Director Crystal Moselle, who traced a family of Lower East Side shut-ins with her documentary The Wolfpack, is back in the public spotlight. This time, she’s touting a feature film instead of a documentary and hanging out with a feisty group of teen girls tearing up the skate parks and streets of the Lower East Side. Her new film, Skate Kitchen, depicts a fictionalized version of the lives of real skateboarders who captivate their 70,000-plus followers on Instagram with viral videos of skating tricks and gnarly wipe outs.
The Girl Who Loves Roses
Thursday March 30, 6 pm to 9 pm at Larrie, NY: free
Kelsey and Remy Bennett, granddaughters of Tony Bennett, are working artists, outspoken feminists, and curators of various exhibitions and art happenings. You might be saying to yourself, “Of course they are.” But that would be a jerk move, since the Bennett sisters take after their family patriarch, who is widely known as one of the nicest dudes in showbiz (the Daily Beast called him “one of the greatest living Americans” for his long history of service to just causes including “Nazi hunting” and participating in the 1965 Selma to Montgomery marches of the Civil Rights movement). Their approach to curating is ultra-inclusive and social justice-oriented, but it’s not motivated by self-congratulatory horn tootin’ and seems instead to come from an easy, natural inclination to do good work.
Last week, two films set in Bushwick premiered at the Sundance Film Festival. Here’s the early word.
The Incredible Jessica James
Directed by Jim Strouse (New York, I Love You), this is a meandering profile on youth starring Jessica Williams. Jessica is a struggling playwright living in Bushwick who is between relationships and attempting to get a play off the ground. She meets Boone, played by Chris O’Dowd, and after an awkward first date the two slowly fall for each other. Critics seem to agree that Jessica Williams single-handedly carried this movie, which has already been purchased by Netflix.
At what point does something stop being beautiful once it becomes functional? Can something you use every day be made into art? Does art need to hang in a gallery to be recognized? And, perhaps the biggest question of all, how much can sheep really contribute to the fine arts?
Now in its second year, DV8 began when Rebecca Shapass and Gabriela Granada, two NYU film students decided they were sick of being told there was a correct way to make films. “When you go to film school, you’re taught that movies have to be made a certain way,” Shapass said. “We want to do something else.”
It’s no wonder February is shaping up to be the perfect time to binge on witchy happenings– the start of the month is marked by an important pagan festival, Imbolc, a time of “weather divination” (Groundhog Day!) and looking out for the first indications of spring and omens. No better way to help you seek out those good omens than an esoterica art show, curated by Pat Grossman of Phantasmaphile, a blog chronicling the fantastical. But to avoid the rather hellish indications that winter will continue from here until eternity (guys, that snow is going absolutely nowhere until July) we suggest you hole up at BAM, which will play host to another Phantasmaphile effort, “Witches’ Brew“– a series spotlighting the major cinematic witch tropes throughout film history.
Friday January 15 through Thursday January 21 at Village East Cinema
It’s about time we got a moon-landing conspiracy theory comedy– I mean, it’s all right there in front of us: everyone’s super loving the ’70s right now (don’t pretend you haven’t seen betches in bellbottoms recently, it’s happening whether we like it or not), cynicism regarding the government and Hollywood is at an all time high, and people are finally realizing there’s a high probability that lizard people rule the world.
Our favorite lil’ indie theater reopens tonight as a renovation project that choked up the reels for a whole month nears completion. For a brief time last year, the future of Spectacle at South 3rd Street, where it has occupied the ground floor for the last five years, looked like it was in jeopardy. Thankfully, the volunteer-run movie theater successfully raised more than $40,000 through a Kickstarter campaign to fund an overhaul that saved it from being forced out. I popped by this morning to get a peek at what’s new, fingers crossed that the theater had stayed true to its roots.
Silent Night, Deadly Night
Friday Dec. 18 and Saturday Dec. 19, midnight at Nitehawk: $11
Everyone knows the only sufferable holiday films are Xmas-themed horror movies. This 1984 genre classic Silent Night, Deadly Night tells the story of a young boy who witnesses the murder of his parents at the hands of a psychopath dressed as Santa. Traumatized by his exposure to such unspeakable violence, the boy grows into a truly screwed-up young man whose thirst for blood knows no bounds. Oh, and of course he feels the need to don a Santa outfit during his mayhem sprees.
City of Lost Souls
Friday Nov. 20th, 7:30 pm at Union Docs: $9
Juliet Jacques, the author of Trans: A Memoir, which accounts for her own experiences transitioning from male to female and her life from childhood up to her present 30-something self, will be on hand to present City of Lost Souls, a “trans musical spectacular.” Filmed in 1982, it provides an early look at identity politics and trans identity years before there was mainstream understanding of what it means to be trans. The film is such an early example of gender exploration that it’s lacking in recognizable “transgender” language– in fact, the word is never mentioned in the film (though there are instances of its use at that time).