Quiet as a Space Opening reception Thursday, March 14 at 54 Eldridge Street, 6 pm to 8 pm. On view through April 1.
One type of trendy online content today can be found under the label “oddly satisfying.” Paint cutting videos, hands poking indents in spheres of colorful slime, objects fitting perfectly into one another, and so on. Imagery like that can be calming to observe, even if you don’t know exactly why. The work of artist Adrian Kay Wong, an LA dweller bringing his work to the Lower East Side beginning Thursday, has a similar feel to it. Smooth diagonal slashes, even squares, symmetrical curves, and more calming geometry abounds in Wong’s paintings, which are graced with bold colors and landscapes populated with desks, lamps, couches, and flowers. They’re simple, they’re impressive, and they’re definitely satisfying.More →
Flash of the Spirit Opening Friday, November 9 at Salon Bowery 94, 6 pm to 8 pm. On view through December 21.
Lyle Ashton Harris’s photos, on view at Salon 94 Bowery starting this Friday, contain much colorful, vivid imagery, but few human faces. Instead, the faces in the bodies he captures are covered by elaborate, striking masks sourced from a variety of places, including several African masks from his uncle’s collection. These images are actually self-portraits, but you might not know it. And that’s kind of the point: throughout history, people putting on masks has been equated with them transforming into someone (or something) else, whether that be an improved version of oneself or a way to avoid accountability. Harris has been making work dealing with queerness, Blackness, and the self in the context of diaspora for decades, and this is a chance to see what he’s up to now.More →
Image: Jenna Westra, Mariana Sits on “The Complete Photographer, An Encyclopedia of Photography” (1949), Volume 6, Pages 2178-79, ‘Best Fashion Study and Best Action Production Still Taken in a Studio’, 2018. Archival pigment print, 26 x 21.75 inches (image courtesy of Lubov)
Parts Of Some Quartet, Fruits Opening Saturday, March 24 at Lubov, 6 pm to 9 pm. On view through May 6.
The Tribeca gallery Lubov is small, tucked away on the second floor of an office building, but within it you’ll find none of the monotony typically associated with such work. Instead, you’ll be greeted with contemporary art of all sorts, including their newest exhibition Parts Of Some Quartet, Fruits. In addition to being a very good exhibition name in my opinion, it’s also an assortment of analog photography by Jenna Westra that focuses on what happens when you don’t shy away from the act of purposefully trying to create an engaging scene ripe for the snapping. The scenarios recall a kind of captured choreography, such as an amateur model (or maybe a dancer?) kneeling with their dirt-dusted feet squarely sitting on (what else?) a book of photography, simultaneously desecrating and establishing its position as subject.More →
Sweety’s, a curatorial initiative “dedicated to the labor of black and brown artists,” will be taking over the Lower East Side’s Cuchifritos Gallery + Project Space until the end of July, using their time to stage live talk show interviews with artists and “Spanish-speaking cultural producers.” They’ve partnered with four unique artists, who will be interviewed by Sweety’s and given space for a week to show their work. Once those weeks have concluded, the four members of Sweety’s will be creating a collaborative installation.
The residency begins with Cecilia Gentili, a performer, storyteller, and advocate for trans women of color, and continues with illustrator Raul Gonzalez III, poet and AIDS activist Emanuel Xavier, and visual artist Elia Alba. As the Manhattan art world continues to largely fulfill its reputation of being upper-class, cis, and white, ventures like Sweety’s are a breath of fresh air.
Subtext II: Meditations Opening Wednesday, May 17 at Foley Gallery, 6 pm to 8 pm. On view through June 25.
I would remark on the humor inherent in exhibiting artist Wyatt Gallery’s name, who is indeed showing artwork in a gallery, but it seems he’s already got that covered. As soon as you visit his website, the very large and very green phrase “a person, not a place” is followed, literally, by a trademark symbol. So, guys… he gets it.
For this show, Gallery is displaying a series of works using foundational material quite truly ripped off of the city streets, in that they are portions of the endlessly-stacked-and-glued mountains that are NYC street advertising and flyering. He transformed these found object compilations into “UV cured photographic plates,” making them even more abstract in the process. Interestingly, Gallery sees these dirty, aged poster creations as relevant to his practice of mindfulness and meditation. So next time you’re saddled with a 20-minute train wait, maybe you should try deep breathing while staring at the many advertisements on the walls. Perhaps inner peace will crawl out from in between the pages.