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Nightclubbing | Richard Hell and the Voidoids

Nightclubbing | Richard Hell and the Voidoids

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

Richard Hell with set list.

You can’t talk about punk rock without talking about Richard Hell. Television, the band he founded in 1973 with then best friend Tom Verlaine, was one of the groups – along with Blondie and the Ramones – that laid the foundation for the downtown scene at CBGBs. Sex Pistols impresario Malcolm McLaren purportedly looked at a poster of Television in 1974, pointed at Richard and said, “I want to start a band that looks like him.” More →

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Nightclubbing | Levi and the Rockats

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

At CBGB, it was a crapshoot what you would hear on a given night (maybe folk rock, maybe noise bands) and we, the audience, said bring it on. If the music was good, we listened to it. But over in England, there was a culture war raging that was alien to most variety-loving New Yorkers.

Teds were the original “rebel teenagers” of the late 40s and early 50s, with their own unique clothing style and love of early rock and roll. They endured as a niche group for years, enjoying a resurgence in the 70s. They held on to their sartorial and musical traditions – and with it, an unfortunate penchant for violence, a behavior certainly fanned by the British tabloids. Though the gritty details remain debatable, it seemed inevitable that the conservative, volatile Teds would pick a fight with the publicity-loving, anarchic punks. The natty Teds didn’t like safety pins and they sure didn’t like the Sex Pistols.

Leee Black Childers remembered going to a rockabilly show in London in 1977 while touring with the Heartbreakers as their manager during the “Anarchy in the UK” tour. “When the lights went up, Teds suddenly descended on us and threatened to beat us up for being punks,” he said. “This kid, Levi Dexter stepped up and stuck up for us and we were saved.” Childers asked him if he had any friends, because with his looks he could start up a band. Levi recruited childhood friend Smutty Smiff and a few others and Childers became their manager. More →

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Nightclubbing | A Night at CBGBs

Nightclubbing | A Night at CBGBs

The Local is pleased to launch a regular column in which Pat Ivers and Emily Armstrong sift through their voluminous archive of punk-era concert footage as it becomes part of the Downtown Collection at N.Y.U.’s Fales Library. They’ll share their favorite stories and clips along the way.

The Nightclubbing archive.

The Nightclubbing archive.

Pat: On a hot sticky night in July, 1975, I began videotaping punk bands at CBGBs. It was during the CBGB Rock Festival of Unrecorded Bands, with 40 groups that formed the core of the nascent music scene downtown. I was part of Metropolis Video, a video collective of eight, most of whom worked at MCTV’s public access department. That first night, we shot Blondie (still doing some covers, like the Velvets, Femme Fatale), the Talking Heads on their third or fourth gig out of RISD, and the Heartbreakers, a downtown super group with Richard Hell, who had just left Television, and Johnny Thunders and Jerry Nolan of the Dolls. It was their first Manhattan date. It was exciting and we shot now and then for about a year but the center would not hold and the collective dissolved.

Luckily, I met Emily Armstrong and after a night seeing Patti Smith at CBs, she agreed to work with me and a new partnership was formed. Our first band was the Dead Boys in 1977 and we continued for the next four years, often at CBs but also at other clubs like Max’s, Hurrah’s, Mudd Club, and Danceteria.

Emily: Now 32 years later, N.Y.U.’s Fales Library is making everything new again. The Downtown Collection is preserving and restoring the Nightclubbing archive of nearly 100 musical performances, 20-plus interviews, video art projects and more. It will be available for scholars (yes!) to rifle through and enjoy. I hope they do – I know I did. More →