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Art After Stonewall, Political Portraits, and More Art This Week

(image via BRIC)

The Portrait is Political
Opening Wednesday, April 24 at BRIC, 7 pm to 9 pm. On view through May 12.

Portraits have become one of the most ubiquitous forms of imagery in our society. While their origins lie in fine art, today’s portraits can take any form, but the most common is surely the selfie. Some might argue the vast proliferation of selfies and such has diluted the significance of this form, but I’m more inclined to believe it has opened up the opportunity to start thinking more purposefully about portraiture; one must, to cut through the churn. The Portrait is Political, a “suite” of exhibitions opening at BRIC this week, seeks to reassert the power of depicting people in art. Jaishri Abichandani immortalizes Brooklyn’s South Asian feminists in paint, Texas Isaiah creates collaborative works with his subjects, and Liz Collins curates a sprawling spread of portraits from over 35 queer artists. More →

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This Exhibit of Radical Art Speaks to the Power of the Pen

Mabel Dwight, "Danse Macabre," c. 1934. Lithograph, 11 3/8 x 15 3/4 in. Mary and Leigh Block Museum of Art, Northwestern University, 1995.59.

Mabel Dwight, “Danse Macabre,” c. 1934. Lithograph, 11 3/8 x 15 3/4 in. Mary and Leigh Block Museum of Art, Northwestern University, 1995.59.

Anyone needing a crash course in the ways the pen can confront the gun should head over to NYU’s Grey Art Gallery, where a decade’s worth of revolutionary art celebrates immigrants, denounces tyrants, ennobles workers of every race–and even illustrates the very idea of terror.
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