The House of Yes has something of a problem with their shimmering, funky, newish venue in Bushwick– they have a surplus of space, which is sort of a unique issue when it comes to digs in post-industrial-squatting Brooklyn. But as the performance collective settles into what’s by far their most functional and fanciest home yet, they’re filling up their calendar with even more events. Soon enough they’ll have every inch of the space and their time occupied by cool happenings. Take for example, the first-ever Question the Market (Saturday May 28 and Sunday May 29), billed as a new pop-up “queer design and arts market.”
“It will be shopping as nightlife, nightlife as shopping,” organizer Eric Schmalenberger told us. “I feel like shopping can be more than shopping. When given the right space, it can be more interesting and engaging, and the great thing about flea markets is that you, often, can engage with the maker.”
Lucy Hearn recently did what so many musicians and artists before her have done when she made the big move to New York, hoping to find a bigger audience and a more “intense” environment. But instead of leaving Sydney, Australia behind in a flurry of middle fingers and broken shot glasses, Hearn (who fronts an indie pop band called Fieldings) is taking a piece of her hometown with her.
As an active member of the scrappy arts community in Sydney, she founded Strange Cuts, a rotating event that functioned as a live-music space, homemade goods market, and art show. On Saturday, May 21, at Secret Project Robot, Hearn and her organizing partner Caitlin Pasko of Drunken Piano, will host the very first Brooklyn Strange Cuts. It’ll feature performances by Fieldings as well as a slew of other local bands like Baby Birds Don’t Drink Milk. Plus, there’ll be visual art and cool things to throw your money at brought to you by independent purveyors of handmade objects, garments, and book things.