhibition description (“Key grew up in rural Alabama to their grandmother singing, ‘your hair is your strength'”) and the look of the actual paintings themselves, which often resemble vast and complex tangles you could get lost in.More →
Dawn of the Looney Tune Opening Thursday, November 16 at Derek Eller Gallery, 6 pm to 8 pm. On view through December 23.
Not all sculptures involve components like carrots and bread, but Michelle Segre’s sculptures certainly do. You can see them this Thursday at LES space Derek Eller Gallery, when her latest exhibition opens. As these works often involve organic matter such as the aforementioned carrots and bread, and gallery shows are often on view for quite some time, it is almost guaranteed that Segre’s work will subtly change as time goes by. More specifically, that organic matter is probably going to get mushy. Or grow fur. Or change colors. Either way, it will shift. And you will get a healthy reminder that like it or not, we are all slowly but surely decaying. Happy Monday! More →
This Is My Home (Too) Opening Monday, October 9 at Casa Mezcal, 7 pm to 11 pm. $10 suggested donation. On view through October 28.
Today, according to my iCal, is Columbus Day. But for years upon years, many have called into question how much a man who accidentally found some land and was unrelentingly cruel to its Indigenous inhabitants deserves an entire day named after him. This is why many cities, including Austin, Salt Lake City, and Los Angeles, have elected to rename Columbus Day to Indigenous People’s Day.
Tom Butler, analog photography (image via Foley Gallery)
Analog v. Digital Opening Wednesday, August 16 at Foley Gallery, 6 pm to 8 pm. On view through August 26.
Nowadays, it’s common to hear that film photography is dead and that anyone can be a photographer who has enough money to get the iPhone with that fancy Portrait Mode built-in. Nothing like automated depth of field to convey the illusion of skill and craft! However, this group show at Foley Gallery seeks to uplift both analog and digital forms of photographic art.
The gallery defines “analog” as “the photographer using light sensitive paper or film in the process” and “digital” as “using hardware requiring a digital component (point and shoot, cell phone or dSLR cameras) regardless of how it was printed.” Fifty artists in total, approximately 25 in each category, will demonstrate the wide range of photography that’s still out there. It’s one of the rare times that focusing on the merits of “both sides” isn’t a totally useless thing to do.
Political art is easy to create but hard to pull off. The election of President Trump has spurred much talk among the chattering classes about art’s potential as a weapon of activism and satire. Unfortunately, as we’ve noted before, that political impulse often comes up short. The cultural left has an unfortunate tendency to bring butter knives to gun fights; but satire, like knives, only works when it has a real edge.