Rubin Museum

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In Bight of the Twin, Genesis P-Orridge Travels to Benin, the Birthplace of Voodoo

Genesis Breyer P-Orridge in "Bight of the Twin," a new documentary from Hazel Hill McCarthy III

Genesis Breyer P-Orridge in “Bight of the Twin,” a new documentary from Hazel Hill McCarthy III

I’ll be the first to admit it, my total “experience” with voodoo involves not much more than occasional trips to my local botanica to refresh my incense supply, and subsequently stressing about my decision to go with the “Fast Luck Egyptian Money Drawing” candle (*alleged) over the Reverse Action Evil Eye one (*also alleged). Which is to say, I have exactly no actual experience. I’m totally gonna let the lovely Haitian shop owners dress my devotional candle of choice with what looks like confetti and smells like potpourri, because why not? In my understanding, it’s best to cover all your bases on the warpath to riches, and I’ll take any and all of the help that the Supernatural Powers That Be, whoever they may be, are willing to give me.
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Genesis Breyer P-Orridge Wants You to Try and Altar Everything

(Art Work by Genesis P-Orridge)

(Art Work by Genesis Breyer P-Orridge)

There might be no other artist breathing today who lives their art as deeply and consistently as Genesis Breyer P-Orridge. The renowned occultist and “wrecker of civilization” has repeatedly taken a spiky club to the larger culture, even to h/er own body, as a means of dismembering ingrained mores. S/he did this first as a founding member of Throbbing Gristle– a band whose embrace of bristling, harsh sounds and antagonistic politics sought to dishevel the status quo, and sparked the inception of industrial music– and subsequently with Psychic TV. With h/er new exhibition, Try to Altar Everything (opening March 11), P-Orridge will transform the Rubin Museum into a participatory “shamanic space,” inspired by h/er travels to the Kathmandu Valley of Nepal. “We’re developing this bouncing conversation between the mundane and the sacred,” Genesis explained. “Everything can be sacred, and if you start to look for the sacred, you will find it.”

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