Porterspace in Bushwick (photo: Cassidy Dawn Graves)
New York is expensive for business owners (ok, and everybody else), and this can ring especially true for those who run performance spaces. Indeed, commercial successes like Hamilton could lure the ignorant into the sense that it’s very feasible to make live theater work with a long and lucrative life. But that runs contrary to the climate that the smaller spaces and companies exist in, even when they’re the ones creating and initially developing the work that goes on to find success. More →
